| Femmes Fatales | Jun 24 2019 |
Only on Mondays isn't nearly often enough.
This promo photo of the lovely Mariko Kaga was made when she was filming her drama Getsuyôbi no Yuka, aka Only on Mondays. You've seen her here before. She's on these two posters, and she's on the third poster in this collection. You'll see her again too, guaranteed. This shot dates from 1964.
| Vintage Pulp | Sep 5 2018 |
First you scheme, then you lie, then you seduce.
Usually it was Japanese distributors that made amazing new versions of Western posters, but today it's happened in reverse. L'amaro giardino di Lesbo was originally made in Japan and called Utsukushisa to kanashimi to, which translates as “with beauty and sorrow.” It was based on a 1964 novel by Nobel-winning author Yasunari Kawabata, and stars Kaoru Yachigusa, So Yamamura, and the beautiful Mariko Kaga, whose likeness fronts the promo art. We watched it and the story is basically that two lovers lose their baby via miscarriage and split up because of it. The man, whose name is Toshio, gets over it and moves on with life, but his ex, Otoko, is deeply traumatized.
Years later the two meet again. Toshio is married and has a son. Otoko has a female partner named Keiko, and when Keiko meets the man who is intimately connected to her lover's tragedy, she decides to seduce him, have his baby, and give it to Otoko. Yeah. Pretty out there, but Japanese filmmakers specialize in these kinds of crazy ruminations. Does Keiko succeed in her plan? Well, male resistance is never high, but when a woman says things like, “Don't touch my right breast because that one's not for you,” even the horniest man will get weirded out. We won't tell you more, except that the movie is decently made and effective. It premiered in Japan in 1965 and reached Italy today in 1969.
JapanItalyNobel PrizeUtsukushisa to kanashimi to美しさと哀しみとL'amaro giardino di LesboWith Beauty and SorrowKaoru YachigusaMariko KagaYasunari KawabataSo Yamamuraposter artcinemalgbtmovie review
| Vintage Pulp | Sep 9 2014 |
Crime, mayhem, and murder in Japan.
Above, six Japanese posters for 1950s and 1960s gangster movies. These are, top to bottom, Shichinin no yajû: chi no sengen, aka Return of the Filthy Seven, Sono gosôsha wo nerae: “Jûsangô taihisen” yori, aka Take Aim at the Police Van, Kawaita hana, aka The Pale Flower, Kutabare akutô-domo—Tantei jimusho 23, aka Detective Bureau 2-3: Go to Hell Bastards, and finally two versions of Gendai yakuza: yotamono jingi, aka Hoodlum Yakuza.
JapanShichinin no yajû: chi no sengenReturn of the Filthy SevenSono gosôsha wo nerae: “Jûsangô taihisen” yoriTake Aim at the Police VanKawaita hanaThe Pale FlowerKutabare akutô-domo—Tantei jimusho 23Detective Bureau 2-3: Go to Hell BastardsGendai yakuza: yotamono jingiHoodlum YakuzaBunta SugawaraJo ShishidoSeijun SuzukiMasahiro ShinodaMariko KagaMichitaro Mizushimaposter artcinema
