|Femmes Fatales||May 1 2019|
Her role is shrouded in mystery.
This photo shows U.S. actress Margaret Lindsay in femme fatale mode, dressed in black, brandishing a pistol, and looking to make a widow or two if anyone gives her a hard time. This image has appeared online for several years, but always with the film it was made to promote unattributed. We thought we'd be able to help there via a little research, but we were thwarted. Lindsay made many films, and at least twenty fit the bill for a promo like this, including G Men, Lady Killer, Private Detective 62, Fog Over Frisco, and Scarlet Street. We then turned to image manipulation, which we used to pull out the otherwise invisible bits of text, and it looks like it says “© C.P. Corp. E.O cor-5-8.” Aha! That tells us, er, absolutely dick. Well, maybe one of you can decode it.
|Femmes Fatales||Apr 26 2019|
Priceless treasure washes up on local beach.
Serbian actress Beba Lončar doesn't care how rocky this beach is—she intends to enjoy the sun. With that kind of dedication no wonder she's golden all over. Lončar was a brunette for much of her career, such as in this photo we shared a while back, but blonde works fine too. The shot was made in 1963 when she was filming the adventure The Long Ships, and it's the second time we've seen it. It was also used in a 1965 issue of the tabloid Uncensored we shared back in 2015.
|Femmes Fatales||Apr 10 2019|
If she were a poker hand she would definitely be a straight flush
Above is a sweaty photo of Swedish actress Ewa Aulin, which immediately brings to mind the saunas they love up there in Nordic countries. In fact, just a few days ago in Sweden a cop was in a sauna, noticed a wanted fugitive having a steam nearby, and apprehended him while they were both naked. True story. We learned about saunas ourselves when we wandered through Finland, though in deference to us our Finnish acquaintances wore towels. But we digress. We were talking about Aulin. She made about fifteen films, the best known of which is probably the 1968 sex comedy Candy, a flop when it was released that has garnered a cult following in recent years. Apparently it's about a woman searching for the meaning of life. We haven't watched it but we may check it out at some point. If so, we'll report back. The great photo at top first appeared in Playmen magazine in 1973, and was part of a set that included the two shots below. And as you can see, when Aulin goes all-in she does it sans towel, in deference to nobody.
|Femmes Fatales||Apr 5 2019|
She makes it look so Uzi.
This great photo stars U.S. actress Gloria Hendry and was made when she was filming the 1973 James Bond movie Live and Let Die. Of all the so-called Bond girls who appeared opposite the world's most famous spy through the decades, Hendry, with her toned arms and six-pack stomach, was one of the few who actually looked fit enough to survive the chaos. She didn't, though. Only one Bond girl generally got to survive each film and in this case it was Jane Seymour.
There are several variations of this photo floating around online, but the one above is our favorite. Hendry gives it her all, rocking her fantastic afro and looking every bit the lean, dangerous, counterculture CIA double agent she played in the film. But we also like the alternate version below, where she cracks a little smile, because machine gunning people can be fun too, at least in the movies. See another Hendry promo here.
|Femmes Fatales||Apr 3 2019|
Rare new life form discovered in the Pacific.
This dazzling photo features Doris Day and was made when she was filming her romantic comedy The Glass Bottom Boat. Looking at her outfit you're thinking: What could this movie possibly be about? Well, surprisingly, the title is literal. A guy runs glass bottom boat tours off Santa Catalina Island and Day dresses as a mermaid and swims under the boat to entertain the clients. Romance rears its head when a fisherman accidentally snags her costume and reels her in. We haven't watched it, but we may, just to see Day in this crazy get-up. It was designed by Ray Aghayan, and though it doesn't exactly scream mermaid to us so much as it does Vegas showgirl or Rio samba dancer, it's still pretty sweet. The photo dates from 1966.
|Femmes Fatales||Mar 27 2019|
She's been doing as the Romans do pretty much from day one.
Italian actress Leticia Román walks across the tarmac at Fiumicino Airport in Rome today in 1962, where she had arrived to begin work on the film The Nightmare. That's what the back of the photo says, anyway. But Román never appeared in a film with that title. Since titles change mid-production occasionally, we're going to guess the film was actually the 1963 giallo La ragazza che sapeva troppo, aka Evil Eye. Furthermore, we checked the production data, and the movie has scenes at the airport, so it's possible but not certain that this isn't really a press photo but rather a production promo. In any case, nice shot.
|Femmes Fatales||Mar 21 2019|
Between the hair and the fur it's no wonder she's so hot.
This is pure cheese but we couldn't resist. A while back we talked about Connie Stevens' schlock copper flick Scorchy and above you see the photo Hickmar Productions used to make the movie's promo poster. This is an astonishing shot in so many ways—the pose, the coat that at least fifteen animals were skinned for, the platinum hairdo that possibly several hairdressers were also skinned for, the dry ice fog, the nails, and especially that elegantly extended foot. It's like she's using her toe to say, “See this spot? This is where you lesser mortals will grovel for my favors.” She should be careful, though. With hair like that she might be mistaken for another exotic animal and skinned too.
|Femmes Fatales||Mar 16 2019|
She'll have you eating out of them in no time.
1960s nude photography in countries like England and the U.S. usually involved coming up with ways to hide pubic hair, which, if it appeared, merited a one-way ticket to jail for obscenity. Often the offending region was simply airbrushed away, making women resemble sexless aliens, but here British model and actress June Palmer keeps it simple—fingers steepled, hands placed just so, and only her palms know how thick the carpet is. This is a clever pose. Her hands make a triangle, and leave a triangle shaped space. Palmer, along with Pamela Green, was the most famous of the Harrison Marks models of the 1960s, and appeared often in his nudie magazines Kamera and Solo, as well as in nudie film loops. This great shot is from a Modern Man special edition called Modern Man Deluxe Quarterly, and was the centerfold shot for winter 1969.
BritainModern Man MagazineModern Man Deluxe QuarterlyModern ManJune PalmerHarrison MarksKameraSolo Magazinenudity
|Femmes Fatales||Mar 11 2019|
The future is just a leotard and can of silver spray paint away.
Italian actress Leonora Ruffo is armed and ready to defend her patch of the cosmos in this photo from her 1966 sci-fi movie 2+5 Missione Hydra, perhaps a bit better known by the English title Star Pilot. She plays the commander of a spaceship that crash lands on Sardinia. Ruffo, who was born Bruna Bovi, began acting age fifteen and appeared in mostly b-movies, including several sword-and-sandal epics. Without having seen Star Pilot we already know it's cheap and funny. Ruffo's costume and spray painted plastic gun tell us that. We're going to watch it and report back later.
|Femmes Fatales||Mar 5 2019|
What's gloves got to do with it?
Austrian born actress Marisa Mell made this photo when she was starring in the 1966 Italian thriller New York chiama Superdrago, aka Secret Agent Superdragon, and what it shows is that opera gloves are the female spy's equivalent to James Bond's bow ties. Shooting someone is an important occasion, and the least you can do is dress formally when you do it. The title of this movie alone—we seriously must watch it. We'll report back.