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Pulp International - Turkey
Vintage Pulp Dec 11 2015
WARRIOR QUEEN
Nobody can keep up with this Jones.


We talked about Cleopatra Jones and the Casino of Gold a few weeks ago. The above poster was made for the Japanese run of its progenitor Cleopatra Jones, which is superior to the fairly decent sequel in every aspect except budget. Tamara Dobson was a globetrotting James Bond type in Casino of Gold, but here she stars in a somewhat grittier story centered around an attack on a Los Angeles halfway house she owns, which occurred in retaliation for her burning a drug lord's poppy field in far away Turkey. Shelley Winters grandiosely overacts as the villain, but she's fun in a role that requires her to dominate lots of tough henchmen, only to be inevitably slapped around and killed by Dobson in the climax. Other players include Bernie Casey, Esther Rolle, and the lovely Brenda Sykes. Dobson had appeared in two previous films, but Cleopatra Jones made the ex-model a star. There were not many lead roles at the time for heroic women, and few roles of any sort for Dobson once the blaxploitation wave passed. As a result she graced the silver screen too few times. But Cleopatra Jones is a nice showcase of her ability as an action icon. Its Japanese premiere was today in 1973.

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Vintage Pulp Aug 30 2014
A RAMPAGE FROM HISTORY
Cheapie tabloid offers priceless advice to American males.


Remember when Midnight explained that virgins make lousy wives? Not to be outdone, this issue of Rampage published yesterday in 1971 reveals what type of women make the best wives. Can you guess? Give up? The answer is—wait for it—prostitutes. The magazine’s reasons are many, but the one we agree with unreservedly is this: “They’ve already seen the worst men have to offer.” Elsewhere, the editors tout a cure for inverted nipples, reveal “lezzies slurping over female bodies,” and tell the tale of a woman talked into smuggling heroin in her vagina from Istanbul to New York City. Because this is a tabloid, after all, there’s an actual heroin stuffed dildo involved that the amateur smuggler secrets inside her lady parts for two days of air travel. Quote: “I felt full down there, like I was being perpetually screwed by a guy with a really big dick. It was a funny feeling, but sexy. I may have had an orgasm on the plane.” Everybody who thinks that was written by a dude raise your hands. Yep, we’re unanimously agreed. We also get America’s most popular seer the (not so) Amazing Criswell (on loan from his regular gig at National Informer), who drops this nugget: “I predict a lawsuit will reveal that one of our top glamour girls has a wooden hand!” Rampage is a gift that keeps on giving and we have about ten more issues we’re going to share. We know you can hardly wait. Scans below.

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Vintage Pulp Apr 21 2012
GUITAR LICKS
And now I'll demonstrate proper fingering technique.

The Good Time Weekly Calendar of 1963 offers up an excellent Mexican-themed image for the week beginning April 21. We don’t know the model, but the photographer is identified as Turhan Bey. The name sounded familiar, so we looked him up and found that before he stepped behind the lens he was an actor known as The Turkish Delight. His career began in 1941, and he appeared in many movies, but that wasn't why he sounded familiar. He sounded familiar because he appeared on television as recently as 1998 in a recurring role on the sci-fi series Babylon 5. It was in the mid-1950s that Bey decided to try his hand at photography, and we can't argue with the results.
 
This week's quips come from some of the usual suspects, but also include an observation from 15th century playwright William Congreve. In Congreve the folks at Good Time Weekly have finally chosen a wit worthy of respect. Congreve not only popularized the expression “kiss and tell,” but also originated the lines, “Music has charms to soothe a savage breast,” and “Heaven has no rage like love to hatred turned, nor hell a fury like a woman scorned.” But our favorite Congreve is this one: “Uncertainty and expectation are the joys of life. Security is an insipid thing.” We remind ourselves of that every moment we go without internet service. But insipid security looms, finally—we’re told service will be established in our new place within seven days.
 
April 21: “Love is a game of continuous surprise; he who is smart should never blow his knows.”—He-who Who-he
 
April 22: Everybody loves a lover but not when he’s on a public phone.
 
April 23: “Intuition is the strange instinct that tells a woman she is right whether she is or not.”—Paul Gibson
 
April 24: Women and glass are always in danger.—Portuguese Prov.
 
April 25: “Oh, fie, Miss, you must not kiss and tell.”—William Congreve
 
April 26: “Actually, most women keep secrets as well as men. It just takes more women.”—St. Clyde Melton, Jr.
 
April 27: “In Hollywood half the people are waiting to be discovered—the other half are afraid they will be.”—Pat Buttram.

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Musiquarium Feb 23 2012
TATAR SAUCE
During the 1950s Nejla Ates was the multi-media queen of exotic dance.

