|Vintage Pulp||Mar 6 2019|
This post was long overdue. Most pulp oriented websites do a collection of covers that have the word wanton in the title, so we're following suit. Basically because we couldn't think of anything else to do today. Numerous examples below. Enjoy.
|Vintage Pulp||Mar 14 2015|
|Vintage Pulp||Feb 25 2015|
|Vintage Pulp||Jan 2 2015|
We were going to go with “cream for my seeping bacne” for the subhead on this one, but that struck us as too colloquial, so we went with hemorrhoid cream instead. We’re all class around here. Anyway, Curt Aldrich, who we last discussed way back in 2009, was a house pseudonym inhabited by several writers, so we hear. The only one of those to have been positively identified is Richard Curtis. The Lust Lotion, which appeared in 1967, is a tame effort for Aldrich. He would go on to write incest books like Spread Big Sister and Her Father’s Fixation, as well as bestiality novels like Daughter Loves Horses, Horse-Happy Schoolgirl, and the unforgettable Schoolgirls Hot for Dogs, so Lust Lotion is family fare in comparison. The art is from Robert Bonfils.
|Vintage Pulp||Feb 8 2009|
Despite the racy look of it, 1,2,3… Swap! is one of author Curt Aldrich’s tamer efforts. Writing from the mid-60s and into the 80s, he specialized in swapping fiction, giving us many memorable books, including Cock ‘o the Swap, Swap Epidemic, and Swap ’69. Not one to limit himself, Aldrich also went fully hardcore with rather shocking titles like Daughter Loves Horses, Spread Big Sister, and Horny Holy Roller Family.
It could be Aldrich showed such range because he was actually a pseudonym used by various authors, including Richard Curtis, who later became a literary agent. Many of these books featured low-rent cover illustrations that were little more than sketches, but this psychedelic effort by an unknown artist (looks like it could be Robert Bonfils, but absent confirmation, we'll go with unknown) is first rate. We'll be posting more Adrich books in the future.
Update: turns out the art is by Darrel Millsap, who illustrated scores of covers for Greenleaf Classics. It only took four years to clear that up, but better late than never.