Musiquarium | Aug 7 2019 |

Two wheels, a road, and a full tank of gas.
Singer and dancer Lina Salomé poses on a monster motorcycle in Havana, Cuba, sometime in 1956. Born Luz de Peña Matos Estévez, she appeared onscreen seven times between 1952 and 1957. She had only one leading role, in the Mexican made Alma de acero, aka Soul of Steel. Another film, Los tres bohemios, appeared a month later, but the work dried up completely after that. However, we've seen her described as an iconic musical figure in Cuba, and this photo fits for someone remembered that way. It's probably just a publicity shot, but we like to think of her actually taking this machine to Matanzas on the Via Blanca, because a beast like this needs to eat a lot of road. If you want to see Miss Lina do a little song and dance, check this link while it lasts.

Hollywoodland | Dec 15 2016 |

Hayworth finds the elusive cure for zombiedom.
National Enquirer tells readers Rita Hayworth has come back from the dead on this issue from today in 1963. What a curious statement. We can't find corroboration anywhere, but she may been referring to the fact that she hadn't appeared in a movie in two years, but was back to work filming Circus World, which would premiere in mid-1964. Why the break? Possibly because in 1961 Hayworth had filed for divorce from her fifth and final husband, film producer James Hill, on the grounds of extreme mental cruelty. It seems she wanted to retire, but he forced her to keep working and the impasse eventually broke the marriage.

Femmes Fatales | Oct 6 2015 |

Working in Bardot’s shadow.
Thea Fleming, aka Thea Fammy, née Thea Catharina Wihelmina Gemma Pfennings, is a Dutch actress who was packaged as “The Brigitte Bardot of Holland.” We don’t know if that was because of her talent or looks, but in any case she actually spent most of her career not in Holland but in Italy, working under the stage name Isabella Biancini. She was never a big star, no Bardot by any measure, but she made some memorable movies, including Salome ’73, Asso di picche—Operazione controspionaggio, aka Operation Counterspy, and Il nostro agente a Casablanca, aka The Killer Lacks a Name. This great shot is from around 1970.
Vintage Pulp | Jun 19 2015 |

She may look harmless but she hits below the belt.
Above, a rather nice poster with Salome Tsunoda for a film that had no Western release and thus no Western title, but might be something like “Agony Ball Break.” That just sounds bad, doesn’t it? Some sources give a longer title that would be something like “The Ball Break of Salome Tsunoda." Hey, we only work here—anyone want to throw a better translation our way, feel free. The movie, which is a brisk 59 minutes long and was directed by Hiroshi Mukai, aka Kan Mukai, starred Tsunoda, Mami Sakura, and Lena Ogawa Lena. On the internet its premiere dates are all over the calendar, but what we consider a reliable source believes it opened today 1976.
Update: another source that seems pretty good calls this film Salome Tsunoda no monzetsu-dama kuzushi, which translates to something like "Salome Tsunoda's Pain Relief Bond." So there you go.