Vintage Pulp Nov 5 2019
WORST CLASS MAIL
Handle with care. Do not bend or crush. This end up. Ignore all noises from within. And most importantly—do not open.


The Box is one of Peter Rabe's strangest tales. It's the story of a man named Quinn who's punished for his transgressions against a bunch of NYC gangsters by being sealed in a coffin-like crate and shipped across the planet. The good news is he's sealed in with numerous canisters of water and packs of c-rations. The bad news is he has to lie in darkness, terror, and filth. He's supposed to end up right back in New York after some weeks on the high seas, but fate intervenes when the box is opened ahead of schedule in Libya. The town, called Okar, has some criminal goings on, and since Quinn's ornery nature makes him disruptive by habit, he can't help putting himself right in the middle. The folks that freed him soon realize they'd have been better off leaving him shut away.

The book is okay. We liked the idea of Quinn continuing to live in a metaphorical box, even after he's escaped one physically. The thing about Rabe, though, here and in other efforts as well, is that he builds his story upon lots of verbal interplay and emotional subterfuge, filling the narrative with scenes of people never quite saying what they mean, and characters trying to understand the deeper implications of what they hear. It may confound some readers. Rabe is simply a very internal writer. We've compared him to Ernest Hemingway, which is easy to do considering Papa's vast influence, but in this case the similarities are particularly clear. The fact that the story is basically impossible to believe is almost disguised by Rabe's strong style. Almost. 1962 copyright on this, with art by Barye Phillips. 

diggfacebookstumbledelicious

Vintage Pulp May 20 2019
RED HOT ROSSANA
I didn't know that a girl like you could make me feel so sad...


A couple of weeks ago we shared a Mexican movie poster we weren't 100% sure was actually from Mexico. This time we're sure—this beautiful promo Antonio Caballero painted for the melodrama La red says right in the lower left corner “impreso en México.” In that previous write-up we also talked about how popular locally produced films were in Mexico before the industry was suffocated by U.S. business and political interests, and this effort is an example. It was made by Reforma Films S.A., based in Mexico City, and starred Libyan born Italian actress Rossana Podesta, Costa Rican actor Crox Alvarado, and U.S. born actor Armando Silvestre. Enticing a burgeoning international star like Podesta over from Europe indicates how established the Mexican film industry was in 1953, when La red was made.

Interestingly, when the movie played in the U.S. it was titled simply Rosanna, which makes sense, because it would be nothing without Podesta. It struck us that even though Toto didn't write their song of obsession “Rosanna” about Podesta, they might as well have. The film begins when a group of men botch a robbery, a shootout commences, and one of the bandits, Antonio, played by Alvarado, tries to help his wounded comrade. But the dying man gasps to Antonio, “Save yourself—for Rossana.” So we know she's a special woman even before seeing her. Antonio does save himself and goes to live on the seaside with Podesta, where the two harvest sea sponges. It's idyllic, but as a wanted thief he has to lay low, which means sending her alone to town to sell their catch. And the men in the town are... well... see below:

I am intrigued by this spicy redhead.

I too find myself somewhat taken with this mysterious chile pepper of a woman.

Perhaps I'll invite her to coffee and a cronut. That's a cross between a croissant and a donut, my friend, and living out there on the idyllic seashore as she does, I bet she's never had one.

I wonder if she's a fan of our great romantic poet Salvador Díaz Mirón?

I'm certain she has no idea how quickly European skin can burn in this tropical climate.

I'm admittedly less high minded than other men, and mainly wonder what she looks like naked, and whether the carpet is red too.

What the hell are all these guys staring— Oh. I think it's me.

Clearly, these trips into town are menacing affairs for Podesta. If you were to screen the sequences at an anti-sexual harassment seminar, every guy in the joint would bow his head in shame. Important to note, though, that within the narrative these aggressively pervy guys are depicted in a negative light, with even the soundtrack music growing ominous. When one of Antonio's robbery compatriots shows up in town, he gets into a shootout that leaves two men dead, and therein are sown the seeds of future troubles. We won't say more, save that the film is stagy, stylized, operatic, almost devoid of dialogue, and largely remembered because of Podesta's role. It all worked well enough to earn the Prix International du film le mieux raconté par l'image, aka the Award for Visual Narration, at the Cannes Film Festival.

