Vintage Pulp Nov 11 2021
UNDERCURRENT AFFAIRS
Got a secretive husband? Poke around and see what you find. What's the worst that can happen?


Two days ago we discussed Katherine Hepburn's cinematic output and noted that Undercurrent was one of the few movies that qualified as pulp-style. We watched it last night and it falls into the always fun husbands-with-dark-secrets sub-genre. Hepburn marries into a rich San Francisco family and quickly finds that her hubby Robert Taylor is prone to sudden rages whenever he's reminded about aspects of his past. You know the drill: “Who was playing that song! Who's here? Was it you? Where did you learn that song!” Taylor is particularly sensitive with regard to his estranged possibly dead brother, and so are Taylor's employees, his domestic staff, and even his friends. Seems everyone is in on the secret except Hepburn. In typical suspense movie fashion, she decides to solve that problem by digging deeper.

Undercurrent is categorized on many websites as a film noir, because that's where people's minds go if there are any night scenes or shadows in a black and white flick, but you may be disappointed if you have such expectations. It's categorized as suspense drama by the American Film Institute, which we consider correct. You could even categorize it as a romantic suspense drama, one with shades of Alfred Hitchcock's 1940 film Rebecca. But on the other hand, since film noir is more a mood than a genre, there's always room for debate concerning whether a film should or shouldn't be included. For us, Undercurrent shouldn't. Two sequences bear some visual elements of film noir, and there's a brief nightmare interlude, but without the overarching cynicism and desolate central characters, we don't think it's a good fit.

Hepburn, who was probably never cynical or desolate in her entire career, occupies nearly every frame of Undercurrent and gives an emotional, almost melodramatic performance as a wife whose loyalty and belief in her husband are tested. To succeed fully in her role, she'd have needed better chemistry with Taylor, and the script and plot would have needed to be scintillating. None of those things happen, which means Hepburn isn't given the tools required to anchor the film. Even so, she gives it a hell of a go, and her efforts make it watchable. For her fans this one is a no-brainer—queue it up. For more general film buffs, you can probably take a pass. Undercurrent premiered today in 1946.
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History Rewind
The headlines that mattered yesteryear.
November 27
1934—Baby Face Nelson Killed
In the U.S., killer and bank robber Baby Face Nelson, aka Lester Joseph Gillis, dies in a shoot-out with the FBI in Barrington, Illinois. Nelson is shot nine times, but by walking directly into a barrage of gunfire manages to kill both of his FBI pursuers before dying himself.
November 26
1922—Egyptologists Enter Tut's Tomb
British Egyptologists Howard Carter and Lord Carnarvon become the first people to enter the tomb of Pharaoh Tutankhamun in over 3000 years. Though sometimes characterized as scholars, Carter and Carnarvon were primarily interested in riches, and cut up Tut's mummy to more easily obtain the jewels and gold affixed to him.
November 25
1947—Hollywood Blacklist Instituted
The day after ten Hollywood writers and directors are cited for contempt of Congress for refusing to give testimony to the House Committee on Un-American Activities, the group, known as the "Hollywood Ten," are blacklisted by Hollywood movie studios.
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