|Vintage Pulp||Jun 13 2020|
Bogart crime drama misses the bullseye but still scores a few points.
For us there's no such thing as a bad Bogart vehicle. Every movie we've seen from him in a starring role is at least decent. Above is a poster for The Big Shot, in which he co-starred with Irene Manning. Consensus is it's not one of his best. Bogart plays a career criminal who finds it incredibly difficult to go straight, and whose best efforts are confounded when he gets tangled up in an armored car robbery. We know from the beginning it went bad because the story is told in flashback as Bogie languishes in a hospital bed. Exactly how it went wrong is where the movie attempts to deliver the thrills. Despite its status as second tier Bogart, it has a couple of memorable sequences. The first is a prison break, and the second is a chase on icy roads as Bogart's car is pursued by motorcycle cops. This was Bogart's last gangster role for a while, because he was on the verge of becoming the cinematic leading man we all know and love. He had already proved all he needed to in gangster parts, and was thrilled to leave them behind. But this film showed that he would still need the help of a compelling story, an excellent script, and solid co-stars. From this point forward, he usually got the best of all those. The Big Shot premiered today in 1942.
Humphrey, don't be rude. Look at me when I talk to you.
Turn around and look at me, Irene. I said— Oh, you're doing me, aren't you? Nice.
You've got that Bogart thing pretty much perfected, Irene. Irene?