Confidential sinks its teeth into the juiciest celebrity secrets.
Confidential magazine had two distinct periods in its life—the fanged version and the de-fanged version, with the tooth pulling done courtesy of a series of defamation lawsuits that made publisher Robert Harrison think twice about harassing celebrities. This example published this month in 1955 is all fangs. The magazine was printing five million copies of each issue and Harrison was like a vampire in a blood fever, hurting anyone who came within reach, using an extensive network spies from coast to coast and overseas to out celebs' most intimate secrets.
In this issue editors blatantly call singer Johnnie Ray a gay predator, spinning a tale about him drunkenly pounding on doors in a swanky London hotel looking for a man—any man—to satisfy his needs. The magazine also implies that Mae West hooked up with boxer Chalky White, who was nearly thirty years her junior—and black. It tells readers about Edith Piaf living during her youth in a brothel, a fact which is well known today but which wasn't back then.
The list goes on—who was caught in whose bedroom, who shook down who for money, who ingested what substances, all splashed across Confidential's trademark blue and red pages. Other celebs who appear include Julie London, Jack Webb, Gregg Sherwood, and—of course—Elizabeth Taylor. Had we been around in 1955 we're sure we would have been on the side of privacy rights for these stars, but today we can read all this guilt-free because none of it can harm anyone anymore. Forty panels of images below, and lots more Confidential here.
There's a special beauty in the city when it glows.
This is a brilliant shot of U.S. singer/actress Julie London, an icon during her time who's been just a bit forgotten in this new millennium. She made something like forty movies, a body of work that gives you numerous options to choose from, but for our money we like her brief cameo in the neglected Jayne Mansfield comedy The Girl Can't Help It. You can read a bit about the movie here, and more about London when we hopefully revisit her later.
The dancers of the chorus line request your attention.
This is the fifth issue of Cancans de Paris we've shared. The magazine is fast becoming a favorite. It has that mix we like—celebs, showgirls, and cartoons. It's similar to magazines such as Paris Hollywood and Gondel, but with a simpler layout and all black-and-white photography. This issue is from July 1966 and features Gila Golan on the cover, and inside are Julie London, Mireille Darc, and others from the acting profession. You also get Sally Ann Scoth, Karin Brault, Juanita Sanchez, and other colleagues from the dancer side of show business. The entire issue appears below in thirty panels, and you can see the other issues by clicking the appropriate keywords at bottom.
Sabrina covers her biggest assets.
Every once in a while we run across stories about Hollywood stars insuring their body parts. A couple of examples: Bette Davis was famous for her small waist and insured it against weight gain for the equivalent of $400,000; and 1920s comedian Ben Turpin, who was famously cross-eyed, took out a policy of similar value should his eyes ever straighten. National Enquirer insists on this cover from today in 1960 that British star Sabrina, aka Norma Ann Sykes, insured her breasts. The tabloid is in fact correct—she allowed her manager Joe Matthews to insure her endowment with Lloyd's of London for £UK100,000. In today's cash that would be about £2.4 million, or $3.2 million. You may think that's excessive, but when's the last time your boobs caused a riot? Unfortunately the weight she carried on her torso led to chronic back pain and a failed attempt at a surgical fix that left her in a wheelchair for the rest of her life. She died in obscurity last year. It was a sad ending for the former sex symbol. But once upon a time she was a one-name star—just Sabrina—and a global obsession.
That was interesting. Next time can we just do it the normal way?
There's no festish sex or podophilia in With Naked Foot. This is actually a serious novel about whites coming to ruin in Africa, which is a crowded literary niche, but one in which Emily Hahn carved out an important place for herself. In fact, maybe the adjective “Hahnesque” should be used alongside “Hemingwayesque.” This is a person who wrote fifty-four books and more than two hundred articles and short stories, whose works were significant in romanticizing Africa and Asia for western readers, who lived in Florence and London in the mid-1920s, traveled to the Belgian Congo where she worked for the Red Cross, lived with a pygmy tribe for two years, crossed Central Africa alone on foot, and journeyed to Shanghai where she taught English for three years while becoming acquaintances with political powerhouses the Soong Sisters and the Chinese poet Zau Sinmay. With Naked Foot is, therefore, unusually well informed. It revolves around a beautiful Congolese girl named Mawa whose relationships with various lustful white men bring disaster. The reviews were rapturous, though some critics protested that it was too focused on sex. That's never a complaint you'll hear from us, though some of the usual flaws of mid-century racial fiction are evident. The cover art on this Bantam paperback was painted by an unknown, and the copyright is 1951.
I know I'm new to lifting, but are you sure a spotter is supposed to just sit there and stare at me?
Unimprovable French actress Mylène Demongeot pounds the iron in this production photo made when she was filming the comedy Doctor in Distress in London in 1963. Mylène in impossibly short shorts was a sort of trademark, seemingly. See another example here.
Pulp and art deco. Two great tastes that rarely went together.
The pulp era is generally agreed as having commenced the last several years of the 19th century and having ended during the 1950s. Art deco is agreed to have begun around 1900 and ended around the beginning of World War II. Despite co-existing, they occupied the same place surprisingly little. You would see crossover in cinematic adaptations of pulp material such as Flash Gordon, with its deco styled spaceships and costumes. Some pulp magazines had art deco influenced fonts, and some hardbacks had art deco sleeve art, such as those designed by Edna Reindel for W.R. Burnett's novels Iron Man and Saint Johnson. But when popular paperbacks and magazines began to focus on high quality cover art they developed their own visual style which we think of today as good girl art, or GGA.
