| Vintage Pulp | Mar 7 2018 |
________ murdered me, that shithead. Apprehend and imprison. Hopefully for life. And I prefer cremation over burial.
Above is a blood splattered poster for Dario Argento's giallo thriller Profondo rosso, aka Deep Red, which is the story of a British musician in Italy who sees the murder of his neighbor, thus catching a glimpse of the killer. David Hemmings of Blow Up fame stars, and the maniac comes for him next when police for some reason announce to the world that they have a witness. In order to avoid becoming a crime statistic Hemmings needs to unmask the killer. Daria Nicolodi plays the cute-but-not-hot Girl Friday reporter who helps out between trying to get the disinterested Hemmings in bed.
Argento directs Profondo rosso with great style and deliberation, drawing viewers into various set-ups with a roving, nervous camera. This came two years before his tour de force Suspiria, but he's already in full mastery of the extensive giallo toolbox. As usual in the genre, realism is of minor importance, such as when a dying woman wants to write her killer's identity using her finger on bathroom tile and starts with the words, “It was...” Here's a lifehack for you. When mortally wounded write the crucial info like Yoda would: “________, it was.” Afterward, if you have time, you can add any other material you consider important.
Despite the movie's quirks Argento manages to make a winner, at one point even recreating Edward Hopper's famous Nighthawks painting just for the sheer visual fun of it. Hemmings is a big plus too, sleuthing and channeling his inner jazz hepcat. Often in giallo overly convoluted clues make the identity of the killer impossible to guess. In this case the villain is revealed almost immediately—but only for those with sharp eyes. Others will have to wait for the usual climactic unveiling. Then rewind and watch the first murder again. Argento is a sneaky devil. Profondo rosso premiered in Italy today in 1975. See a truly brilliant poster for the film here.
Argento directs Profondo rosso with great style and deliberation, drawing viewers into various set-ups with a roving, nervous camera. This came two years before his tour de force Suspiria, but he's already in full mastery of the extensive giallo toolbox. As usual in the genre, realism is of minor importance, such as when a dying woman wants to write her killer's identity using her finger on bathroom tile and starts with the words, “It was...” Here's a lifehack for you. When mortally wounded write the crucial info like Yoda would: “________, it was.” Afterward, if you have time, you can add any other material you consider important.
Despite the movie's quirks Argento manages to make a winner, at one point even recreating Edward Hopper's famous Nighthawks painting just for the sheer visual fun of it. Hemmings is a big plus too, sleuthing and channeling his inner jazz hepcat. Often in giallo overly convoluted clues make the identity of the killer impossible to guess. In this case the villain is revealed almost immediately—but only for those with sharp eyes. Others will have to wait for the usual climactic unveiling. Then rewind and watch the first murder again. Argento is a sneaky devil. Profondo rosso premiered in Italy today in 1975. See a truly brilliant poster for the film here.
ItalyProfondo rossoDeep RedDario ArgentoDavid HemmingsDaria Nicolodiposter artcinemagiallomovie review
| Vintage Pulp | Jun 7 2013 |
Sandro Symeoni comes down with a case of Vertigo.
After focusing on Italian paperback artists lately, we thought today would be good for getting back to poster artists—namely Sandro Symeoni, who we’ve marveled at before. Symeoni veered from the realistic to abstract in style, and this very graphic poster for Dario Argento’s Profondo Rosso, aka Deep Red, sees him working in the latter mode, which we’ve also noted on pieces like the Suono Libero album sleeve, viewable in panel four here. This is also a clear homage to Saul Bass’s famed Vertigo poster. For a look at many more Symeonis, just click his keywords below. Profondo Rosso, by the way, premiered in the U.S. this week in 1976, and is well worth a look for fans of Argento and/or giallo.
