It's a woman's prerogative to change her backdrop.
Above are two Technicolor lithos of popular model Terry Higgins, who we also saw years ago in the Goodtime Weekly Calendar of 1963. You've noticed that these two shots are from the same session, but that the background color has miraculously changed. That was common with pin-up lithographs. We suspect they did it in pre-press, rather than in the photography studio with lighting, but either way it's a neat trick. Higgins made appearances on the covers of men's magazines such as Adam (U.S.A.), Candid, Tip Top, Folies de Paris et de Hollywood, and many others. She also starred in some nudie loops and had an uncredited appearance in 1963's The Nutty Professor. The above shots are by famed lensman Ron Vogel, and date from around 1960.
More pages than the competition = more readers than the competition.
Above and below, the cover and assorted interior scans from Tab published this month in 1966. We assume “Tab” is short for tabloid, and that is indeed what this publication is, a pocket sized celeb and gossip magazine, new for our collection and a nice addition to the approximately four hundred we already have inside the website. However Tab is was also at this stage partly a nudie magazine, with the random glamour shots of young models that term implies. We've talked before about how large numbers of mid-century publications transitioned from tabloid or adventure magazines to pure porn during the late 1960s and early 1970s, and we seem to have caught Tab in the midst of just such a transformation.
The magazine was put together bi-monthly by the New York City based Carnival Magazine Corporation, was launched back in 1952, best we can determine, and lasted as late as 1971. It may have been pocket sized in terms of dimensions, but it was one of the thickest offerings on the market in terms of page count—this one is an amazing one-hundred and forty-eight pages featuring Carroll Baker, Angela Webster, Bobbie Carlino, Terry Higgins, Linda Veras, the KKK, grand prix racing, eight million sex starved women, and more. The pocket size also means that the text is of readable size on our website, so we don't have to bother with a detailed description of the contents—you can read it for yourself, in more than sixty panels.
Folies de Paris et de Hollywood kept readers guessing with their models but this one we know.
This issue of Folies de Paris et de Hollywood is from 1963 and its theme is “les peches capiteaux,” or the seven deadly sins. You see them listed at bottom left on the cover, if you ever wanted to learn them in French. While the theme is interesting, we're sharing this cover for one reason—Sophia Loren. Well, we think it's her. Folies never credited its cover models, so we can't be sure. The editors used her image on at least three other covers, and those instances are identifiably Loren because the shots are standard portraits, leaving no doubt. But this one has an oblique angle, which is enough by itself to make positive ID more difficult. And the model is wearing a see-through blouse. For casual fans of Loren that may seem out of character, but it isn't. Her early nude scene in Era lui... sì! sì! is well known today. We've discussed it a couple of times. And of course who can forget her wet-shirt appearance in Boy on a Dolphin. The point is Loren was not shy, so the see-through lingerie here is not a sign the cover model isn't her. We're going to say this is indeed Loren until someone convinces us otherwise. Inside the magazine identities are a bit clearer. You get various Parisian showgirls, as well Vicki Kennedy, aka Margaret Nolan, who we're beginning to think may have been the most photographed glamour model of the 1960s, centerfold Terry Higgins (in a crib, disturbingly), and June Palmer as “la paresse,” or sloth—though not so slothful she wasn't able to pose for three pages of photos, then don a blonde wig and appear on the rear cover too. That's more than we did all last week. Scans below.
Hmm, maybe I should change this wallpaper.
Some well known photographers have contributed to the Goodtime Weekly Calendar, but the above image is by a true icon—Bruno Bernard, aka Bernard of Hollywood. The German-born Bernard possessed a doctorate in criminal psychology and had no formal photographic training, but after leaving Germany in 1937 was operating his own portrait studio within a year. His second studio was on Sunset Boulevard, and that’s where he worked for 25 years, along the way creating such iconic images as Marilyn Monroe’s Niagara and River of No Return promos, Lili St. Cyr’s Indian headdress and transparent bathtub shots, and portraits of virtually every star in mid-century Hollywood. The Goodtime Calendar has several other Bernard contributions, and you’ll see those as the year continues.
As a side note, you may be wondering why we’re showing you this second week of July image a week early. It’s because we’re headed off to Sevilla, Spain tomorrow for a week or so, and we won’t be posting during that time. Well, you never know. Probably we won’t. Depends on what we see. But anyway, we didn’t want our vacation to interrupt our Goodtime Weekly series, so you get this page a week early. You also get the quips a week early:
July 7: “When a man opens the car door for his wife, it’s either a new car or a new wife.”—Larry Attebery
July 8: When a pensive little thing gets married, she often becomes an expensive little thing.
July 9: “A psychiatrist is a man who doesn’t have to worry so long as other people do.”—Pat Buttram
July 10: “A Hollywood guy changes his name once, a dollar bill once in a while, and his girl once she gets wise.”—Joe Hamilton
July 11: A man is incomplete until he marries—then he’s really finished.
July 12: “Science is dandy, but what makes a world’s fair is sex and cotton candy.”—Gracie Hansen
July 13: Small town: a place where there’s no recreation for single folks once the sun goes down.
Update: Turns out the model is named Terry Higgins. We just discovered this in June 2015, but better late than never. At least you know we're always updating and refining the information on our site.
The headlines that mattered yesteryear.
1955—James Dean Dies in Auto Accident
American actor James Dean, who appeared in the films Giant
, East of Eden
, and the iconic Rebel without a Cause
, dies in an auto accident
at age 24 when his Porsche 550 Spyder is hit head-on by a larger Ford coupe. The driver of the Ford had been trying to make a left turn across the rural highway U.S. Route 466 and never saw Dean's small sports car approaching.
1962—Chavez Founds UFW
Mexican-American farm worker César Chávez founds the United Farm Workers in California. His strikes, marches and boycotts eventually result in improved working conditions for manual farm laborers and today his birthday is celebrated as a holiday in eight U.S. states.
1916—Rockefeller Breaks the Billion Barrier
American industrialist John D. Rockefeller becomes America's first billionaire. His Standard Oil Company had gained near total control of the U.S. petroleum market until being broken up by anti-trust legislators in 1911. Afterward, Rockefeller used his fortune mainly for philanthropy, and had a major effect on medicine, education, and scientific research.
1941—Williams Bats .406
Ted Williams of the Boston Red Sox finishes the Major League Baseball season with a batting average of .406. He is the last player to bat .400 or better in a season.
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