Hollywoodland | Apr 5 2019 |

She was more than just a movie star.

It's curious that no matter how many times people write about Lamarr's technological exploits it never seems to become a generally known aspect of her personality. Maybe people want to see her as a beautiful actress, and much of the interest stops there. The Smithsonian piece will probably help change that a bit, and it's well written also (though considering what digital technology has wrought we'd probably add the phrase "for better and worse").
Yesterday's piece comes in tandem with the Smithsonian's Washington D.C. based National Portrait Gallery acquiring a rare original Luigi Martinati poster painted to promote Lamarr's 1944 thriller The Conspirators. We have no idea what it cost, but certainly a pile of money, since Martinati was not just a great artist, but one who tended to focus more on portraiture in his promos. You can see what we mean just below, and by clicking here and scrolling. As for Lamarr, we'll doubtless get back to her—and all her interesting facets—later.
Yesterday's piece comes in tandem with the Smithsonian's Washington D.C. based National Portrait Gallery acquiring a rare original Luigi Martinati poster painted to promote Lamarr's 1944 thriller The Conspirators. We have no idea what it cost, but certainly a pile of money, since Martinati was not just a great artist, but one who tended to focus more on portraiture in his promos. You can see what we mean just below, and by clicking here and scrolling. As for Lamarr, we'll doubtless get back to her—and all her interesting facets—later.
