Vintage Pulp | Feb 16 2023 |

The fundamental things apply whenever Hitomi comes by.
Yes, we just saw Hitomi Kozue last week, and here she's popped up again in the 1974 sexploitation flick Zoku tameiki, which translates as “continuous sigh,” but was called in English Sigh 2. And indeed, the movie is positioned as follow-up to 1973's Tameiki, aka Sigh, though that film starred Yumiko Tateno. In this one, Hitomi plays an office worker who's willing but frightened to lose her virginity and manages to get tangled up with her mother's ex-lover. It's Nikkatsu Studios once again exploring unlikely sexual dilemmas, with the usual array of pervs, stalkers, and aggressors dragging down the film's erotic aspirations. That doesn't mean there aren't a few stirring scenes. We rather enjoyed when Hitomi checked out her pieces-parts with a hand mirror.
Some reviews of Zoku tameiki say it's about intergenerational issues. Well, sure, they're in there. Issues will arise when daughter and mother bed the same guy, and there are suggestions of daddy issues in Hitomi's fears about embarking upon sexual life, but we're not buying this as any kind of deep rumination, intergenerational or otherwise. What it is, when you boil it down, is a standard roman porno flick that makes less-than-adequate use of Hitomi Kozue's presence. As always, she does fine in her role, is amazingly beautiful, and is convincing as a shy girl, but we were unmoved by the script and nonplussed by several comic interludes. The movie isn't bad. It's merely that its only true asset is the radiant Kozue. For some viewers, us included, that's enough, but the filmmakers should have done a bit better. Zoku tameiki premiered in Japan today in 1974.




















Vintage Pulp | Dec 27 2021 |

Tanaka and company roll the dice and all kinds of craps happen.
This poster was made to promote the samurai actioner Sengoku rokku hayate no onnatachi, known in English internationally as The Naked Seven, starring the wonderful Mari Tanaka, along with Michiyo Mako, Yuri Yamashina, and others. Tanaka plays Eno, leader of a gang of seven female bandits roaming the countryside of Edo era Japan ambushing and stealing to survive. Tanaka hooks up with a samurai and helps him rob 120 rifles from a powerful warlord, at which point she and her bandit cohort are blamed. Realizing they're in the very deepest shit, they head for the hills with the warlord's bad men—one of whom is indescribably worse than the rest—in hot pursuit. Tanaka has a sanctuary in mind, but ultimately she and her gang of deadlies may have to make a final stand with those rifles.
We assumed The Naked Seven was a samurai actioner, and it is, sort of, but genetically it's really a roman porno. The movie's alternate English title (which we didn't know until afterward) gives it away: Civil War Rock: Hurricane Girls! The Japanese word “sengoku,” from the film's official title, refers to the Sengoku Era in Japan, a time of violent upheaval also known as the Warring States Period, so the civil war reference in the alternate English title makes sense. Plus director Yasuharu Hasebe would make a string of roman porno flicks in the next several years, including Sukeban Deka: Dirty Mary and Maruhi honeymoon: Boko ressha, which, terrifyingly, is aka Secret Honeymoon: Rape Train. Even without knowing all that, the roman porno thought process behind The Naked Seven became clear as the pursuit unfolded in occasionally shocking fashion.
We thought we'd jettisoned roman pornos after the last effort we watched, but that Naked Seven title fooled us. It's obviously a play on The Magnificent Seven—but naked!—and yup, unclothed debauchery fit for a Game of Thrones episode abounds. There's also a sequence in which Tanaka's entire gang is waylaid bathing in a stream and have to flee bare-assed into the woods. They escape, though it's logistically unlikely. Similarly, roman porno chased us and caught us unawares, metaphorically naked in a streaming. Escape from our waylaying was as logistically easy as pressing stop, but we forged ahead until the end, and we did it for you. Here's the upshot. The period setting helps set the movie apart, so we consider it a passable effort from Nikkatsu Studios. Thankfully, it's not as shocking as some roman pornos, but proceed carefully—there are still scary things in the woods. Sengoku rokku hayate no onnatachi premiered in Japan today in 1972.