| Modern Pulp | Aug 28 2018 |
The Florida heat cooks up trouble in Lawrence Kasdan's masterful neo-noir.
Kill your husband for you? Sure, I can make that happen, I guess. Spousal murder is a film noir and pulp fiction plot tentpole, and the motivation for trying something so risky generally revolves around sex. But during the time the film noir and pulp fiction genres were extant their makers could only imply it. The neo-noir thriller Body Heat, which premiered in the U.S. today in 1981, fixed that problem, as not-so-bright lawyer Ned Racine, played by William Hurt, is seduced into a murder plot by whip smart bombshell Matty Walker, played by Kathleen Turner in her cinematic debut.
Body Heat is an apt title. The setting is South Florida during a heat wave, with most of the action set in the mythical towns of Pinehaven and Miranda Beach. Every frame of the movie seems to vent steam. There's copious slippery sex and nudity, all of it important to the plot. When the pair have their electric first encounter Hurt pulls off Turner's panties with an expression of pure awe on his face and intones, “So wet.” For just that moment he wonders if it's really him turning on a woman that much. And he's right to wonder, because it isn't him. What's turning her on is money.
Directed and written by Lawrence Kasdan, the film is a reworking of Double Indemnity, but it improves on the original in the sense that we fully understand the visceral reasons why murder has occurred. That moisture between Turner's legs causes an electrical short in Hurt's brain. After subsequent sexual encounters, including an anal session that's implied but clear as day thanks to some clever visuals, he's hooked like a bluegill. For a guy just smart enough to get a law degree, but not bright enough to avoid being known as his town's worst lawyer, bedding Turner makes him feel godlike. Surely he can pull off murder and make it look like an accident.Body Heat made Turner, Hurt, and Kasdan superstars, and did the same for a few of its below-the-line players. Turner went on to become one of the pre-eminent actresses of her generation; Hurt, who had starred in the brilliant but under appreciated Altered States, became one of Hollywood's top leading men; and Kasdan directed Silverado, The Big Chill, and other hits. Co-star Ted Danson also blew up, and Mickey Rourke parlayed a blazing supporting bit into a career as Hollywood's go-to rebel creep. You know any film that ignited five such careers is top notch, but as a post-noir entry Body Heat is also cinematically important. Not only did it finally lay bare the motivation behind all those noir murders and obsessions, but it did so with a reverent visual style and pitch perfect mood. We can't recommend it strongly enough.
FloridaBody HeatDouble IndemnitySilveradoThe Big ChillAltered StatesKathleen TurnerWilliam HurtLawrence KasdanMickey RourkeTed Dansonposter artcinemafilm noirmovie review
| Modern Pulp | Dec 25 2008 |
The most intellectual sci-fi movie ever made premiered today in 1980.
Not exactly your run-of-the-mill X-mas flick, Altered States was a mindbending journey through inner space. William Hurt was electrifying and utterly believable as a brilliant genetic researcher who thinks God can be found inside human genes. He uses hallucinogenic drugs combined with sensory deprivation to tunnel into his own DNA. Problem is, when he comes out something comes with him. This all time sci-fi/horror classic, which is also one of the most profound love stories ever set to celluloid, is refreshing in its basic assumption that its audience was intelligent enough to get it. They not only got it—they bought it.
