|Vintage Pulp||Oct 18 2016|
The Maltese Falcon is considered by most scholars to be the first major film noir. It was also one of the best, with legendary talents John Huston, Humphrey Bogart, and Peter Lorre coming together to make magic. Mary Astor was excellent too. This must-see film premiered in the U.S. today in 1941, but the poster above—one you don't see often—was made for its run in Australia. Put this film in the queue if you haven't seen it. And if you have, well, watch it again.
|Intl. Notebook||Apr 1 2015|
Above is the front of a copy of Uncensored magazine that appeared today in 1965 with cover stars Jackie O., Blaze Starr, and—in a sign of changing times—the Beatles. Inside the magazine you get sin and skin in the form of East German sex camps, nudity in international cinema, exotic dancer Marlene MacLane, transgender entertainer Christine Jorgensen, and call girl Christine Keeler, who, Uncensored reminds readers yet again, had lovers with skin darker than hers. And according to journalist Bill Jeffree, so did thousands of other British women. What had the world come to? These old tabloids often contain photos that haven’t made it online yet, and from this one we’re happy to upload a cool shot of Keeler, a snap of John F. Kennedy, Jr. as a toddler, and a rare vision of Elizabeth Taylor strolling a Mediterranean boardwalk in her bikini. We have about twenty scans below and more from Uncensored to come.
|Vintage Pulp||Nov 13 2013|
We’ve seen nearly every Humphrey Bogart movie but had been warned away from Passage to Marseille. We finally watched it last night and the haters were right—it’s substantially below standard. You have Casablanca director Michael Curtiz at the helm and Casablanca alumni Bogart, Claude Rains, Peter Lorre, and Sydney Greenstreet in front of the camera, along with the lovely Michèle Morgan in the female lead, but all their combined efforts cannot elevate this clumsily written propaganda piece. Curtiz is not to blame—his direction is functional and James Wong Howe photographs everything beautifully. Likewise, Bogart manages his role adequately, Lorre and his emotive brow are put to ample use, and Rains dons an eyepatch and permafrown to bring some gravity to matters.
|Vintage Pulp||Aug 12 2013|
Today we have another cover collection for you. We had noticed quite a few pieces of pulp/sleaze art featuring syringes as a central element, so we’ve gathered up twenty examples, with art by Michel Gourdon and others. Some of these are from Flickr, so thanks to the original uploaders.
|Vintage Pulp||May 20 2013|
During the 1960s the Cleveland Publishing Company, which was based in Sydney, Australia, printed quite a lot of books like the one above—i.e., World War II adventures that in retrospect are subtly racist. Well, actually, who are we kidding? Retrospect and subtlety have nothing to do with it. Even in the context of the 1960s these were overtly racist books featuring depraved and heinous Japanese adversaries putting Aussie soldiers through hell, often in jungle prison camps. We have other examples we’ll share later, but this is probably the most interesting of them, art-wise, with its devilish villain painted camouflage green. Mack Kenton, the author here, wrote many war books for Cleveland, including Beachhead, Operation Solo, Ordeal of the Damned, Fight or Die, et. al., but despite his extensive bibliography there isn’t much info on him. Uncredited artist as well. It’s amusing to imagine that both author and illustrator disavowed themselves from this dubious work, but that probably isn’t what happened. The book is just obscure. As always we’ll dig for more.
|Vintage Pulp||Apr 2 2013|
Over the last few months we’ve culled together a collection of Australian World War II and Korean War paperback covers from the 1960s and today seemed like a good day to share these with you. All of the books are from Horwitz Publishing, the family owned house established in 1921 in Sydney by Israel and Ruth Horwitz. Upon its inception Horwitz published trade journals and sporting magazines, but eventually moved into popular fiction, pulps, and comic books. It was under son Stanley Horwitz, who took over the head spot at the company in 1956, that these books were published.
|Vintage Pulp||Mar 1 2013|
Printed by Sydney, Australia’s Cleveland Publishing Co., The Lonely Gun was written by the prolific author who called himself Marshall Grover, as well as Marshall McCoy, Val Sterling, Johnny Nelson, Shad Denver, Ward Brennan and other names. He was in reality Leonard F. Meares, and he published an astounding 746 novels. Amazingly, he didn’t even see his first on the shelf until he was thirty-four—young for publishing one’s first novel, but not for publishing the first of 746. Or better yet—look at it this way: that’s an average of just more than nineteen novels every year until he died at age seventy-two.