We mentioned Romanian-Tatar dancer Nejla Ates yesterday, and commented on her appearances on numerous bellydancing album sleeves. Well, above are five of those with Ates as the model. At the height of her fame, she danced in some of the most famous clubs in the U.S., and at one point, to promote her role in the 1954 Broadway production Fanny, producer David Merrick commissioned a nude statue of her and had it clandestinely installed in New York City’s Central Park. The statue didn’t last long, but the publicity helped Fanny run for 888 performances. Ates eventually returned to Istanbul, where she died of cancer in either 2005 (if you believe most sources) or 1995 (if you believe her husband’s detailed account). Below are three shots of her in her prime performing at the NYC nightclub Latin Quarter in 1953. If you want to see her in actual motion, her short dance from 1955’s Son of Sinbad is here, and there’s more of her in yesterday’s post. 

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Intl. Notebook Feb 22 2012
LIFE IS A CARNIVAL
Freak show on the dance floor.

At the end of last month we posted a few images of Bettie Page that hadn’t appeared online before. They came from an issue of Carnival we were too lazy too scan in its entirety at the time. Today we have the rest of that great issue, vol. 1, no. 2, published out of Chicago, U.S.A. by Hillman Periodicals, who were the same people behind the magazine Show. The cover star is burlesque queen Lilly Christine, aka The Cat Girl, and she reappears in all her wild-eyed glory in a photo set we've placed at the very bottom of this post. We’ve seen at least two of those photos before in other magazines, however Carnival claims it was an exclusive set, shot especially for them, and indeed, that could be true, since theirs appeared before the others we saw.

After a peek behind the scenes of the Miss Universe pageant, readers get a profile of Ernest Hemingway’s most recent trip to Spain. Hemingway was visiting the Festival of San Fermin in the Basque Country town of Pamplona in order to see how his favorite sport of bullfighting had fared in the years since he’d last visited. Since the text in these digest-sized magazines scans large enough to be legible, you can read whatCarnival says about the famed festival yourself. We will note, however, that the writer’s description of Pamplona as dull when San Fermin isn’t happening is wrong. Spain in general, and the Basque Country in particular, are never dull. Trust us—we’ve spent a lot of time there. If you’re interested, you can read our firsthand observations of San Fermin here and here.

Carnival next presents readers with photos of dancer Nejla Ates, whose short set begins just below. We first saw one of these shots in an issue of Uncensored dating from June 1954, but once again Carnival seems to have gotten there first—their photos are from 1953. Ates, who for some reason often appears online unidentified, was Romanian born ofTatar descent, and danced her way through Cairo, Rome, Paris, and London, before finally gaining international fame in New York City. She appeared in three American films during the 1950s, and was the go-to cover model for Middle-Eastern and bellydancing themed album sleeves, but despite her successes suffered the usual slate of dead end affairs and romantic heartbreaks with such men as, among others, Billy Daniels, George Sanders, and Gary Crosby.

Following Ates is a photo feature on American actress and party girl Barbara Payton, who burned a swath through Hollywood during the 1950s, bedding co-stars, feuding with her studio, and generally raising a ruckus before eventually drifting into prostitution and dying at age thirty-nine of heart and liver failure. She’s described here as possessing the “assets of Hedy Lamarr, Jane Russell and Marilyn Monroe” all at once. Not sure about that, but we'll be finding out more about her later, because we will be examining her very pulpish life story in detail.

Next you get a great close-up photo of Jersey Joe Walcott having a disagreement with Rocky Marciano’s fist. Does that shot also look familiar? Perhaps because it was the cover of a January 1953 National Police Gazette. We had no idea that the fight was considered controversial at the time. Apparently, many thought Walcott took adive. Since this photo is of the actual the shot that sent Walcott to the canvas, we have to respectfully disagree. It’s lights out, and anyone can see that. In any case, you can take a gander at that Gazette cover and learn a bit about Marciano and Walcott here.

A few more treats: panel 24, just below, contains a hot shot of Marilyn Monroe at a charity baseball game; panel 26 features actress Sheree North, who doesn’t look very impressive, which means you shouldclick over to our lovely femme fatale post on her here and get a sense of what a knockout she really was; and lastly, in panel 28, above, you get a killer shot of Zsa Zsa Gabor, who, believe it or not, was already nearly forty at the time and had been married three times on the way to her final tally of nine.

Looking at all these pages and visiting the accompanying links, you perhaps get a sense of how the mid-century tabloid industry was fueled by handout photos, with all the publications using the same shots but concocting editorial angles to create the illusion that the images were exclusive. But in Carnival’s case, it does seem to have published many of these images first. It billed itself as “a magazine of excitement”, and we have to agree. It’s also a magazine that, because of its tightly bound construction, we had to destroy in order to scan. But even though this particular issue of Carnival is now only loose leaves scattered across the room, there are other issues out there, and we’ll have some of them later, hopefully.  

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Vintage Pulp Nov 28 2011
TURKISH TRIBUTE

Above, a cover of the Turkish lifestyle magazine Hayat with a commemorative photo of John F. Kennedy featuring the slain president striking a beatific pose. It appeared today in 1963, six days after Kennedy’s assassination. 

