Vintage Pulp Jan 28 2022
A MAN OF ACTION
Jim Kelly takes on the mob in hit-and-miss karate adventure.


The blaxploitation/kung fu flick Black Belt Jones premiered in the U.S. today in 1974, but we're sharing the Italian poster for two reasons: this Ermanno Iaia effort is more interesting than the U.S. art; and it's another example of African American stars being erased from Italian promo art. We assume it happened because Italian distributors figured many Italians wouldn't knowingly choose to see a film with a black star. Well, this one featured one of the biggest black stars—martial arts sensation Jim Kelly. He's not widely known today, but during the height of the martial arts craze he was an icon because of his screen charisma and cred. And by cred we mean he won four martial arts championships in 1971 alone, including the world middleweight karate title.

There's no release date for Black Belt Jones in Italy, but probably it played there during the summer of ’74, retitled Johnny lo svelto, or “Johnny quick.” Plotwise the mafia have learned that city of L.A. plans to erect a new civic center, and have bought up all the land at the prospective building site except a karate dojo owned by a martial arts instructor named Papa Byrd—and Papa won't play. Meanwhile, somewhere across town, Kelly is asked by cops to investigate the L.A. mob, who are getting cozy with local politicians and building up so much power they might soon be untouchable. In the tight knit local martial arts community, Kelly and Byrd know each other, so when Byrd turns up dead Kelly is motivated to get to the bottom of the murder.

The movie is partially a burlesque, with bits of slapstick, some salty slang, and many of characters constructed as pure stereotypes—Italian gangsters crying, “Mamma mia!” and that sort of thing. Viewed in a certain frame of mind it's funny, and considering it features an ass-kicking Scatman Crothers (long before getting axed in the chest in The Shining), the red hot Gloria Hendry, and Love Boat bartender Ted Lange as a minor league crook, there's plenty worth seeing here. That includes Kelly's martial arts, which are fun to watch, once you get past a bizarre opening fight shown entirely in slow motion. Kelly's abs are also on regular display, which made the Pulp Intl. girlfriends happy.

So Kelly knows martial arts and looks great, but can he act? Considering the constraints, he does okay. These low budget ’70s movies didn't give stars much chance to sharpen their performances, and they're nearly always poorly paced in terms of dialogue, but he has charisma and his acting matches that of Bruce Lee or any other of the action stars from the period. They weren't hired to do Hamlet, after all. With Kelly at its center Black Belt Jones is worth a watch. And as we said, viewed in a certain frame of mind, it's even sort of good. But by frame of mind, we mean one in which you don't take it too seriously—the filmmakers certainly didn't seem to. We mean that as a compliment.
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Femmes Fatales Jan 2 2021
BARBI DOLL
There's been a pink diamond Barbie, a fashion queen Barbie, and a Sunset Malibu Barbie, so why not a bottomless Barbi?


You need to look twice but, yes, in this circa-1972 pin-up poster Barbi Benton is missing pants. Or a skirt. Or tights. Or whatever. Benton may be best known as the consort of a world famous pornographer (Hefner, again), but she also acted, guesting on many of the cheesiest television shows of the ’70s and ’80s. Think CHiPs, Vega$, Sugar Time!, The Love Boat—six times—and Fantasy Island—eight times! For our money her zenith was 1983's notably skin-filled sword and sorcery flick Deathstalker. Come to think of it, we may watch that tonight. Meanwhile this image is amazing. Our scan is about 1900 pixels wide, which would be worth framing if we were inclined, but which we'd never do because we aren't seventeen anymore, so our walls have to be home to serious art. Not our rule, but we abide by it.
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Vintage Pulp Feb 3 2019
BLAST CHANCE
It should have launched a memorable career but didn't quite work out that way.

Do people who like film noir also like NFL football? We ask because the Noir City Film Festival wraps up tonight in head-to-head competition with the Super Bowl. For football haters, the fest is a chance to get out of Super Bowl households for the duration of the game, but for others it's a tough choice. Film noir and football are similar. Both feature hardheaded men pitted in mortal struggle against forces arrayed against them. Both feature unexpected plot twists. Both put physical safety at risk. In both cheating is rampant (at least when the Patriots are involved). In neither is victory assured. We wonder what the festival organizers would have done if the 49ers had made it to the title game. Hah hah‚ that's a joke. They knew—everybody knew—the 49ers would suck this year.
 
Anyway, tonight the festival features two films, one of which is 1961's Blast of Silence. Written, directed by, and starring Allen Baron, the film is a fascinating counterpoint to Stanley Kubrick's Killer's Kiss, which showed at Noir City a few days ago. Both are low budget crime thrillers shot in New York City about men desperate for better lives whose needs center on women. Where Kubrick's protagonist is a pug boxer whose interest in a beautiful neighbor makes him want out of the ring, Baron plays a killer-for-hire whose random encounter with a woman from his youth triggers second thoughts about his chosen career.
 
Many reviews of Blast of Silence are of the glowing variety, but while it's seamlessly put together and the noir flourishes are well executed, it suffers from Baron's acting, as well as that of other performers. But everyone loves an auteur in the rough. It's easy to look past the acting and see Baron's behind-the-camera talent. Given a chance he might have had a very different career. Watching Blast of Silence you can imagine it. Like gruff voiced narrator Lionel Stander says at one point, “You get a feeling this is how it was meant to be.”
 
Instead Baron put together one more low budget movie before migrating into television, where he intermittently directed shows like The Brady Bunch and Charlie's Angels. Hmm... Brady like Tom Brady and Angels like Los Angeles? Um... where were we? Oh yes. It's amazing how Baron's career diverged from Kubrick's despite both making low budget NYC thrillers of similar quality. Was Baron as talented as Kubrick? We aren't saying that. Just that it would have been interesting to see what his cinematic career might have looked like. But if film noir teaches anything it's that in life, as in football, things don't always work out the way they should. Go Rams.
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History Rewind
The headlines that mattered yesteryear.
January 29
1916—Paris Is Bombed by German Zeppelins
During World War I, German zeppelins conduct a bombing raid on Paris. Such raids were rare, because the ships had to fly hundreds of miles over French territory to reach their target, making them vulnerable to attack. Reaching London, conversely, was much easier, because the approach was over German territory and water. The results of these raids were generally not good, but the use of zeppelins as bombers would continue until the end of the war.
January 28
1964—Soviets Shoot Down U.S. Plane
A U.S. Air Force training jet is shot down by Soviet fighters after straying into East German airspace. All 3 crew men are killed. U.S forces then clandestinely enter East Germany in an attempt to reach the crash but are thwarted by Soviet forces. In the end, the U.S. approaches the Soviets through diplomatic channels and on January 31 the wreckage of the aircraft is loaded onto trucks with the assistance of Soviet troops, and returned to West Germany.
January 27
1967—Apollo Fire Kills Three Astronauts
Astronauts Gus Grissom, Edward White and Roger Chaffee are killed in a fire during a test of the Apollo 1 spacecraft at the Kennedy Space Center in Florida. Although the ignition source of the fire is never conclusively identified, the astronauts' deaths are attributed to a wide range of design hazards in the early Apollo command module, including the use of a high-pressure 100 percent-oxygen atmosphere for the test, wiring and plumbing flaws, flammable materials in the cockpit, an inward-opening hatch, and the flight suits worn by the astronauts.
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