|Vintage Pulp||Sep 5 2019|
We're going to have fun. I'm well known as the life of the Communist Party.
This cover for M.E. Chaber's 1952 spy thriller All the Way Down is uncredited but pretty nice. The rear pleases the eye too. If we had to guess we'd say it was painted by Rafael DeSoto, who was often utilized by Popular Library during the early ’50s, but with no interior credit, alas, we cannot know for sure. What we do know for sure is that Chaber's real name was was Kendell Foster Crossen, and under various pseudonyms he wrote pulp fiction and sci-fi, and well as other spy novels. Most of the latter category starred franchise hero Milo March, heavy drinker and quick with a quip, with the above coming second in a series devoted to the character. It was originally called No Grave for March, but the good folks at Popular Library thought All the Way Down was a better fit, and of course when it comes to title changes they're always right.
All the way down where? Why into the underbelly of German communism. At the center of the plot is a superweapon—one of those hilarious sci-fi contrivances unique to 1950s mass market literature. March heads to Berlin bearing microfilm concerning this technological atrocity and poses as a member of the American Communist Party in order to infiltrate the German commies. Chaber's descriptions of post-war pre-wall Berlin, the streets, subways, and parks, are obviously written from experience, and those passages add considerable interest to the proceedings as Milo tries to earn the trust of suspicious enemies, stay alive while doing so, and—best case scenario—keep a low level brandy buzz intact the entire time. And of course there's a love interest. Greta is her name. She's German by birth but American by nationality and a member of the Denver Communist Party. Milo wants to march into her panties, so naturally smalltalk brings him around to asking why she joined the movement. Part of her answer:
“Then in 1942, after we Americans were at war against Hitler, someone wrote a name on the window of my father's store. It was the same name that the Nazis had written on his store window in Berlin—only it was written in English instead of German this time. The next day I became a Communist.”
She joined the Communist Party to oppose fascism. Why do we highlight that quote? Well, let's just say people are becoming confused these days about Nazis. It was once universally known that Hitler persecuted and imprisoned leftists, despite the deliberately deceptive name of his political party. Those episodes are mentioned time and again in All the Way Down, as Chaber makes clear that Nazis and communists were at opposite ends of the political spectrum. He probably never would have believed there would be confusion about this, yet here we are in 2019, and increasing numbers of Americans believe (or at least pretend) Nazism and communism were both leftist movements. In any case, Chaber has written an entertaining book here, in which a skirmish between communists and capitalists is deftly won by the capitalists. That's not a spoiler. In 1952, in a Popular Library paperback, it's obviously the only ending that could ever be.
|Vintage Pulp||Aug 12 2013|
I've seen the needle and the damage done.
Today we have another cover collection for you. We had noticed quite a few pieces of pulp/sleaze art featuring syringes as a central element, so we’ve gathered up twenty examples, with art by Michel Gourdon and others. Some of these are from Flickr, so thanks to the original uploaders.
Michel GourdanAgatha ChristieEmily HarvinGeorge Harmon CoxeAlbert BroackaertEvan HunterFrances Shelley WeesWilliam BurroughsEdgar Rice BurroughsAndré CarloffDon ElliottJean MurelliFerguson FindleyNelson AlgrenWilliam LeeEd McBainDay KeeneM.E. ChaberMaurice DerblayFan NicholsSax RohmerJames SavageSydney HorlerLew Dellacover artcover collectionliterature