Vintage Pulp | Nov 13 2020 |
United they stand, divided they make plea deals.
Sometimes it's all in the title. Could we possibly resist a movie called Hell is a City? Not a chance. The city in question is industrial Manchester, England, and hell is caused by escaped criminal John Crawford when he sets up a heist that turns to murder, subsequently bringing top cop Stanley Baker along to try to crack the case by turning the four crooks against each other. The movie isn't a procedural, but has a few of the elements, and it has some film noir stylings too, though it isn't a noir. What it is, though, is well acted, well shot in numerous outdoor locations, and believable—not always the case for films from the period. Crawford's villain is an incredibly bad guy. He doesn't blanche at assault, rape, or murder, and holds his scheme together through rank intimidation of his criminal partners. It's all justified, he feels, to enable him to retrieve and sell a cache of stolen jewels and flee to life in some foreign land. But first he needs hard cash, and that's where the heist comes in. It goes pear shaped right away when it turns out the satchel he targets is chained to Lois Daine's wrist. He gives her a love tap and that, as they say, is that—he has a staring corpse on his hands. We won't tell you more, except that Hell Is a City has numerous intertwined characters, all interesting, and has an urban setting that by its very dismal nature makes you understand why Crawford wants so badly to be someplace far away. The movie premiered in England in April 1960 and reached the U.S. today the same year.
Vintage Pulp | Aug 13 2018 |
Enough! We'll tell you anything you want to hear! Just please make it stop!
Matchless premiered in Italy in 1967, but it was originally released under the title Sin rival. When and why it also played in Italy as Matchless—as indicated by this Italian and English promo poster—is a mystery. It later played in the U.S. as Matchless but with different poster art. Of all the promos, this one is the nicest, we think. The movie is a bizarre spy flick spoof about a journalist (Patrick O'Neal) who escapes a Chinese military prison with the help of a ring that makes him invisible. He's given this gadget by another prisoner for reasons that are unclear. After he reaches home turf in NYC the U.S. government takes advantage of his disappearing act by turning him into a spy. They send him to take down a criminal mastermind played by Donald Pleasance, who riffs on his own Blofeld character from You Only Live Twice. Chases, crashes, quips, and snafus soon follow.
Here's the thing. Serious films that turn out bad are often unintentionally enjoyable; comedies that turn out bad can be slow torture. Matchless isn't as bad as extraordinary rendition and enhanced interrogation in a CIA black site, but isn't much of a step up from there either. It's mostly tedious, witless, and punch drunk stupid, but it's redeemed slightly by Nicoletta Machiavelli and Ira von Fürstenberg, and we imagine it can be fun if you watch it with a gaggle of friends and gallons of intoxicants. But then again, almost anything is.
Here's the thing. Serious films that turn out bad are often unintentionally enjoyable; comedies that turn out bad can be slow torture. Matchless isn't as bad as extraordinary rendition and enhanced interrogation in a CIA black site, but isn't much of a step up from there either. It's mostly tedious, witless, and punch drunk stupid, but it's redeemed slightly by Nicoletta Machiavelli and Ira von Fürstenberg, and we imagine it can be fun if you watch it with a gaggle of friends and gallons of intoxicants. But then again, almost anything is.