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Pulp International - Yumiko+Nogawa
Vintage Pulp Oct 23 2023
CATLIKE REFLEXES
For her taking risks is just feline nature.


This poster was made for Toba no mesu neko: Suhada no tsubo furi, known in English as Cat Girls Gamblers: Naked Flesh Paid into the Pot, the second of three Cat Girls films. We shared a poster for the first back in 2014 before we could access the movies, but now we have them, so we screened part two last night. The lead in this and the other installments is Yumiko Nogawa, who plays a wandering gambler whose murdered father was a famous maker of rigged dice. After Nogawa's lover is killed in a dice game she swears never to play again, takes a job working at a Turkish bath, and seems to be dedicated to living a quiet existence.

But her idyll is turned upside down when she shelters a recently paroled criminal who wants to gain control of a yakuza territory he'd been promised before going to prison. The crime boss currently running the territory has no intention of giving it up, and Nogawa seems likely to be dragged into the middle of the conflict. As it turns out, she's working in the Turkish bath only as a means to find her father's killer. Since her interests and those of her new friend are aligned, they hatch a plot that just might give them both what they want.

This is a solid effort from Nikkatsu Studios, before the front office bigwigs had their roman porno revelation and leaned hard into sexploitation for the entire 1970s and beyond. Shot in black and white, the feel is arthouse, with a police subplot giving it shadings of an American detective drama. Nogawa, a movie veteran who began her career with 1964's famed Nikutai no mon, is self-assured as the headliner, and the entire supporting cast is good. A climactic fight perhaps won't seem convincingly choreographed to modern viewers, but we recommend taking a chance on this gambling drama anyway. Toba no mesu neko: Suhada no tsubo furi premiered in Japan today in 1965.
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Vintage Pulp Feb 28 2019
SHUNPU DEN OF INIQUITY
The winds of war blow hard and cruel over man and woman alike.


This striking pink poster was made to promote Shunpu den, known in English as Story of a Prostitute. Based on a novel by Taijiro Tamura, this is another of director Seijun Suzuki's envelope pushing dramas. He made a habit of disobeying the directives of his studio Nikkatsu and here he crafts a tale that refuses to simply extol the virtues and glories of the Japanese military. Plotwise, a woman falls in love with a lieutenant's lowly aide, and as the superior officer torments her, she and the subordinate embark on a forbidden affair. This occurs during the Sino-Japanese War circa 1935, and when the Chinese attack, the question of honor versus survival comes to the fore.

A lot of reviews call the lead character here, played by Yumiko Nogawa, a prostitute, but that's a simplification. She plays an ianfu or comfort woman, which was a form of sexual bondage usually reserved for foreigners. Ianfu were sent around to military garrisons to have sex with soldiers, and sometimes the ratio of women to men was very lopsided. We've seen 1:1000 cited, but can't confirm that independently. Lawsuits about this are still crawling through international courts. Japan's oldest English language newspaper The Japan Times recently was called out for acquiescing to Prime Minster Shinzō Abe's insistence that ianfu be referred to by terminology less embarrassing to Japan.

Westerners generally won't have all this history in mind when watching Shunpu den, but it's useful to consider. Nogawa's character Harumi is Japanese and a volunteer, so in both respects she's atypical compared to the reality of Korean, Indonesian, and Filipino women abducted by the tens of thousands. With this type of subtext, and a foreground occupied by men indoctrinated into a military corps bound by an intractable and sometimes suicidal code of conduct, a happy ending seems like an impossibility. But you never know. However it turns out, the worth of dramatic cinema is in the trying. Shunpu den premiered in Japan today in 1965

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Vintage Pulp May 31 2017
FLESH WOUNDS
Lovers in a dangerous time.


Above are two posters for Nikutai no mon, aka Gate of Flesh, one of the most famous films to come out of Japan during the post-war period. We talked about the pinku remake of this, which appeared in 1977. The original was directed by Seijun Suzuki and stars Jo Shishido, Satoko Kasai, and Yumiko Nogawa. It closely follows the plot of Tajiro Tamura's novel, in which a group of tough prostitutes survive in bombed out post-World War II Tokyo thanks to camaraderie and a strict code of conduct, of which the most important rule is never to have sex for free. When a wounded ex-soldier takes shelter with them, some of the women find emotional distance difficult to keep, while one finds maintaining physical distance even harder. The novel is a tragedy, and since the film tracks the fiction closely, don't expect to walk away from this one with a smile on your face. It premiered in Japan today in 1964.