But even if pulp and art deco didn't mix much back then, they mix here. Today we have an issue of Paris Plaisirs published in 1929 with drawings, paintings, studio photography, French wit and more. The cover photo-illustration was shot by Lucien Waléry, also known as Stanisław Julian Ignacy Ostroróg. Though his name was Polish he was a British citizen, born in London after his father Stanisław Julian Ostroróg—also a famed photographer—emigrated there in 1856 and became a citizen in 1862. The younger Ostroróg took the pseudonym Waléry and thus forever created confusion with earlier photographers who had used the same name. We won't bother unwinding all those Walérys. You can see another of our Waléry's beautiful art deco covers here, and we have other issues of Paris Plaisirs you can see by clicking the keywords at bottom.
Peggy Cummins hit Hollywood with guns blazing.
According to a story yesterday in The Hollywood Reporter, Wales born Irish actress Peggy Cummins died in a London hospital December 29 after suffering a stroke. She was ninety-two years old. Cummins, who was born Augusta Fuller, played the morality challenged Annie Laurie Starr in Gun Crazy, a low budget film noir that rose above its humble station over the decades to eventually be included in the U.S. Library of Congress’s National Film Registry. While the film is often characterized as a breakthrough fro Cummins, it was actually her eleventh screen role, and did not lead to a career of top notch offers. However, she ultimately appeared in more than twenty-five productions, with her last coming in 1965. The above photo was made a promo for Gun Crazy and dates from 1950. You can read more about the film here.
A dozen bloody reasons to love Halloween.
This poster is a special edition promo painted by Nanpei Kaneko for The Texas Chainsaw Massacre, which was showing at the Tokyo International Film Festival on its fortieth anniversary in 2014. The Japanese title 悪魔のいけにえtranslates to “devil sorrowfully” or “Satan sorrowfully,” and that's a mystery to us, as we're sure there are chainsaws in Japan, as well as the concept of massacres, and some general inkling about Texas, but whatever. Sorrowfully it is—the poster is amazing.
Below, in honor of Halloween, which is becoming more and more of an event here overseas where we live, we have eleven more Japanese posters for 1970s and 1980s U.S.-made horror films. They are, top to bottom, The Prowler (aka Rosemary's Killer), The Fog, Lifeforce, An American Werewolf in London, Bug, Halloween II (aka Boogey Man), Let Sleeping Corpses Lie,Torso, The Evil Dead, Link, and Death Trap.
We've put together horror collections in the past. We have five beautiful Thai posters at this link, fifteen Japanese horror posters we shared on Halloween two years ago here, and we also have a collection of aquatic creature feature posters we shared way back in 2009. And if those don't sate your appetite for the morbid and terrible, just click the keyword “horror” below, and you can see everything we've posted that fits the category. No tricks. Only treats.
A rage to love? Right now I'd welcome a mild interest in cleaning up after yourself.
This is a nice piece of uncredited art fronting Frank Tilsley's A Rage Love, his second of numerous novels, this one dealing with a cruel and ambitious man named Jimmy Magnall, who's fresh out of the army in 1919 and eager to pluck the world's plump fruit for his enjoyment, and who uses women in his climb from slummy Birmingham roots to the top of the London class pyramid. He rides high for some years, but of course eventually loses all he has, including the women, and enlists right back in the army at the beginning of World War II. These are especially interesting bookends for the character because the author Tilsley was bothered by having been too young to fight in World War I and too old to enlist for combat in World War II, so engineering Jimmy Magnall into both wars may be a case of living vicariously. The book was originally published in 1953 as The Fortunate Man and was well reviewed in most quarters. We would love to know who painted the cover art, but no such luck. 1959 copyright on this Popular Library edition.
The headlines that mattered yesteryear.
1918—U.S. Congress Passes the Sedition Act
In the U.S., Congress passes a set of amendments to the Espionage Act called the Sedition Act, which makes "disloyal, profane, scurrilous, or abusive language" about the United States government, its flag, or its armed forces, as well as language that causes foreigners to view the American government or its institutions with contempt, an imprisonable offense. The Act specifically applies only during times of war, but later is pushed by politicians as a possible peacetime law, specifically to prevent political uprisings in African-American communities. But the Act is never extended and is repealed entirely in 1920.
1905—Las Vegas Is Founded
Las Vegas, Nevada is founded when 110 acres of barren desert land in what had once been part of Mexico are auctioned off to various buyers. The area sold is located in what later would become the downtown section of the city. From these humble beginnings Vegas becomes the most populous city in Nevada, an internationally renowned resort for gambling, shopping, fine dining and sporting events, as well as a symbol of American excess. Today Las Vegas remains one of the fastest growing municipalities in the United States.
1928—Mickey Mouse Premieres
The animated character Mickey Mouse, along with the female mouse Minnie, premiere in the cartoon Plane Crazy, a short co-directed by Walt Disney and Ub Iwerks. This first cartoon was poorly received, however Mickey would eventually go on to become a smash success, as well as the most recognized symbol of the Disney empire.
1939—Five-Year Old Girl Gives Birth
In Peru, five-year old Lina Medina becomes the world's youngest confirmed mother at the age of five when she gives birth to a boy via a caesarean section necessitated by her small pelvis. Six weeks earlier, Medina had been brought to the hospital because her parents were concerned about her increasing abdominal size. Doctors originally thought she had a tumor, but soon determined she was in her seventh month of pregnancy. Her son is born underweight but healthy, however the identity of the father and the circumstances of Medina's impregnation never become public.
1987—Rita Hayworth Dies
American film actress and dancer Margarita Carmen Cansino, aka Rita Hayworth, who became her era's greatest sex symbol and appeared in sixty-one films, including the iconic Gilda
, dies of Alzheimer's disease in her Manhattan apartment. Naturally shy, Hayworth was the antithesis of the characters she played. She married five times, but none lasted. In the end, she lived alone, cared for by her daughter who lived next door.
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