Vintage Pulp Apr 3 2011
FUTURE IMPERFECT
Not quite ready for primate time.


A long while back we showed you the French and German posters for the post-apocalyptic sci-fi classic Planet of the Apes. The U.S. posters are actually just as nice, if completely different. Four examples appear below. Planet of the Apes opened in the U.S. today in 1968. 

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Vintage Pulp Jan 11 2010
PROFESSIONAL TOUCH
Accurate shooting starts with the diaphragm, baby. Let me show you what I mean.

We posted a couple of Michael Avallone covers a while back and decided to return to him today for a more detailed treatment. Avallone called himself the fastest typewriter in the east, cranking out nearly two hundred books between 1953 and 1989, including entries in the Hawaii Five-O, Planet of the Apes, and Man from U.N.C.L.E. series. But speed exacted a heavy toll in quality, which may be why Avallone is considered by some to be one of the worst writers of all time. We can’t possibly dispute that—after all, he wrote the novelization of Friday the 13th in 3D—not exactly a résumé highlight. But even if he was undiscriminating, he was also bold. His output eventually shifted from detective fiction to pure flights of fancy. In the surreal Shoot It Again, Sam a group of Chinese brainwashers disguised as old Hollywood stars make lead character Ed Noon believe he’s Sam Spade. The series grew even weirder, and by the last few books Noon was trying to thwart an alien invasion. Quality of the prose aside, Avallone was a unique—if occasionally obnoxious—member of the pulp pantheon. Check him out yourself and you’ll see what we mean. 

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Vintage Pulp May 3 2009
APE AND SUPERAPE
Welcome to the late great planet Earth.


Inspired by French author Pierre Boulle’s novel, Planet of the Apes is one of those films many can quote, but surprisingly few have seen. The premise—a group of astronauts crash land on a distant planet where apes are ascendant and humans are jungle-dwelling primitives—sounds like one-note cinema, but Planet of the Apes is an ambitious film that comments pointedly upon religion, nuclear proliferation, and the arrogance of man. Most know Charlton Heston as either a Biblical hero or a gun advocate, but in his day he was capable of creating compelling moments on film that didn’t involve the Old Testament or Michael Moore. Not that he was a master of his craft—but certain roles seemed almost constructed for him. In Planet of the Apes, Heston’s astronaut George Taylor is calculating, physical and, most importantly, stubborn. That stubbornness drives him toward a hard won freedom, but also prevents him from truly understanding cryptic warnings about what he’ll find in the Forbidden Zone. What follows is one of filmdom’s great shock endings. Planet of the Apes premiered in West Germany today in 1968 as Planet der Affen. As a bonus we’ve included the great French poster below.

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History Rewind
The headlines that mattered yesteryear.
September 20
1946—Cannes Launches Film Festival
The first Cannes Film Festival is held in 1946, in the old Casino of Cannes, financed by the French Foreign Affairs Ministry and the City of Cannes.
September 19
1934—Arrest Made in Lindbergh Baby Case
Bruno Hauptmann is arrested for the kidnap and murder of Charles Lindbergh Jr., son of the famous American aviator. The infant child had been abducted from the Lindbergh home in March 1932, and found decomposed two months later in the woods nearby. He had suffered a fatal skull fracture. Hauptmann was tried, convicted, sentenced to death, and finally executed by electric chair in April 1936. He proclaimed his innocence to the end
September 18
1919—Pollard Breaks the Color Barrier
Fritz Pollard becomes the first African-American to play professional football for a major team, the Akron Pros. Though Pollard is forgotten today, famed sportswriter Walter Camp ranked him as "one of the greatest runners these eyes have ever seen." In another barrier-breaking historical achievement, Pollard later became the co-head coach of the Pros, while still maintaining his roster position as running back.
1932—Entwistle Leaps from Hollywood Sign
Actress Peg Entwistle commits suicide by jumping from the letter "H" in the Hollywood sign. Her body lay in the ravine below for two days, until it was found by a detective and two radio car officers. She remained unidentified until her uncle connected the description and the initials "P.E." on the suicide note in the newspapers with his niece's two-day absence.
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