Vintage Pulp Jan 27 2017
THE WORKING CLASS
Just being able to survive feels like success.


Tonight the Noir City Film Festival is screening the urban drama Blue Collar, possibly the best film on the ten-day slate. Richard Pryor, Harvey Keitel, and the underrated but indispensable Yaphet Kotto star, but this is Pryor's show, his star turn. A trio of Detroit auto workers are driven by financial desperation to rob their own union hall. They end up netting three-hundred dollars. Trouble is the union, seeking insurance money, claims it was twenty thousand. The organized crime guy who backed the job isn't interested in stories about a three hundred dollar take—he's owed ten percent and that's two grand. But there's hope—the robbery also netted a notebook filled with information on illegal loans, and if Pryor and company can sell it maybe they can come out on top after all. But just how likely do you suppose that is?

Blue Collar is a brilliant work of art. Cinematic maverick Paul Schrader directed it, operating in a gritty milieu that would become his trademark. But the pressurized lives of the working class heroes are truly brought to life by the cast. Keitel studied under Stella Adler and Lee Strasberg, as well as at the HB Studio, while Kotto is a guy who studied at the Actors Mobile Theater Studio and made his professional acting debut in Othello, but Pryor the stand-up comic outacted them both, using self-contained fury, razor sharp humor, and just the right amount of improvisation. The man was a once-in-lifetime talent. His comedy was fused with desperation and pain, but Hollywood tried to harness the funny Pryor and jettison the rest. It was like removing his heart. He truly shone only in serious films, where he would break high tension with moments of humanizing comedy. Blue Collar was the best of the lot.
 
By today's movie standards a couple of thousand dollars hardly seems like much to fret over. Audiences are used to crime films dealing with millions. But the small amounts here make the movie feel real. A 2016 study showed that half of adult Americans would not be able to come up with $400 in an emergency—they would have to sell something, borrow money, or not pay. Back in 1978, when Blue Collar wasmade, real wages in the U.S. were higher than they are now, so the movie depicts travails among working class people who were better off than working class people are today. Let that sink in. We think this is a perfect movie to show in San Francisco in 2017, a city overrun by tech workers contentedly pushing longtime residents out. The movie won't change anything in the city. But it will be remembered by the ticketholders at the screening.

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History Rewind
The headlines that mattered yesteryear.
October 23
1935—Four Gangsters Gunned Down in New Jersey
In Newark, New Jersey, the organized crime figures Dutch Schultz, Abe Landau, Otto Berman, and Bernard "Lulu" Rosencrantz are fatally shot at the Palace Chophouse restaurant. Schultz, who was the target, lingers in the hospital for about a day before dying. The killings are committed by a group of professional gunmen known as Murder, Inc., and the event becomes known as the Chophouse Massacre.
1950—Al Jolson Dies
Vaudeville and screen performer Al Jolson dies of a heart attack in San Francisco after a trip to Korea to entertain troops causes lung problems. Jolson is best known for his film The Jazz Singer, and for his performances in blackface make-up, which were not considered offensive at the time, but have now come to be seen as a form of racial bigotry.
October 22
1926—Houdini Fatally Punched in Stomach
After a performance in Montreal, Hungarian-born magician and escape artist Harry Houdini is approached by a university student named J. Gordon Whitehead, who asks if it is true that Houdini can endure any blow to the stomach. Before Houdini is ready Whitehead strikes him several times, causing internal injuries that lead to the magician's death.
October 21
1973—Kidnappers Cut Off Getty's Ear
After holding Jean Paul Getty III for more than three months, kidnappers cut off his ear and mail it to a newspaper in Rome. Because of a postal strike it doesn't arrive until November 8. Along with the ear is a lock of hair and ransom note that says: "This is Paul’s ear. If we don’t get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits." Getty's grandfather, billionaire oilman Jean Paul Getty, at first refused to pay the 3.2 million dollar ransom, then negotiated it down to 2.8 million, and finally agreed to pay as long as his grandson repaid the sum at 4% interest.
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