|Hollywoodland||Feb 10 2012|
Last time we featured Inside Story, we took a detailed look at the contents, concluded that there was good reason it was a strictly blah tabloid, and decided not to buy it again. But that doesn’t mean we can’t cull them from online, so today we have this February 1957 cover that promises to expose “the amazing James Dean hoax.” Make sure you’re sitting down when you read this. The globe-spanning conspiracy Inside Story uncovered is simply that Dean’s posthumous spike in popularity wasn’t entirely due to sincere outpourings of appreciation by fans, but also because of a deliberate, behind-the-scenes publicity campaign by Warner Bros., who had produced his last movie Giant. Warners had decided that, after dropping $5 million on production, they needed a major publicity angle to have any hope of recouping their investment in a movie whose star had been dead a year and a month. The money quote: “Unfortunately, Dean, living again only for the profits of the movie-makers, will never see a dime of that increased gross…” Well, no, because death will tend to put a crimp in one’s personal finances. At least Inside Story published a nice photo, from East of Eden, below. We have two more issues, with lots of scans, and you can see those here and here.
|Vintage Pulp||Jan 5 2012|
Above, a January 1935 cover of the French art/cinema magazine Pour Lire a Deux with cover stars James Cagney and Ruby Keeler from the 1933 Warner Brothers musical Footlight Parade, which opened in France in 1934. Inside you get lots and lots of artsy photos, most of them nude, and most of them great. See ten scans below.
|The Naked City||Jan 4 2012|
Dalton Stevens’ cover for this January 1931 issue of True Detective looks a bit like a horror illustration, but it's actually supposed to represent Robert E. Burns, who in 1922 helped rob a Georgia grocery, earned himself 6 to 10 at hard labor, but escaped and made his way to Chicago, where he adopted a new identity and rose to success as a magazine editor. Years later, when he tried to divorce the woman he had married, she betrayed him to Georgia authorities, and what followed was a legal battle between Georgia courts and Chicago civic leaders, with the former wanting Burns extradited, and the latter citing his standing in the community and calling for his pardon. Burns eventually went back to Georgia voluntarily to serve what he had been assured would be a few months in jail, but which turned into more hard time on a chain gang.
Angered and disillusioned, Burns escaped again, and this time wrote a book from hiding, which True Detective excerpts in the above issue and several others. This was a real scoop for the magazine—it was the first to publish Burns’ harrowing tale. The story generated quite a bit of attention, and Vanguard Press picked it up and published it as I Am a Fugitive from a Georgia Chain Gang, which led directly to Warner Brothers adapting the tale into a hit 1932 motion picture starring Paul Muni. The movie differed somewhat from the book, of course, which differed somewhat from reality (Burns himself admitted this later), but his account cast a withering light on the chain gang system. The exposure helped chain gang opponents, who claimed—with some veracity—that the practice was immoral because it originated with the South's need to replace its slave labor after defeat in the U.S. Civil War.
Burns continued to live life on the run, but was eventually arrested again, this time in New Jersey. However, the governor of the state refused to extradite him. The standoff meant Burns was, in practical terms, a free man. That practical freedom was made official in 1945 when he was finally pardoned in Georgia, and his literary indictment of the chain gang system helped bring about its demise. Well, sort of—it returned to the South in 1995, was quickly discontinued after legal challenges, but may yet be reintroduced as politicians push for more and more extreme punishments to bolster their tough-on-crime credentials.