|Vintage Pulp||Sep 30 2022|
Haiti gets hit by hurricane Anita.
These two posters for Al tropico del cancro, aka Tropic of Cancer, were painted by Italian master Renato Casaro, and really demonstrate his artistic range, as they're stylistically different from the other poster he painted for the film. We have plenty of Casaro in the website, so if you want to see more just click his keywords below, or if you're pressed for time, you can see what we think is his best work here and here. He isn't the only person we want to highlight today. The movie stars Anita Strindberg, yet another luminous actress to come out of Sweden, and she plays a wife who travels to Haiti and is soon caught up in tropical sensuality, hallucinogenic drugs, and voodoo. It's unabashed exploitation ranging from the sexual to the cultural, and Strindberg is the main reason it's watchable, as you see below. Al tropico del cancro premiered in Italy today in 1972.
ItalySwedenAl tropico del cancroTropic of CancerPeacock's PlaceAnita StrindbergAnthony SteffenRenato Casaroposter artcinemasexploitationgiallo
|Vintage Pulp||Sep 30 2016|
Tropical storm Anita blows into Port-au-Prince.
Set in Haiti, the Italian thriller Al tropico del cancro follows the story of a doctor who invents a powerful hallucinogenic drug that interests various parties who believe it to be priceless. In addition to being a giallo, some people consider this film a classic of—what would you call it?—not blaxploitation, but that unofficial sub-genre of movies (which we also wrote about yesterday in assessing Emmanuelle IV) in which white women go to the tropics and jettison their inhibitions. Though the promise of Renato Casaro's brilliant poster art undoubtedly draws many viewers to the film, star Anita Strindberg's interracial coupling is a highly stylized hallucination or dream, ancillary to the plot. She gives it her theatrical best, though, gangbangy subtext and all. The scene was bold in 1972's racial landscape—and still is today, which shows you how little progress we've made in half a century.
Strindberg is a favorite around Pulp Intl. She was one of our early femmes fatales—in fact the one that made us decide to feature the occasional frontal nude on the site. Otherwise we wouldn't have been able to share this shot. Under a ridiculous crown of sculptural ’70s hair, she's all high cheekbones, icy eyes, and a recurved mouth. Everything below her neck looks good too, although she sports a pair of early breast implants, but hey—her body her choice. Her nordic looks juxtapose nicely against Haiti's tropical setting. She's a gleaming alien there, which is important for the sense of disconnection her character feels as the various male cast members busy themselves trying to outsmart each other to acquire the drug formula.
Al tropico del cancro features awesome location shooting in Port-au-Prince, not only in the streets and estates, but in unlikely locales like a functioning abattoir where island beef production is depicted in full gore. Cows aren't the only animals that fare poorly, so be forewarned. The movie eventually ends in foot chases and gunshots, as greed for the formula triggers a spate of violence. Reaching this climax isn't the most gripping ride, but we've been on worse. We recommend the movie for fans of Strindberg, as well as for people interested in historic Port-au-Prince, much of which—the prized Cathédrale de Port-au-Prince, the capital building, the parliament, et al—was destroyed in a 2010 earthquake. Al tropico del cancro premiered in Italy today in 1972.
ItalyHaitiPort-au-PrinceAl tropico del cancroTropic of CancerPeacock's PlaceAnita StrindbergGabriele TintiAnthony SteffenRenato Casaroposter artcinemasexploitationgiallomovie review
|Femmes Fatales||Mar 15 2009|
Sometimes it's best to take a frontal approach.
Above, a wonderful image of Swedish actress Anita Strindberg, who became one of the best known giallo actresses of her era, appearing in such films as Forza G, Coartado en disco rojo, and Al tropico del cancro, seen here circa 1973.