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Vintage Pulp Aug 4 2011
GRAND ILLUSIONS
Every little thing they do is magic.

We found this great vintage poster for the Turkish illusionist Zati Sungur, who began performing during the 1920s and parlayed his talent into international fame. Spending most of his career touring Europe, the Middle East and South America, he performed not only as Zati Sungur, but as Zati Bey, Sati Richmond, and Conde Sati von Richmond. In the 1930s he developed the famous illusion of sawing a model in half, which was adopted by nearly every illusionist in the world. He eventually opened the famous Universal Magic and Illusion Tricks Studio, where he taught scores of Turkish students his secrets. Sungur died in 1984, but is well known among today’s illusionists as one of the masters of the craft. We located a few other vintage posters for famous and semi-famous magicians, illusionists and seers, circa 1930s, 1940s, and 1950s, and we’ve shared them below.

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Intl. Notebook Nov 4 2010
HAYAT SWEETS
Ten ways to be adored.


Below: assorted covers of Hayat, which became one of Turkey’s most popular celebrity magazines beginning in the 1950s. From top to bottom the cover stars are Jayne Mansfield, Ursula Andress, Anita Ekberg, no idea because we can't read Turkish and her name isn't on the cover, Marilyn Monroe, Debra Paget, Ava Gardner, Natalie Wood, Ann-Margret, and Brigitte Bardot.

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Vintage Pulp Oct 25 2010
TWO MAMA TAMBIEN
Back on the chain gang.

Women’s prison is such a rollercoaster ride. One minute you’re enjoying a water fight with other beautiful cons in the communal shower; the next you’re getting the rubber glove slapdown from a Barbie-coiffed matron. But with a little teamwork you can escape, even if you happen to be handcuffed to someone you don’t particularly like at first. Black Mama White Mama isn’t quite The Defiant Ones, but it’s got Pam Grier and Margaret Markov fleeing a blaxploitation neverland located somewhere between Hazzard County, Nicaragua, and the South China Sea, so it’s all good fun. It’s also got the killer Turkish one sheet you see above, which was made its run as Kadinlar Cehennemi, which means "women hell." Exactly. If you like b-movies, carve out a little time to watch this flick. It isn't particularly deep, but then neither are we.

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Vintage Pulp May 19 2010
VLAD TEPID
Behçet the vampire slayer.

Above is a rare promo poster for Yaguz Figenli’s thriller Kara Boga, aka Black Bull, 1974, with Behçet Nacar and Yonca Yücel. You might not deduce this from the art, which features a woman sensually eating what looks like a Tostitos chip, but this is actually a vampire movie, a sort of polyester clad take on the legend of Vlad Tepes, aka Vlad the Impaler. Like a lot of Turkish movies from the seventies, this one has numerous flaws: the acting is over the top, the sound effects are bad, the music is distractingly symphonic (except for the percussive slow burners used for the love scenes), and the original celluloid has yellowed, which makes every frame look like it was shot through a slice of lemon. But there’s action aplenty and a lot to laugh at. Wanna see a guy get stabbed in the back but for some reason clutch his stomach before falling over dead? Got ya covered. Wanna see a hunchback whose hump is clearly two day's worth of laundry stuffed under his shirt? Check. Wanna see Vlad Tepes—Vlad the frickin' Impaler—suffer a brutal beatdown from a guy who looks like Mark Spitz? Then look no further. Let's just say this one really bites, but in an entertaining way. 

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History Rewind
The headlines that mattered yesteryear.
March 28
1910—First Seaplane Takes Flight
Frenchman Henri Fabre, who had studied airplane and propeller designs and had also patented a system of flotation devices, accomplishes the first take-off from water at Martinque, France, in a plane he called Le Canard, or "the duck."
1953—Jim Thorpe Dies
American athlete Jim Thorpe, who was one of the most prolific sportsmen ever and won Olympic gold medals in the 1912 pentathlon and decathlon, played American football at the collegiate and professional levels, and also played professional baseball and basketball, dies of a heart attack.
March 27
1958—Khrushchev Becomes Premier
Nikita Khrushchev becomes premier of the Soviet Union. During his time in power he is responsible for the partial de-Stalinization of the Soviet Union, and presides over the rise of the early Soviet space program, but his many policy failures lead to him being deposed in October 1964. After his removal he is pensioned off and lives quietly the rest of his life, eventually dying of heart disease in 1971.
March 26
1997—Heaven's Gate Cult Members Found Dead
In San Diego, thirty-nine members of a cult called Heaven's Gate are found dead after committing suicide in the belief that a UFO hidden in tail of the Hale-Bopp comet was a signal that it was time to leave Earth for a higher plane of existence. The cult members killed themselves by ingesting pudding and applesauce laced with poison.
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