 Once upon a crime in America. Myron Fass knew how to sell magazines, especially violent, lurid, depraved magazines. Crime Does Not Pay (not the same as the identically named comic book) is a perfect example. Basically it was just a true crime magazine, but with a focus on iconic American crimes and criminals, with a liberal dose of splatter thrown in. Some of the covers were crime scene photos, but examples we’ve seen from 1969 featured beautiful (if extremely gory) paintings that we suspect appealed to readers younger than those who normally bought crime mags. Above, for example, you see the cover of the December 1969 issue (no artist info appears in the masthead, sadly). Below are twenty-five images, including shots of Charles Starkweather, John Dillinger, Al Capone, Bonnie Parker, Lester Gillis on a slab, and more. You can read a bit more about Myron Fass here.
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The headlines that mattered yesteryear.
1942—Ted Williams Enlists
Baseball player Ted Williams of the Boston Red Sox enlists in the United States Marine Corps, where he undergoes flight training and eventually serves as a flight instructor in Pensacola, Florida. The years he lost to World War II (and later another year to the Korean War) considerably diminished his career baseball statistics, but even so, he is indisputably one of greatest players in the history of the sport. 1924—Leopold and Loeb Murder Bobby Franks
Two wealthy University of Chicago students named Richard Loeb and Nathan Leopold, Jr. murder 14-year-old Bobby Franks, motivated by no other reason than to prove their intellectual superiority by committing a perfect crime. But the duo are caught and sentenced to life in prison. Their crime becomes known as a "thrill killing", and their story later inspires various works of art, including the 1929 play Rope by Patrick Hamilton, and Alfred Hitchcock's 1948 film of the same name. 1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
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