|Vintage Pulp||Feb 24 2022|
There's one suborned every minute.
Above is a poster for Bait, which is a sort of a b-movie version of The Treasure of the Sierra Madre, but produced with half the budget and talent. Hugo Haas plays a man who made a gold strike two years ago, then got caught in a snowstorm, almost died, and hasn't had been able to locate the mine again. To accomplish this he takes on a partner played by John Agar. Meanwhile Cleo Moore plays a fallen townie woman Haas impulsively marries, and from that point onward the trio live together in a one-room mountain cabin. Haas has no intention of splitting the gold, and the close quarters lodging is all according to his master plan. It's unclear at first what that is, but we eventually find out: induce Agar and Moore into committing the then-crime of adultery so he can legally kill them. And you'll think: Isn't there an easier way not to share gold?
This flick is pure cheeseball stuff, with a cautionary introduction by the Devil himself (played by Cedric Hardwicke), and lots of sinister voiceover and greed sweats, but since it's one of seven collaborations between director/writer/star Haas and his muse Moore, for fans it's probably worth seeing. Objectively, however, though some of those collaborations managed to rise above their meager budgets and dubious scripts to result in entertaining films, this one doesn't. It's a bit like a bad high school play. Also, not a film noir, no matter what IMDB claims. The American Film Institute calls it a drama. Our recommendation: don't take the Bait. It premiered in the U.S. today in 1954.