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Vintage Pulp Dec 24 2016
FLESH TONES
You can't keep a good girl down.

This dramatic poster was made for Nikutai no mon, aka Gate of Flesh, a movie based on a 1947 novel by Japanese author Taijirô Tamura. The book has been filmed five times. The most famous version was made in 1964 with Jo Shishido and Yumiko Nogawa earning acclaim for their lead roles in what was a serious and artistic film, but the above promo is for the 1977 roman porno version starring Reiko Kayama, Izumi Shima, and Junko Miyahsita. Needless to say, the two films diverge rather sharply. However, we need to point out, as we do periodically, that roman porno isn't porno—it's softcore. The “roman” in roman porno is short for “romantic,” and though the movies aren't typically romantic in the normal sense, they aren't explicit. Such depictions were illegal in Japan back then, and remain so today (though filmmakers use pixilation of sexual organs to skirt the law).

When the novel Nikutai no mon appeared in 1947 a different censorship regime existed called the Civil Censorship Detachment, which was under the authority of the Supreme Commander for the Allied Powers, aka Douglas MacArthur. Under SCAP CCD censorship, explicit accounts of fraternization between Japanese and whites were forbidden, as were detailed accounts of the atomic bombings, or anything that could generate distrust toward the American occupiers. Most Japanese authors obeyed. A few wrote obliquely about the forbidden subjects. And a very few broke the rules entirely to describe war horrors—e.g. flashburned nuclear victims walking naked and blind amongst the ruins, their hairless bodies so swollen their sex could not be determined. Tamura's novel falls in the middle. It tells the story of a group of Japanese women trying to survive in the rubble of Tokyo via prostitution.
 
Where the 1964 movie stuck pretty close to Tamura's fiction, the roman porno focuses more on the sexploitation angle, though it keeps the action set in 1947. A criminal syndicate known as Black Rose provides Japanese girls as prostitutes to the American military, and any who resist the various examinations, training, and indignities are punished with torture and death. When Reiko Kayama arrives on the scene, she eventually inspires the others to follow her as she leads a revolt against her enslavers. You get sex, girlfights, killings, and blood. If you're looking for standard roman porno fare—with perhaps a bit more visual piazazz than usual thanks to director Shôgorô Nishimura and cinematographer Yoshihiro Yamazaki—you've picked the right film. Nikutai no mon premiered in Japan today in 1977.

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Vintage Pulp Feb 13 2014
TUMBLING DICE
When the cat’s away, the cat will play too.

Above, a poster for Haruyasu Noguchi’s 1965 drama Toba no mesu neko, aka Cat Girls Gamblers. The movie starred Hideaki Nitani, Ichirô Sugai, and Yumiko Nogawa, who had earned widespread recognition for debuting in 1964’s shocking Nikutai no mon, known in the West as Gate of Flesh. That’s her holding the dice on the artwork. Despite Nogawa’s fame and her long film career that’s still ongoing, there’s no information about Cat Girls Gamblers on the web, just a bunch of skeletal pages designed to draw traffic. We hate those things, so we’re glad to have uploaded something substantial in the form of this great poster. 

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History Rewind
The headlines that mattered yesteryear.
April 25
1939—Batman Debuts
In Detective Comics #27, DC Comics publishes its second major superhero, Batman, who becomes one of the most popular comic book characters of all time, and then a popular camp television series starring Adam West, and lastly a multi-million dollar movie franchise starring Michael Keaton, then George Clooney, and finally Christian Bale.
1953—Crick and Watson Publish DNA Results
British scientists James D Watson and Francis Crick publish an article detailing their discovery of the existence and structure of deoxyribonucleic acid, or DNA, in Nature magazine. Their findings answer one of the oldest and most fundamental questions of biology, that of how living things reproduce themselves.
April 24
1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission.
April 23
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder, Carmen Jones, The Man with the Golden Arm, and Stalag 17, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
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