New and improved Picchioni dance tights! They'll never tear a seam, even if your body does!
Italian illustrator Franco Picchioni conceived a balletic cover pose for John J. Everett's Assi allo sbaraglio. If we tried this position everything we have would split down the middle, up to and including our pride. The title of the book translates to “aces in disarray,” so we'd be suffering from asses in disarray. But speaking of stretched to the limit, let's stop with this strain of thought before it wears out completely. John J. Everett was a pseudonym, of course, but we don't know for whom, and his novel is part of Edizioni MA-GA's Il Cerchio Rosso collection, though we can't pinpoint the year. Nothing is working for us today, but we'll bend over backwards trying to find more info.
Gratuitous sex and Violenza.
Seems like time for another cover from Italian illustrator Franco Picchioni, so here's his always excellent work on Patrick McRoy's Violenza in nero, from 1966 for publishers Edizioni MA-GA as part of its Il Cerchio Rosso collection. Haven't we seen this pose from Picchioni before? Well, never mess with success. He even painted the same undergarment (a strapless teddy, we think). McRoy is an obvious pseudonym but we can't track down his real name. Anyone with knowledge, feel free to enlighten us. And not just about books. We're mixed up on a lot of stuff these days.
Franco Picchioni is bad as in good.
Franco Picchioni's hits keep coming. Above is another cover from the respected Italian artist, this time for Georges H. Boskero's Il genio del male, number twenty-two in the crime series Il Cerchio Rosso from Edizioni MA-GA, 1965. The title translates to “evil genius.” In terms of Picchioni, we'll certainly go with genius. See more from him starting at this link.
Okay, no peeking. And this time I mean all of you.
Above: Raymond Connoleer's set-in-Mexico 1965 crime novel Morte d'un idolo, which was published by Edizioni MA-GA's series Federal Bureau of Investigation Stories. Connoleer is a pseudonym but we couldn't dig up his real name. Lot of that going around lately. The unusual cover is uncredited, but it's Franco Picchioni for sure, yet another great illustration from a unique talent. See a few of his best here, here, and here.
Always look your best for a crime spree.
Italian publishers Edizioni MA-GA strike again with another cover image by Franco Picchioni, this time for Jeff Kristopher's 1965 thriller 10 Lettere d'Amore. Kristopher is of course a pseudonym but we aren't able to discern for whom. We may have luck with that later, though. In any case, this is a cool image, and odd too, the way the fashionable femme fatale doesn't match her reflection. In the mirror she's leaning her head much farther to her right. We like that touch. But then we like everything Picchioni does.
5,000 volts, amps, ohms—whatever. The point is I'm gonna blow your mind.
Volts, joules, watts, kilowatts, jigawatts—we get units of energy mixed up. But this cover is electric however you measure it. William (undoubtedly a pseudonym) Bentley's 1964 thriller Amore a 5000 volts is another example of Edizioni MA-GA's Il Cerchio Rosso series, which has produced consistently excellent cover art. This one is uinsigned, but probably by Franco Picchioni. Click the keywords below and you'll see what we mean.
Edit: the art is confirmed by Picchioni, plus we found the original.
Next stop—FBI headquarters, Rome.
Above, a striking cover from Italian publisher Edizioni MA-GA for Wallace MacKentzy's, aka Mario Raffi's, Alla prossima fermata, or “at the next stop,” published in 1965 as part of MA-GA's Federal Bureau of Investigation Stories. The art is uncredited, but was certainly worth sharing. See another nice MA-GA FBI cover here, and another MacKentzy here.
She's usually the goddess of love but this has been a bad week.
We meant to get right back to Italian illustrator Franco Picchioni, but in typical fashion it's taken us a few years. But today you see another of his nice creations, this time for Georges H. Boskero's Le Veneri ardenti, which translates to The Fiery Venus. It was published in 1966 by Edizioni MA-GA for its Il Cerchio Rosso series, a series of thrillers that featured some of the best Italian cover art of the period. We'll show you some of those in a bit and at the same time revisit Franco's art. In the meantime, check out what he did with a James Bond cover here.
Jane Bond, licensed to thrill.
We thought we’d bring back Georges H. Boskero/Bosckero today. Working for Edizioni MA-GA again, he authored Com licenza d’amare, which of course means, “licensed to love.” It was the debut entry for MA-GA’s Jane Bond series, and an eyecatching entry it was.
The city never rests and neither does she.
This cover featuring a beautiful nocturnal vision of Paris and an overheated femme fatale could have fit into two of our previous cover collections—either the group featuring Venetian blinds or the Eiffel Tower set. If you have a moment you should take a look at those. You’ll see amazing cover art. The book above comes from Rome based Edizioni MA-GA and was written for their FBI Story series by Georges H. Bosckero, a pseudonym used—along with Joe H. Bosk, Kriss Leclerc, Georges H. Boskero and possibly other variations—by Giorgio Boschero. The year on this is 1960 and the artist is, sadly, unknown.
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