|Intl. Notebook||Mar 17 2015|
In the photo above, department store manager Hillman Lee checks out a group of battered mannequins he had helped the U.S. government use in a nuclear test. The mannequins were placed inside House No. 1 at the Nevada Proving Grounds and subjected to the blast effects of the sixteen-kiloton shot codenamed Annie, which was part of Operation Upshot-Knothole. The images below show up on all sorts of websites identified with all sorts of tests, but these come from the Nevada Department of Energy website and are identified there as the actual House No. 1 that wasblown to smithereens along with Hillman’s mannequins (those may seem in strangely good shape to you, but keep in mind that fiberglass melts at about 37,000°F, whereas human flesh burns at about 120°F and melts shortly thereafter).
For an interesting indication of the bizarro world some people lived in during the nuclear 1950s, consider this quote from Hillman concerning the use of mannequins (which, by the way, he dressed differently as a tribute to American individuality and choice): “The outcome of this test is unpredictable, but the results of the evaluation may be a powerful factor in deciding fashion trends in the years to come.” That’s right—he thought he could learn from the test how to make nuclear blast-resistant clothes, market them, and make money selling them. Kind of makes you wonder whether humans are simply destined to fail on this planet, doesn’t it? Nuclear test Annie occurred at 5:20 a.m. today in 1953.
Note: We got an e-mail, and the question was whether the mannequin photo was really made after the test, or before. If the photo were larger you'd be able to see that the mannequins are, in fact, a bit battered. Of course, that raises the question of whether they're radioactive. Being the morbid guys we are, we did check historical records on Hillman Lee to see if maybe he developed health problems, but there's nothing on him. Presumably he made a fortune on his nuke resistant garments and retired to a life of quiet but comfortable obscurity. Or not.