New main ingredient, same old Female Prisoner Scorpion.
We've already shared two posters for Yumi Takigawa's women-in-prison pinky violence flick Shin joshuu sasori: 701-gô, aka New Female Prisoner Scorpion: 701, which premiered today in 1976. Above is the slightly different tateken sized poster, added here for the sake of completeness. The film is a reboot of the original Female Prisoner Scorpion series starring Meiko Kaji, and most consider it to be of lesser quality than the first four films, but quality is a relative term in pinku. Some would say all the films are bad. Not us. But some would say that. Bonus material: a Yumi promo image below. And you can see the other posters here and here.
When Meiko comes 'round trouble is sure to follow.
We're in Japan again today with another Meiko Kaji poster. Above you see an incredibly rare circular promo for the pinku film Joshû sasori: Dai-41 zakkyo-bô, aka Female Prisoner Scorpion: Jailhouse 41, along with the standard promo. It premiered in Japan today in 1972. Meiko's paid her debt to society for now, so we'll let her go, but don't worry. She's a career criminal—she'll be back.
Maximum security, maximum thrills.
Japanese manga artist Toru Shinohara painted two posters for Meiko Kaji's classic Female Convict series. We shared the first, for Joshuu sasori: Dai-41 zakkyo-bô, aka Female Convict Scorpion: Jailhouse 41, back in 2014. Here's the second, for Joshû sasori: 701-gô urami-bushi, aka Female Prisoner Scorpion: #701's Grudge Song. It premiered in Japan today in 1973. We'll get back to Shinohara a bit later.
The money is there. All they have to do is steal it.
Nora-neko rokku: Wairudo janbo, aka Stray Cat Rock: Wild Jumbo, stars Meiko Kaji and Bunjaku Han in a Nikkatsu Studios/Hori Production co-effort. The movie is based on a Satoshi Funachi novel and concerns five obnoxious delinquents who, with the help of an insider, decide to rob a religious group called the Seikyo Society of 30 million yen. There's a festival going on there, which means the organization's coffers will be fat with cash. As usual with these movies, it takes a while to get to the central plot, but the digressions are interesting. A good portion of the running time involves the group's road trip to the religious compound and the various scrapes they get into along the way, including a comical interlude at the beach. When they finally reach their destination does the robbery go as planned? Of course not. They rarely do. As a side note, viewers should know that while Akiko Wada gets top position on the poster she's barely in the movie. But the film is definitely one of the better Japanese juvie flicks and a worthy second entry in the five film Nora-neko rokku series. Nora-neko rokku: Wairudo janbo premiered in Japan today in 1970. Read about the others, here, here, here, and here.
She's a stone cold killer but there's another side to her.
This unusually glamorous shot of Japanese action star Meiko Kaji looking hair salon fresh is from the pages of the Japanese magazine Weekly Playboy. It's always strange to see her without a sword or a gun in her hands, but we dig it. The date is, we're thinking, around 1972. The actual image is timeless.
Yumi Yumi Yumi puts her knife in your tummy.
A couple a years ago we wrote briefly about and shared a poster for the Yumi Takigawa headlined pinku flick Shin joshuu sasori: 701-gô, aka New Female Prisoner Scorpion: 701. Above is another poster from the film, actually the standard poster, as opposed to the bo-ekibari, or horizontal two-piece we showed you before. It's a great image, as is the very Yumi shot of Takigawa below. See the other poster here.
She'll give you more than just a scratch if you aren't careful.
Above, an alternate promo poster for Kaidan nobori ryu, aka Blind Woman’s Curse, et al, with imagery slightly different from the others we showed you, which can see here.
She isn't even remotely done with you.
Way back in 2010 we shared a promo poster for Joshû 701-gô: Sasori, aka Female Convict 701: Scorpion, as part of a collection of promos from the entire Female Prisoner tetrology. If you click over to that group you'll see it right on top. The movie opened today in 1972 with Meiko Kaji in the lead as the iconic character Nami Matsushima, aka Matsu the Scorpion, and the posters above are the second and third we have for this fun movie. If you haven't seen it but appreciate a little Japanese style cinematic mayhem, we recommend you check it out.
Meiko Kaji finds herself in a gang of trouble.
Above and below are two beautiful posters for Hangyaku no Melody, aka Melody of Rebellion, starring Yoshio Harada and Meiko Kaji. We've located and screened some of the most obscure Japanese films of all time. But this one, with two iconic stars—no such luck. But we can tell you that it deals, like many pinku films, with the multifarious challenges of gang life. When (if) we find this one we'll circle back to it. For now just enjoy the posters, which are both significant upgrades from anything currently visible online. Hangyaku no Melody opened in Japan today in 1970.
The message is pretty clear—get on her bad side and you’ll regret it.
This beautiful and very rare promo poster was made to promote a Japanese film called Onna banchō nora-neko rokku. In the English speaking world its various distributors couldn't seem to settle for long on a title, and it was called alternately Alleycat Rock: Female Boss, Stray Cat Rock: Delinquent Girl Boss, Female Juvenile Delinquent Leader: Alleycat Rock, and Wildcat Rock. It’s the first of five Alleycat Rock or Stray Cat Rock films, and revolves around Meiko Kaji’s girl gang’s unwitting influence over a fixed boxing match. The boxer is supposed to take a dive for a yakuza cartel but instead wins the fight in order to save face with Kaji and her hotties (two of the gang members are played by Bunjaku Han and charismatic pop star Akiko Wada, so we can understand the boxer’s change of heart). But unbeknownst to Kaji, it was her boyfriend who had convinced the yakuza the bout could be fixed in the first place, and now he’s in deep trouble. Wonderfully lensed like so many of these pinku movies, with the requisite grey Tokyo cityscapes, neon splashed nightclub locales, and shots featuring eight or ten characters meticulously packed into the same frame, Onna banchō nora-neko rokku is a nice all around effort. It premiered in Japan today in 1970.
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