| Vintage Pulp | Oct 2 2023 |
Russ Meyer and Co. do it in the desert.
Above is a Japanese poster made for Cherry, Harry & Raquel, on which the local distributors splash that magical English word “Sex.” Twice we've discussed this practice and shared examples, here and here. The movie is one of numerous exploitation efforts from Russ Meyer, who graced American grindhouse cinemas with such dubious classics as Wild Gals of the Naked West, Motorpsycho!, Mondo Topless, Beyond the Valley of the Dolls, and Faster, Pussycat! Kill! Kill!
Cherry, Harry & Raquel deals with a bordertown sheriff and his sidekick who smuggle marijuana, and are instructed by their drug boss to kill a former partner who's gone into business on his own. The hunt-and-kill operation goes wrong, as the prey quickly becomes the predator. In Meyer's hands the film is something of a desertified hallucinogenic short, intercut with random scenes of nudity and seduction to stretch it to feature length. The sexual content is mostly played for laughs, and none of it is erotic. At least as far as we were concerned.
It was the poster and Meyer's name that drew us, and we were also a bit curious to check out b-movie legend Charles Napier in one of his earliest roles, but none of what we saw impressed us. When Meyer was on his game his movies could be entertaining. Faster Pussycat and Valley of the Dolls are both worth a watch just for their self-conscious silliness. But unless you're a Meyer completist, we recommend skipping Cherry, Harry & Raquel. It opened in the U.S. in 1969, and eventually reached Japan today in 1976.
JapanCherry Harry & RaquelWild Gals of the Naked WestMotorpsycho!Mondo ToplessFaster Pussycat! Kill! Kill!Linda AshtonCharles NapierLarissa ElyUschi DigardRuss Meyerposter artcinemadrugsnuditymovie review
| Vintage Pulp | Nov 18 2008 |
Shock auteur Russ Meyer’s Mondo Topless—aka Mondo Girls and Mondo Top—is a pseudo-documentary shot in swinging San Francisco in which various well-endowed beauties discuss sexual matters in frank terms. Worth a viewing for the historical value alone, it was Meyer’s first color film, and starred Pat Barrington, Lorna Maitland, Babette Bardot and other “buxotic” beauties. It shocked America forty-two years ago today in 1966.
San FranciscoMondo ToplessMondo GirlsMondo TopRuss MeyerPat BarringtonLorna MaitlandBabette Bardotsexploitationposter artcinema
