Femmes Fatales Jun 20 2020
INCOMPARABLE INCONTRERA
Annabella is molto bella from every angle.


Every side is Italian actress Annabella Incontrera's good side, as you can in the four shots above. We should all be so lucky. Despite a name that comes off the tongue like poetry, Incontrera sometimes acted as Pam Stevenson, and well, no offense to any Pams or Stevensons out there, but that pseudonym surely had to be the idea of an unimaginative agent or studio head. In the end it was as Incontrera that she made her mark, appearing in several notable Italian giallo and horror films, including La tarantola dal ventre nero, aka Black Belly of the Tarantula, Sette scialli di seta gialla, aka Crimes of the Black Cat, and Perché quelle strane gocce di sangue sul corpo di Jennifer?, aka These Italian Movie Titles are Purely Nuts. She also popped up for a moment in Dean Martin's tongue-in-cheek caper flick The Ambushers as a slaymate. Well, she slays us. These photos are undated but from around 1968.

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Vintage Pulp Oct 2 2018
BATHROOM BREAK
Help... dying... last wish... to see dripping wet naked woman.

The cover art for this 1948 Avon edition of Paul Cain's Fast One kind of looks like a guy's about to drop dead in front of a bathing woman, but actually he's merely been shoved into the bathroom by the story's anti-hero protagonist. It's always interesting which moment an artist (or a publisher directing an artist) will choose for a cover. This is not an important event in the narrative, but the chance to show a woman in the bath was apparently too enticing to pass up.

The backdrop here is prohibition era Los Angeles and the main character Gerry Kells and the femme fatale S (we never learn her first name) are pulled into a maelstrom of trouble when Kells refuses to work for his old crime buddies and in retaliation they frame him for murder. The novel was put together from five stories that appeared in Black Mask magazine, and when it was published Cain—aka Peter Ruric, aka George Sims—was hailed as a giant of hard-boiled fiction on par with Hammett and Chandler. We don't know about that, but Fast One is a good read—bare bones and quick paced and filled with random brutality.

The bio page for Fast One says Cain “has lived as he writes—at high speed and with violence.” It's a phrase that makes you want details but none are provided. We imagine the description is accurate, though, because Cain published this single novel, as well as some screenplays (including for The Black Cat), then vanished into obscurity and eventually died of alcoholism. 

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Vintage Pulp May 7 2014
CAT PEOPLE
It may be a classic but it’ll probably leave you wanting something more.


The Black Cat has been called one of the greatest horror films ever made. Taken in context it’s creepy, no doubt, and it stars spookmeister Bela Lugosi alongside Boris Karloff, he of the sinister widow’s peak and cinderblock head, so they alone make it somewhat unsettling. But it was produced in 1934, and much has changed since then in terms of what is truly terrifying. Plotwise, what you have here are two honeymooners in Hungary who encounter a mysterious traveler and who all end up stuck in the dreaded hilltop manse—not the gothic pile you would expect, but rather a linear, art deco box. The house is occupied by Karloff, a sort of war criminal, and it turns out Lugosi has traveled there with revenge in mind, for it seems Karloff had something to do with the deaths of Lugosi’s wife and daughter. The honeymooners are basically hapless bystanders to this situation, and their approach to the predicament doesn’t remotely resemble the approach you or I would take, but people had better manners back then. Eventually, though, manners are jettisoned and that’s when the movie gets interesting.

Watching two honeybaked hams like Karloff and Lugosi square off is rather entertaining, we gotta say, even if the plot doesn’t entirely hold together. But all that matters is the mood and the shadows and the evil glances and the fact that there can be only one winner—or none, considering the house is wired to self destruct. Of special note, by the way, is the music, which is almost continuous, and consists not of compositions made for the film, but rather a greatest hits assortment of Beethoven, Bach, Liszt, Schumann, and Tchaikovsky. It all gets a bit over the top, in our opinion, but you do get to enjoy probably the first movie usage of Bach’s “Toccata and Fugue in D Minor, BWV 565” (if indeed Bach wrote it, something that is in dispute). You know the tune—it’s the gloomy, edifice shaking organ solo most people associate with the 1962 film Phantom of the Opera. Well, Karloff’s character plays it here. We won’t lie—even the most chilling piece of music ever written can’t make The Black Cat scary, but if you have sixty-five minutes and consider yourself a horror buff it’s still worth the time. It premiered in the U.S. today in 1934. 


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History Rewind
The headlines that mattered yesteryear.
June 21
1940—Smedley Butler Dies
American general Smedley Butler dies. Butler had served in the Philippines, China, Central America, the Caribbean and France, and earned sixteen medals, five of which were for heroism. In 1934 he was approached by a group of wealthy industrialists wanting his help with a coup against President Franklin D. Roosevelt, and in 1935 he wrote the book War Is a Racket, explaining that, based upon his many firsthand observations, warfare is always wholly about greed and profit, and all other ascribed motives are simply fiction designed to deceive the public.
June 20
1967—Muhammad Ali Sentenced for Draft Evasion
Heavyweight boxing champion Muhammad Ali, who was known as Cassius Clay before his conversion to Islam, is sentenced to five years in prison for refusing to serve in the military during the Vietnam War. In elucidating his opposition to serving, he uttered the now-famous phrase, “I ain’t got no quarrel with them Viet Cong.”
June 19
1953—The Rosenbergs Are Executed
Julius and Ethel Rosenberg, who were convicted for conspiracy to commit espionage related to passing information about the atomic bomb to the Soviet spies, are executed at Sing Sing prison, in New York.
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