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Pulp International - Benedetto+Caroselli
Vintage Pulp Feb 3 2015
OPEN CARRY
What a strange country. I was arrested for baring my breasts but called a hero for carrying a gun.

Bersaglio a 5 was published in 1968 by E.P.I./Ottimo as entry fifty in their series Agente Segreto. The title means “Target 5,” and the art by Benedetto Caroselli hits the target too. 
 
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Vintage Pulp Nov 10 2014
LOVE'S LABOR LOST
This is a mean old world, baby, to live in all by yourself.

Above, the cover of Gli Amante Perduti, which means “the lost lover,” published 1962 by Grandi Edizioni Internazionali. The author, Horace Robinson, was in reality the prolific Maria Luisa Piazza, and the evocative cover art, showing a woman distressed and alone against a backdrop of blackness, is by the incomparable Benedetto Caroselli.

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Vintage Pulp Jul 27 2014
WHO'S LE BOSSU?
All roads lead to Renato.

Today we have yet another excellent cover from Benedetto Caroselli—Anima e corpo, aka Body and Soul, written by Lucien Le Bossu for Edizioni Periodici Italiani’s I Capolavori della Serie KKK Classici dell’Orrore, 1965. Le Bossu, perhaps unsurprisingly, was one of about twenty literary pseudonyms belonging to Renato Carocci. In fact, Carocci even wrote under the name Tom Ewell, who was a well-known American actor of the period. How he got away with that we don’t know. Anyway, you can find out a bit more about Carocci here, and see more art from Caroselli by clicking his keywords below.

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Vintage Pulp Jun 19 2014
OMICIDAL THOUGHTS
Murder by any other name.

As long as we’re on Italy today (see below), here’s another top effort from the Italian genius Benedetto Caroselli. Il suo nome era omicidio, aka His Name Was Murder was written by Mary Steel, who is in reality a pseudonym of author and editor Laura Toscano, and it appeared in 1971. See more amazing Caroselli covers by clicking his keywords below. 
 
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Vintage Pulp May 25 2014
DOCTOR EVIL
You can eat an apple a day but it won’t keep this doctor away.

Above is I Capolavori della Serie KKK Classici dell’Orrore number 127, entitled Gli esperimenti del Dott. Hass, aka The Monster, published in 1969, written by Patty North, who was really Franco Marotta. And of course the brilliant art is by Benedetto Caroselli, whose work you probably recognize by now. Marotta also wrote Il robotto maledetto, which means so far he’s written about an evil doctor and an evil robot. The book also has a short story beginning on page 121 called “Violenza,” which was penned by Roland Greaves, who was really Renato Carocci. That’s a lot of entertainment for just a few euros, and well worth it. 

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Vintage Pulp Apr 25 2014
NO ASSEMBLY REQUIRED
He’s everything a man is, except he turns on only when you want him to.

Above, Edizioni Periodici Italiani’s Il robot maledetto, 159 in the I Capolavori della Serie KKK Classici dell'Orrore, written by Dyana Evan, a psuedonym of Franco Marotta, 1971. The art featuring a lingerie clad woman and a phallic robot is more suggestive of romance or sleaze than horror, but it’s great work by Benedetto Caroselli, who you can see more of here.

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Vintage Pulp Mar 16 2014
WEDDING CRASHERS
Then the minister said, Speak now or forever hold your peace, and it’s been chaos in there since.


This cover by Benedetto Caroselli for Dammi la tua ecco la mia (“give me yours, here is mine”) features a lovely bride in a sheer mini-wedding dress. This is a reception we'd love to go to, and the line to dance with the bride forms behind us. Anyway, we’ve shown you pulped out versions of classic literature before, and this is another example. Matteo Bandello might be obscure to some, but he was famous enough in his time to have been an influence on William Shakespeare. As far as we know he never wrote a story with this title, but I Grandi Narratori often retitled classics. Oh, and by the way, a person speaks one’s “piece”, but holds one’s “peace”. At least that’s what Merriam–Webster says. 

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Vintage Pulp Feb 21 2014
SOME LICK IT HOT
A tongue is worth a thousand words.

