| Modern Pulp | Oct 13 2016 |
Bulletproof black man flips the script in Harlem.
So, we watched the entirety of the new Netflix series Luke Cage. Our love of blaxploitation films made it mandatory. Of course, Luke Cage isn't blaxploitation—it's serious black-oriented drama. But anyway we queued it up. For those who don't know, the series is based on a Marvel Comics character who was a bulletproof, super strong black man who lived in Harlem. The show does away with the comic book Cage's bright yellow costume, but leaves the Harlem setting, political machinations, and dealings of crime kingpins that intertwine as normal people try to get on with their lives.
Most members of the sizable cast are black except for several supporting roles, and the occasional one-off—i.e., a technician here, an office worker there. The series is basically an exact negative of about 10,000 television shows over the years that cast blacks in supporting roles. A vocal percentage of the public is not dealing well with it. Some call the show racist. It made us think of the famous unattributed quote: “When you’re accustomed to privilege, equality feels like oppression.” These racially sensitive critics watched How I Met Your Mother, Arrested Development, True Detective and scores of other lily white television shows in droves, but the existence of a single show like Luke Cage is threatening.
But let's put all that aside for the moment. Is the show any good? There are some of the same failings as other action-oriented series, but on the whole it's entertaining. Just be forewarned—it's akin to The Wire more than any superhero extravaganza. The characters are deeply explored. Serious comic book action fans will be disappointed. And second, the complete immersion into an African American culture will be unfamiliar
to many viewers. In the end, you simply have to have an interest in the premise and the characters to enjoy the show. For us, the immersion into a nearly 100% black Harlem is one of the show's strengths. For others, not seeing characters that remind them of themselves will be alienating. While not an ideal reaction, in our view it's acceptable in terms of deciding how to spend one's hard earned free time selecting television shows. But such people should say they aren't interested in the premise. They shouldn't make phony claims that the show is racist.
to many viewers. In the end, you simply have to have an interest in the premise and the characters to enjoy the show. For us, the immersion into a nearly 100% black Harlem is one of the show's strengths. For others, not seeing characters that remind them of themselves will be alienating. While not an ideal reaction, in our view it's acceptable in terms of deciding how to spend one's hard earned free time selecting television shows. But such people should say they aren't interested in the premise. They shouldn't make phony claims that the show is racist.We think American broadcast media need more shows that reflect reality. Here's the reality—the U.S. is both diverse and extraordinarily segregated. 75% of white Americans have zero black friends, while around 60% of blacks have zero white friends. 100% white environments and white points of view have been shown on television for decades. Luke Cage airs a black point of view, with complex relationships, romantic entanglements, ambitions, dreams, and dealings with harsh realities. There should be room for that, particularly considering television history. On a completely different note, we really are looking forward, twenty or thirty years from now, to a scholarly examination of all these damned superhero shows and movies. There's a real pathology there.
