Modern Pulp Mar 14 2023
DEAD BUT NOT GONE
Classic horror feature still shocks and thrills.


It was inevitable that we'd get around to this movie. It was only a question of which poster we'd choose. Above you see a bizarre Japanese promo for Stuart Gordon's cult horror epic Re-Animator. In Japan it was titled Zombio – 死霊のしたたり, and the Japanese means “dripping of the dead,” which is pretty weird. But then so is the movie. It's an at times darkly comic splatterfest about a medical student obsessed with life after death, and it starts gory and quickly goes places you can't possibly expect. The source material is H.P. Lovecraft's tale, “Herbert West—Re-Animator,” first published in the pulp magazine Weird Tales in 1922.

The plot is only loosely based on what Lovecraft wrote. The movie follows a medical student played by Jeffrey Combs as he tries to defeat death by using a phosphorescent green re-animating agent of his own creation, and in so doing manages to drag promising fellow student Bruce Abbott and his girlfriend Barbara Crampton into a downward spiral of lies, illicit research, corpse abuse, and worse. It's even more catastrophic than it sounds. Meanwhile, a pompous and established physician-instructor played by David Gale becomes simultaneously jealous of Combs and lustful for Crampton, with results that are—in a word—totally insane. Well, two words.

We suspect that Re-Animator is one of those movies many have heard of, but not many have seen. There's more than just gore and that infamous sequence where Crampton is molested by a decapitated head. There are also cross-currents of blind ambition, skewed medical ethics, middle-aged lust for the young, and parental love, as well as overarching questions about human consciousness. It's a movie about obsession, but on multiple levels. Of course, it's also a movie done on the cheap, which leads to a few amusing efx, but overall it transcends its limitations, and for horror fans it's an absolute must. Re-Animator premiered in the U.S. in 1985 and crept into Japan today in 1987.

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Modern Pulp Oct 24 2017
SO FAR NO GOOD
Some things are better left undimensioned.


Stuart Gordon's cult classic horror film From Beyond premiered in the U.S. today in 1986, but we're sharing this Thai poster because it's more attractive than the American promo. For the uninitiated, From Beyond is loosely based on an H.P. Lovecraft story of the same name about a scientist who discovers what is today a standard terror motif: if you can see them, they can see you. Lovecraft came up with this idea way back in 1920, spinning a tale about a machine called a resonator that enables humans to see horrific beings that surround us but reside in an invisible adjacent dimension. But once the scientist perceives them, the monstrous entities likewise perceive him—and come calling.

The film starred Jeffrey Combs and Barbara Crampton, two alumni from Gordon's bravura gorefest Re-Animator, released the previous year. From Beyond doesn't push the envelope as far as the earlier film, but that doesn't mean it's bad. It just means Gordon tempered his vision a bit. In other ways the films are quite similar. Both play the naked-woman-as-victim card, which can be uncomfortable to watch, since these days such sequences are not benignly received. As always, times change.

In From Beyond the nudity isn't gratuitous exactly. One of the side effects of the resonator is that it frees the id, which is why you see Crampton go from buttoned up schoolmarm to brazen dominatrix in the promo shots below. Males are similarly affected. We searched for shots of co-star Ken Foree in his banana hammock undies—one of many famous moments from the film—but came up empty, so to speak. Regardless of the cultural shift that has placed movies like From Beyond, with its depiction of sexual assault, on shaky ground in 2017, we recommend it for true horror fans. The viewing may discomfit, but the villain is after all both man and monster, which makes him/it an interesting symbol for our modern age.

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History Rewind
The headlines that mattered yesteryear.
May 20
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
May 19
1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
May 18
1926—Aimee Semple McPherson Disappears
In the U.S., Canadian born evangelist Aimee Semple McPherson disappears from Venice Beach, California in the middle of the afternoon. She is initially thought to have drowned, but on June 23, McPherson stumbles out of the desert in Agua Prieta, a Mexican town across the border from Douglas, Arizona, claiming to have been kidnapped, drugged, tortured and held for ransom in a shack by two people named Steve and Mexicali Rose. However, it soon becomes clear that McPherson's tale is fabricated, though to this day the reasons behind it remain unknown.
1964—Mods and Rockers Jailed After Riots
In Britain, scores of youths are jailed following a weekend of violent clashes between gangs of Mods and Rockers in Brighton and other south coast resorts. Mods listened to ska music and The Who, wore suits and rode Italian scooters, while Rockers listened to Elvis and Gene Vincent, and rode motorcycles. These differences triggered the violence.
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