Vintage Pulp Jun 27 2022
ALIBI BABY
Two tough guys plus one Gloria Grahame add up to minus one tough guy.


This rare promo for the film noir Naked Alibi shows Gloria Grahame caught between mortal enemies Sterling Hayden and Gene Barry. The movie premiered in the U.S. today in 1954. We talked about it last year. Shorter version: b movie tries hard but could b better. 

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Vintage Pulp Oct 1 2021
A CONVENIENT EXCUSE
The most important element of our airtight alibi is the naked part, so let's get started on that first.


There's nothing quite like settling in for a b-movie, but being pleasantly surprised because it's a-quality. And then there's Naked Alibi, a not wholly successful crime procedural starring Sterling Hayden as a two-fisted cop who sometimes bends the rules, Gene Barry as the man he wants to put behind bars, and Gloria Grahame as a woman caught between the two. The movie features the oft-used film noir gimmick of a trip to Mexico—or at least close by, to a fictional town with the imaginative name Border City. In crime cinema, these trips into or adjacent to Mexico are supposed to represent descents into lawlessness, because everybody knows life is cheap on the border. Co-star Don Haggerty to Hayden: “Watch yourself, Joe. He spots you down there he can rub you and make it look real good.”

Hayden doesn't get rubbed down there or anywhere, sadly. But the trip is worth it anyway because he runs into local chanteuse Marianna, played by Gloria Grahame. Her musical repertoire consists of an unenthusiastically lip synched number with overly precious lyrics, but of course the feminine song and dance routine is even more of a film noir staple than a trip to Mexico. Sometimes these musical bits are good, but in this case Grahame obviously can't sing, and her dance moves are flat hilarious. Plus, her acting will never be mistaken for virtuosic. What she has, though, is a palpable vulnerability that makes her an excellent hard luck femme fatale, in this case one who's grown tired of her abusive boyfriend and is casting a wandering eye toward Hayden as a possible replacement.

Despite mostly passable performances, Naked Alibi is pure b-noir that shows a lack of top tier talent in all other areas. It was directed by television veteran Jerry Hopper and written by Lawrence Roman, successful enough guys who nonetheless were never household names. The entire film hinges on a conceit that was threadbare even during the 1950s—that a criminal won't simply ditch a gun he used to murder someone, but will instead hide it somewhere he can eventually lead the police to. That's a spoiler, but what the hell. We suspect there's a reason this film lapsed into the public domain. Even its trailer is cheesy. What it does have, though, is unusually nice promo material, so we've uploaded a bunch of production photos below, plus a few publicity shots, and three more posters. They're all great, even if the movie isn't. Naked Alibi premiered in the U.S. today in 1954.
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Vintage Pulp Jan 6 2015
WAR AND TERROR
They don’t show mercy. They don’t negotiate. They don’t listen. They don’t care.


Kampf der Welten is, we’re sure you can guess from the art, the West German title for War of the Worlds. This cinematic adaptation of H.G. Wells’ famous 1897 serial starred Gene Barry and Ann Robinson, and if you haven’t seen it we suggest it’s worth the time, though it’s quite different from the novel. Actually, we recommend the novel too. It’s grimmer than the film, and has a distinct, rationalist point-of-view that was whitewashed for cinema audiences. Actually, not whitewashed—more like inverted to portray the clergy heroically, where in the novel it is characterized by cowardice. Spielberg and Cruise left that out, too, in their 2005 interation, but in other respects their movie is very close to the book. In addition to the German promo, we also have the three English language posters below. War of the Worlds premiered in the U.S. during the summer of 1953, and reached West Germany today in 1954.


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Femmes Fatales Dec 6 2010
HELP ME RHONDA
The red brigade to the rescue.


American actress Rhonda Fleming, who was a rarity due to actually being born and raised in the city of Hollywood, became known as “The Queen of Technicolor” because of her flaming red hair. It isn’t evident in this promo shot from the mid 1940s, but it might evident in film titles such as The Redhead and the Cowboy, in which she starred with Glenn Ford, and Those Redheads from Seattle, which paired her with Gene Barry. Fleming is still around, and we'll have more on her a little later. 

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History Rewind
The headlines that mattered yesteryear.
February 27
1922—Challenge to Women's Voting Rights Rebuffed
In the United States, a conservative legal challenge to the nineteenth amendment to the U.S. Constitution establishing voting rights for women is rebuffed by the Supreme Court in Leser v. Garnett. The challenge was based partly on the idea of individual "states rights" to self determination. The failure of such reasoning as it applied to basic human rights created a framework for later states rights losses involving the denial of voting rights to African-Americans.
February 26
1917—First Jazz Record Is Made
In New Orleans, The Original Dixieland Jass Band records the first ever jazz record for the Victor Talking Machine Company in New York. The band was frequently billed as the "Creators of Jazz", but in reality all the members had previously played in the Papa Jack Laine bands, a group of racially mixed performers who helped form the basis of Dixieland while playing under bandleader George Laine.
February 25
1947—Prussia Ceases To Exist
The centuries-old state of Prussia, which had been a great European power under the reign of Frederick the Great during the 1800s, and a major influence on German culture, ceases to exist when it is dissolved by the post-WWII Allied Control Council comprised of the United States, the United Kingdom, and the Soviet Union.
1964—Clay Beats Liston
Heavyweight boxer Cassius Clay, aged 22, becomes champion of the world after beating Sonny Liston, aka the Dark Destroyer, in one of the biggest upsets in boxing history. It would be the beginning of a storied and controversial career for Clay, who would announce to the world shortly after the fight that he had changed his name to Muhammad Ali.
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