Vintage Pulp Nov 11 2021
UNDERCURRENT AFFAIRS
Got a secretive husband? Poke around and see what you find. What's the worst that can happen?


Two days ago we discussed Katherine Hepburn's cinematic output and noted that Undercurrent was one of the few movies that qualified as pulp-style. We watched it last night and it falls into the always fun husbands-with-dark-secrets sub-genre. Hepburn marries into a rich San Francisco family and quickly finds that her hubby Robert Taylor is prone to sudden rages whenever he's reminded about aspects of his past. You know the drill: “Who was playing that song! Who's here? Was it you? Where did you learn that song!” Taylor is particularly sensitive with regard to his estranged possibly dead brother, and so are Taylor's employees, his domestic staff, and even his friends. Seems everyone is in on the secret except Hepburn. In typical suspense movie fashion, she decides to solve that problem by digging deeper.

Undercurrent is categorized on many websites as a film noir, because that's where people's minds go if there are any night scenes or shadows in a black and white flick, but you may be disappointed if you have such expectations. It's categorized as suspense drama by the American Film Institute, which we consider correct. You could even categorize it as a romantic suspense drama, one with shades of Alfred Hitchcock's 1940 film Rebecca. But on the other hand, since film noir is more a mood than a genre, there's always room for debate concerning whether a film should or shouldn't be included. For us, Undercurrent shouldn't. Two sequences bear some visual elements of film noir, and there's a brief nightmare interlude, but without the overarching cynicism and desolate central characters, we don't think it's a good fit.

Hepburn, who was probably never cynical or desolate in her entire career, occupies nearly every frame of Undercurrent and gives an emotional, almost melodramatic performance as a wife whose loyalty and belief in her husband are tested. To succeed fully in her role, she'd have needed better chemistry with Taylor, and the script and plot would have needed to be scintillating. None of those things happen, which means Hepburn isn't given the tools required to anchor the film. Even so, she gives it a hell of a go, and her efforts make it watchable. For her fans this one is a no-brainer—queue it up. For more general film buffs, you can probably take a pass. Undercurrent premiered today in 1946.
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History Rewind
The headlines that mattered yesteryear.
April 25
1939—Batman Debuts
In Detective Comics #27, DC Comics publishes its second major superhero, Batman, who becomes one of the most popular comic book characters of all time, and then a popular camp television series starring Adam West, and lastly a multi-million dollar movie franchise starring Michael Keaton, then George Clooney, and finally Christian Bale.
1953—Crick and Watson Publish DNA Results
British scientists James D Watson and Francis Crick publish an article detailing their discovery of the existence and structure of deoxyribonucleic acid, or DNA, in Nature magazine. Their findings answer one of the oldest and most fundamental questions of biology, that of how living things reproduce themselves.
April 24
1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission.
April 23
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder, Carmen Jones, The Man with the Golden Arm, and Stalag 17, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
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