|Vintage Pulp||Feb 5 2012|
From Sydney, Australia’s Kenneth G. Murray, who is the same person who published the great magazine Adam, here’s his earliest mass market imprint—the succinctly named Man. The name leaves no doubt what the magazine is about, and indeed this issue from February 1950 features cover art of an available woman strutting her stuff for some virile sailors, and inside you get pin-ups, pulp style illustrations, fiction, and humor. We found this Man and a few others in an online archive. Below are some scans from today's, including a black and white photo about midway down of American actress Angela Greene. We'll have more coming from the others later.
|The Naked City | Intl. Notebook||Oct 11 2011|
One of Pulp Intl.’s sharp-eyed readers sent us a link yesterday to a collection of early twentieth century mugshots compiled by Australia-based Historic Houses Trust. The photos are glass plate negatives from New South Wales police stations and were mostly taken between 1920 and 1930. Above you see a typical mugshot, this one of Eugenia Falleni, who was arrested in Sydney in 1920. Her crime is detailed as follows: When Harry Leon Crawford, hotel cleaner of Stanmore, was arrested and charged with wife murder he was revealed to be in fact Eugenia Falleni, a woman and mother, who had been passing as a man since 1899. In 1914, as Harry Crawford, Falleni had married the widow Annie Birkett. Three years later, shortly after she announced to a relative that she had found out “something amazing about Harry,” Birkett disappeared. Crawford told neighbors that she had run off with a plumber. In 1919 Birkett’s young son, who had remained in Crawford’s custody, told an aunt of attempts made on his life by his drunken stepfather. The aunt contacted police. A charred body which had been found in Lane Cove in 1917 was belatedly identified as Birkett’s. Crawford’s astonished second wife, when finally convinced of Falleni’s true gender remarked, “I always wondered why he was so painfully shy...”
More examples with descriptions of the perpetrators’ crimes appear below. You’ll notice the compositions are often quite nice. That’s partly because of the glass plate photography, but also because the subjects were allowed to compose themselves however they pleased. There's more at the Sydney Living Museums website. Because it isn’t very user-friendly, we’ve linked you past the home page and directly to the mugshot archive, but the rest of the site is worth visiting as well.
Vera Purcell, 7 September 1926, aged 25, stole a large quantity of clothing from a house in Darlinghurst and was sentenced to six months hard labor at the State Reformatory for Women at Long Bay.
Mrs. Osborne, circa 1919, details unknown.
Giuseppe Mammone, aka G. Mammona, 15 February 1930, arrested for suspicion of the murder of Domenico Belle. Mammone ran a barbershop in Leichhardt and owed Belle money. Despite police suspicions, Mammone was never charged with the crime.
Albert Sing, 31 March 1922, received stolen goods, including fountain pens, cutlery and clothing, and was sentenced to eighteen months hard labor.
Barbara Turner, aka Tierney, Tiernan, Taylor, Florence Gillespie, Jessi Turner, et. al., 10 October 1921, Central Police Station, Sydney, was a confidence woman who operated widely across Australia and was arrested for defrauding a man named Henry Placings of 106 pounds by borrowing against a forged check. She served a year in prison.
John Walter Ford and Oswald Clive Nash, June 1921, both aged sixteen, were arrested for breaking and entering.
Masterman Thomas Scoringe, 29 November 1922, Central Police Station, Sydney, was a house thief who specialized in robbing the residences of Chinese people.
May Blake, 1 September 1930, Central Police Station, Sydney, charged with cocaine possession and sentenced to one year in jail.
Ruby Furlong, 15 November 1920, State Reformatory for Women, Long Bay, arrested for malicious wounding. Furlong was a feared criminal, and during an argument with a Newtown man she pulled a razor and cut his face open.
|Vintage Pulp||Jul 31 2010|
Above are two French posters for one of our favorite movies, The Maltese Falcon. Dashiell Hammett’s novel was originally adapted in 1931 by Roy Del Ruth with Bebe Daniels and Ricardo Cortez in the leads. Though that version was good, John Huston and Warner Brothers Studios chose to remake the film in 1941 and hit the jackpot pairing Humphrey Bogart and Mary Astor as Sam Spade and Brigid O’Shaugnessey. With Peter Lorre, Sydney Greenstreet and Elisha Cook, Jr. in supporting roles, the film was loaded with top talent and is considered the first film noir. If you haven’t seen it, rent it. And if you like it, rent the 1931 version too—the contrast is striking. Le faucon Maltais opened in Paris today in 1946.