 A single hard look is worth a thousand threats. 
Peter Held is another new author for us. He's a pseudonym used by sci-fi author Jack Vance. Take My Face was first published in 1957, with this Pyramid paperback coming in 1958 fronted by John Floherty, Jr. art featuring a clever upper body variation on the classic alpha pose. The book is about a teenaged boy whose face is burned and permanently scarred in a scooter accident. When he's later humiliated by four girls during a sorority initiation (one of whom had caused the original accident), he snaps and ends up in a reform school. The girls forget him and go on with their lives. Years later when the quartet start being murdered, there are no suspects—until someone remembers that long ago incident of youthful callousness toward the burned boy. But is he now grown up and committing the murders, or is something else going on? We thought Take My Face had a good premise, but it reads a bit dispassionately, which led to diminished involvement for us. We won't go running back to Held, but we won't run away either, should we encounter him again.
 *sob* Have a few affairs, trash a hotel room, wreck a car, slap a child—and your reputation is ruined. It isn't fair. 
Above is a cover for Day Keene's 1954 novel Notorious, republished in Italian by Longanesi & Co. in 1958 with cover art by John Floherty, Jr. The art reminded us that we have a couple of Keene books, so we're going to move him near the top of the pile because he's always given us a wild read. Meanwhile, if all goes well, one of our beloved pulp mules will be bringing us a group of fun paperbacks from the U.S., including efforts from Milton K. Ozaki, Lou Cameron, Chester Himes, and Dorothy Salisbury Davis. We hope to have a summer of great reading.
 I know I shouldn't laugh, but I never realized you even had a heart. 
In the 1952 crime thriller One for Hell trouble comes to the fictional West Texas oil town of Breton and it arrives by train. Author Jada M. Davis tells the readers this with strong style, as various characters around town hear a sound portentous of approaching calamity but which they don't yet recognize as such. Davis writes in chapter three, “Far off, faint but clear, a train whistle mourned the passing of the night. Whoo-ooo-ooo, whoo-ooo-ooo, whooooo...”
Chapter four starts this way: The mayor heard the whistle, the whoo-ooo-oooing, shrilly whoo-ooo-oooing whistle, and sat up in bed.
Chapter five opens with this: Chief Bronson heard the whoo-ooo-oooing, whoo-ooo-OOO, whoo-ooo-oooing of the train and was glad morning was on its way.
And chapter six opens: The train whistle sounded fuzzy and dreamy to Laura Green, the whoo-ooo-ooo, whoo-ooo-ooo, whooooo-oooing-oooing lonesomely lonely and by itself.
Yes, trouble has arrived in the form of a man so bad he'll turn even the most corrupt town west of the Mississippi River upside down. He's a man who has no limits to how much he'll lie, what he'll steal, and who he'll hurt. He's a thief and a grifter. When he stumbles into a position of authority there's no thought of playing it straight. The trust he's given just means more opportunity to do wrong.
We suspect Jada Davis identified a bit with his creation, because like the author, his lead character has a name that sounds like it belongs to a woman—Willa. And he has an attitude about it, as a couple of characters find out when they comment on the fact. Willa robs stores, frames the innocent, beats women, and worse. He's racist, sexist, and destructive in ways most ’50s crime novel bad guys can't even touch. Nature or nurture? It's impossible to know.
All in all One for Hell is an effectively dark piece of entertainment, but not for the faint of heart in these days when the difference between depicting evil and endorsing it seems ever harder for people to discern. This edition came from Red Seal and it has cover art by John Floherty, Jr., who was active throughout the 1940s and 1950s. We featured another one of his covers not long ago, and you can see that here. We'll see if we can dig up more down the line.
 Have you ever considered the possibility that it's just a penis substitute offering psycho orgasmic relief for self esteem inadequacies? 
Leave it to a woman to overcomplicate things. Sometimes a gun is just a plain old penis substitute. Dan Cushman's 1953 novel Jungle She features plenty of those, as his franchise man's-man Frisco Dougherty helps an escaped “half caste” damsel in distress return to the locale of her captivity on a Borneo plantation to try and steal the tyrannical owner Van Hoog's hidden fortune. That's supposed to be her in John Floherty, Jr.'s cover art, and if you're thinking to yourself she looks inclined to use the gun on Frisco, well—spoiler alert—she actually does shoot him, but he survives to confront Van Hoog in a vertiginous rope bridge climax. If you want to buy any of Cushman's jungle adventures you'll probably find them expensive—up to $100 for this one. But be patient. We also saw it for eight bucks.
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The headlines that mattered yesteryear.
1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54. 1952—Chaplin Returns to England
Silent movie star Charlie Chaplin returns to his native England for the first time in twenty-one years. At the time it is said to be for a Royal Society benefit, but in reality Chaplin knows he is about to be banned from the States because of his political views. He would not return to the U.S. for twenty years. 1910—Duke of York's Cinema Opens
The Duke of York's Cinema opens in Brighton, England, on the site of an old brewery. It is still operating today, mainly as a venue for art films, and is the oldest continually operating cinema in Britain. 1975—Gerald Ford Assassination Attempt
Sara Jane Moore, an FBI informant who had been evaluated and deemed harmless by the U.S. Secret Service, tries to assassinate U.S. President Gerald Ford. Moore fires one shot at Ford that misses, then is wrestled to the ground by a bystander named Oliver Sipple.
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