|Vintage Pulp||May 15 2017|
Bette Davis tries to hang on to her freedom in a man's world.
This is a killer poster. You'd think Ex-Lady was a crime movie about a deadly femme fatale, but it'a actually a breezy little drama about a modern Manhattanite—played by a twenty-five-year old Bette Davis—who has always rejected marriage in favor of freedom and fun. She has a lover—made pretty clear in this pre-Code production—as well as a career as a commercial artist, but society and her father apply pressure for her to be conventional. Davis is fun in this, playing a woman who's smart and sweet, ambitious yet insouciant, and great with a quip. She's basically perfect, and this movie is an instructive artifact from the Jazz Age, a time when sexual mores went out the window and women began having sex before marriage. In fact, some data suggests the majority of unmarried women were non-virgins before tying the knot. Will Davis retain her independence? Will she marry and turn into Susie Normal? Can she and her boy toy Gene Raymond hang on to their love in this crazy mixed up world? We aren't telling. This is worth a watch, though some dialogue that's meant to be snappy comes across flat today. As a side note, though the film wasn't censored, several scenes would have been cut had it been released a few years later. See if you can spot them. You'll have to think like a Hays Code censor—i.e. a repressed, dirty-minded killjoy who sees filth in everything. Ex-Lady premiered in the U.S. today in 1933.