|Hollywoodland||Jan 4 2022|
Not just another one bites the dust.
Scared you there for a second, didn't we? Well, breathe easy, because this isn't a piece of ambush gore like you sometimes stumble across online, but a harmless promo image featuring none other than Humphrey Bogart. This was made when he was filming his 1951 thriller Sirocco and reveals a major plot point. In fact the final plot point. Hope we didn't give anything away. Interestingly, the shot was never used in the flick—Bogart bites the dust offscreen. And after all the work the makeup department did on this, blood from the ears and everything. Well, they still got paid for their time. You can read what we wrote about the film here.
|Vintage Pulp||Sep 19 2021|
Casablanca drifts 2,500 miles east and loses a little something along the way.
Above you see a nice French poster for the Humphrey Bogart adventure Sirocco, which we touched upon briefly several months back. As we noted then, Columbia Pictures promoted the film as being, “beyond Casablanca...” but Sirocco comes up short in that department. How could it not? It's like saying, “beyond chocolate chip cookie dough ice cream,” or “beyond a raspberry gin Ricky,” or “beyond the 2003 Hurricanes-Buckeyes NCAA Championship Game.” These things are not possible. But Sirocco is actually pretty good anyway, owing largely to its setting in 1925 Damascus, Syria (the film was actually shot in Yuma, Arizona, but the illusion worked adequately).
Plotwise, local independence fighters are trying to drive out French occupiers via any means deemed necessary, including what we call today terrorist bombings. Bogart plays Rick from Casablanca, except he's named Harry Smith. But he's the same cynical, opportunistic, womanizing lone wolf he was before, who instead of running a bar, runs guns. He has no ideology in his profession, except love of money, and will work for whoever can hire him, Syrian or French. As the situation in Damascus grows increasingly fraught he finds himself unwillingly stuck between the locals and the occupiers. He also finds himself in a love triangle with slinky Märta Torén and a French military officer played by Lee J. Cobb.
The movie quickly coalesces around what we like to think of as the big three Bogart plot devices: romantic feelings threaten to upset his hard-won cynicism, he must make a choice between desire and conscience, and he must beat the clock if he hopes to get out of Dodge with his skin intact. Beyond Casablanca? Columbia pretty much strip mined Casablanca, is what happened. Even so, Bogart had few serious misses in his career, and Sirocco isn't one of them. Fans will get to see him doing exactly what made him an icon, and for that reason alone we think it's worth a watch. After premiering in the U.S. in mid-1951, it opened in France today the same year.
FranceSyriaDamascusArizonaYumaColumbia PicturesSiroccoHumphrey BogartMärta TorénLee J. CobbZero Mostelposter artcinemamovie review
|Vintage Pulp||Jul 25 2021|
Whatever the problem is Bogart will solve it.
Above are two Italian posters for the Humphrey Bogart film Damasco '25, which is better known as Sirocco, and is yet another Casablanca clone. The U.S. poster even promises flat-out that the movie, an adventure about Syrian freedom fighters and French colonials in Damascus circa 1925, is “beyond Casablanca.” We'll see about that a bit later. These pieces were painted by the great illustrator Anselmo Ballester, whose work we've highlighted here. We'll get back to him later too. Sirocco opened in the U.S. in 1951, and premiered in Italy today in 1952.
|Femmes Fatales||Dec 29 2011|
A siren in the desert.
This Columbia Pictures promo photo of Swedish actress Märta Torén was shot when she appeared in the adventure Sirocco in 1951, starring opposite Humphrey Bogart. The film, which was set in Syria, was an attempt to recapture the magic of Casablanca, and one of its taglines was: “Beyond Casablanca... Fate, in a low-cut gown lies in wait for Bogart!” The movie didn’t recapture that Casablanca magic, but it was a nice role for Torén. She worked steadily until 1957 when she died of a sudden brain hemorrhage at age 30.