Is it time for another Caroselli? Of course it is. So above we have his art fronting Grandi Edizioni Internazionali’s 1971 book Troppe donne per Casa… which means Too Many Women for Casa… Casa is of course the adventurer Giacomo Casanova, and he always had time for women, especially ones like these that get all Miley Cyrus with their wandering tongues. You know, we had forgotten how much we appreciate a blatantly visible female tongue until she reminded us. So we owe her thanks for that. But we still want every piece of music she’s ever made to be rocketed into the center of a quasar. Historical note: Casanova trysted with a mere one-hundred-twenty-two women during his life. Wilt Chamberlain probably did that in a slow year. But it’s all about quality, not quantity, right? See another Caroselli/Casanova pairing here.

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Vintage Pulp Jan 30 2014
BEAST INTENTIONS
When the wolf is on the prowl.

Above, the cover of Ken Atkins’ 1965 werewolf novel Belva nella notte, aka The Wolf in the Night. This was published for Edizioni Periodici Italiani’s I Capolavori della Serie KKK Classici dell’Orrore, and Atkins was a pseudonym owned by Domenico Dubbini, who also wrote as John Durbin, John Lane, Hassan Mills, Perry Rock, and other names. The art is by Benedetto Caroselli, who we knew nothing about until a couple of years ago, but who we’re now obsessed by, as evidenced by our posts here, here, and here. We have even more to share from Benedetto, so stay tuned.

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Vintage Pulp Jan 11 2014
WILDE CAT
Oscar Wilde was an okay writer and all, but you know what his fiction really needed? Women in catsuits.

Believe it or not, this book entitled Il vizio che brucia (translation: “The Vice that Burns”) is Oscar Wilde’s macabre classic The Picture of Dorian Gray, sexed up for the Italian reading market. Who is this supposed to be on the cover? Sybil Vane, the innocent young actress? The country girl Hetty Merton? Neither, we suppose, since they didn’t wear backless catsuits, as far as we remember. But even if this pulpification of Wilde’s classic has no relationship to the actual text, the Benedetto Caroselli art makes it collectible. The edition was published by Grandi Edizioni Internazionali as part of their I Romanzi Diabolici series and appeared in 1964. See more Caroselli here.

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History Rewind
The headlines that mattered yesteryear.
May 02
1920—Negro National Baseball League Debuts
The first game of Negro National League baseball is played in Indianapolis, Indiana. The league, one of several that would be formed, was composed of The Chicago American Giants, The Detroit Stars, The Kansas City Monarchs, The Indianapolis ABCs, The St. Louis Giants, The Cuban Stars, The Dayton Marcos, and The Chicago Giants.
1955—Williams Wins Pulitzer
American playwright Tennessee Williams wins the Pulitzer Prize for Drama for his controversial play Cat on a Hot Tin Roof, which tells the story of a southern family in crisis, explicitly deals with alcoholism, and contains a veiled subtext concerning homosexuality in southern society. In 1958 the play becomes a motion picture starring Elizabeth Taylor and Paul Newman.
May 01
1945—Germany Announces Hitler's Death
German radio in Hamburg announces that Adolf Hitler was killed in Berlin, stating specifically that he had fallen at his command post in the Reich Chancery fighting to the last breath against Bolshevism and for Germany. But in truth Hitler had committed suicide along with his mistress Eva Braun, and both bodies were immediately thereafter burned.
1960—Powers Is Shot Down over U.S.S.R.
Francis Gary Powers, flying in a Lockheed U-2 spy plane, is shot down over the Soviet Union. The U.S. denies the plane's purpose and mission, but is later forced to admit its role as a covert surveillance aircraft when the Soviet government produces its remains and reveals Powers, who had survived the shoot down. The incident triggers a major diplomatic crisis between the U.S. and U.S.S.R.
April 30
1927—First Prints Are Left at Grauman's
Hollywood power couple Douglas Fairbanks and Mary Pickford, who co-founded the movie studio United Artists with Charlie Chaplin and D.W. Griffith, become the first celebrities to leave their impressions in concrete at Grauman's Chinese Theater in Hollywood, located along the stretch where the historic Hollywood Walk of Fame would later be established.
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