|Vintage Pulp||Apr 14 2019|
Something else interesting about these—Tannenbaum had no trouble reproducing Stella's face, but you'll notice none of the figures look like Tamara Dobson. Not unless you squint. Hmm. Well, even if he had trouble with Dobson's likeness, he did an amazing job on these pieces, which is no surprise considering he's a major contributor to cinematic art who painted promos for The Sting, Star Trek: The Next Generation, and other big budget releases. There are no known Italian release dates on these Cleopatra movies, but ballpark, figure summer 1974 and winter 1975. Read about them here and here.
|Vintage Pulp||Nov 14 2016|
This is a pretty unassuming poster considering A Boy and His Dog is one of the top cult films of the 1970s. It was painted by Robert Tanenbaum, a major talent in the realm of American cinema illustration. Based on a novella by Harlan Ellison, and starring a young Don Johnson as well as early Pulp Intl. femme fatale Susanne Benton (who you can see in all her glory here), A Boy and His Dog is a post-apocalyptic tale of desperate survivors wandering radioactive wastelands scratching out a hard fought existence. Mutations have done a number on living creatures, which is why Johnson's co-star is a shaggy telepathic dog named Blood. Man and dog have a symbiosis, with Johnson offering protection, the dog sniffing out food and women, and both profiting companionship. Sounds goofy, we know, but the telepathic dog bit really works. Blood is irascible, but funny, smart, and warm, while Johnson is a slave to his id and libido. Ultimately, circumstances offer a choice between a dangerous and unpredictable freedom on the wastelands, or a secure but tedious existence in an underground sanctuary. The final question becomes whether conventionality diminishes a man. Playing like a bizarro prequel to The Road Warrior, and ultimately revealing itself to be a barroom joke stretched out to feature length, this is a film we recommend, however be forewarned that Harlan Ellison's post-apocalypse is a tough place for women. A Boy and His Dog premiered in the U.S. today in 1975.
|Modern Pulp||Jun 6 2009|
The sole film foray by oft-eulogized Playboy model Dorothy Stratten, Galaxina is a low budget sci-fi farce that is to space operas what Steven Wright once was to stand-up comedy—which is to say, it presents the absurd with an utterly straight face. If not for Stratten it’s safe to say this film would be entirely forgotten by now. She plays the icy android caretaker of a deep space cruiser who reprograms herself so she can experience physical love. But this is no Just Jaeckin or Jesus Franco sex romp—director William Sachs plays it coy, and Stratten’s form-fitting jumpsuit stays firmly zipped throughout. Perhaps that is a sign of how seriously people took her talent—though she had already been nude for all the world to see, her handlers didn’t want to make the sexploitation flick everyone expected. How much of Stratten’s star potential is spun from thin air by Playboy’s aggressive self-promotional machine is difficult to say, because Galaxina is itself too thin to offer much evidence either way. But if we imagine for a moment that she had not been shotgunned to death and this film had been followed by a successful Hollywood career, Galaxina wouldn’t have been an embarrassment for Stratten to look back upon. Some of the greatest actors of all time can’t claim the same. Galaxina opened in the U.S. today in 1980.