Moving on to the poster, have a look at a previous Mexican promo we shared last year. It's here. We'll wait. Back? You'd think it was the same person who painted both, but the reason we wanted you to glance at the other one is because it exemplifies the strange phenomenon of artists within the same film industry biting each other's styles. It happened in Italy and Sweden too. Either through direct influence from the studios, or through osmosis due to mutual association, several Mexican artists delved into this art deco tinged style. Check out Leopoldo Mendoza Andrade here. Interesting, right? You'll see what we mean even more clearly when we share posters from other Mexican artists, for example Juan Antonio Vargas. That'll be soon. La Red premiered in Mexico today in 1953.
diggfacebookstumbledelicious

Vintage Pulp Nov 26 2015
ROAD FROM BENGHAZI
Nobody knows the way, but everyone knows they’re right.

Last time we posted an Adam we miscounted and said it was our fortieth issue shared. Well, this is our fortieth (impossible to even know at this point—41st—issue shared, we can't count). It’s an earlier one, from this month in 1955. That means it’s more text heavy, giving us plenty to read, which is nice for us, but leaving us fewer pages of visual interest to scan, not so nice for the website. So today you get thirteen images where normally we post about thirty. We could have scanned several more but getting to the pages in the center of the issue was a challenge—just removing it from its sleeve resulted in losing part of the cover. Alas.
 
Inside the issue you get fiction and fact, including Dick Halvorsen’s harrowing story of being shot down near Benghazi during World War II and having to trek for days through the Libyan desert to reach civilization. A few years ago 95% of Americans wouldn’t have been able to pronounce Benghazi, but now it’s a cultural buzzword—meaning to some people “cover-up” or “incompetence” and to others “witch-hunt” or “wingnut.” What a world we live in. Halvorsen’s tale, referencing a time when the Allies were informally partnered with Bedouins in the area, provides interesting historical color.
 
In other news we have twenty-six more issues of Adam to share. Yes, we’ve been busy beavers. Since today’s issue is already fragile as pie crust perhaps somewhere down the line we’ll just pull it completely apart in order to obtain more and better scans. We’ve sacrificed physical issues of magazines before to give them digital permanency, but not of our beloved Adam. In any case, check back for another posting of our favorite men’s magazine in a week or so. And for a quick look at some of those other thirty-nine issues, maybe start here, here, or here.

diggfacebookstumbledelicious

History Rewind
The headlines that mattered yesteryear.
October 29
1901—William McKinley's Assassin Executed
Leon Czolgosz, the assassin of U.S. President William McKinley, is executed at Auburn State Prison in Auburn, New York by means of the electric chair. Czolgosz had shot McKinley twice with a cheap revolver and the President had lingered for several days before dying. After Czolgosz is executed, he is buried on prison grounds and sulfuric acid is thrown into his coffin to disfigure his body and result in its quick decomposition.
1982—Lindy Chamberlain Convicted of Murder
In Australia, Lindy Chamberlain is found guilty of the murder of her nine-week-old daughter. The baby was killed during a camping trip in the Australian interior. Chamberlain claimed a dingo had taken the baby, but a jury decided Chamberlain cut the infant's throat and buried her. The body was never found, but forensic experts played a large role in the conviction. Four years after the trial the baby's jacket is found inside a dingo lair, backing up Chamberlain's claim, and she is released from prison.
October 28
1919—Volstead Act Passed
The U.S. Congress passes the Volstead Act over President Woodrow Wilson's veto, paving the way for alcohol Prohibition to begin the following January. The Act, named for Chairman of the House Judiciary Committee Andrew Volstead, was supposed to create a better society but instead helped lead to the rise of violent organized crime gangs. The law wouldn't be repealed until 1933.
1922—Mussolini Comes Into Power
During the second day of the event known as the March on Rome, Fascist leader Benito Mussolini officially takes control of the Italian government when King Victor Emmanuel III cedes power. Supported by a coalition of military, business, and right-wing leaders, Mussolini remains in power until 1943, when defeat in World War II begins to look inevitable.
October 27
1994—U.S. Prison Population Reaches Milestone
The U.S. prison population tops 1 million for the first time in American history. By 2008 the U.S. Justice Department pegs the number of imprisoned at 2.3 million, and the overall U.S. correctional population, i.e. those in jail, prison, on probation or on parole, at 7.3 million, or 1 in every 31 adults.
Featured Pulp
japanese themed aslan cover
cure bootleg by aslan
five aslan fontana sleeves
aslan trio for grand damier
ASLAN Harper Lee cover
ASLAN COVER FOr Dekobra
Four Aslan Covers for Parme

Reader Pulp
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here to give us your best shot.

Pulp Covers
Pulp art from around the web
https://noah-stewart.com/2018/07/23/a-brief-look-at-michael-gilbert/ trivialitas.square7.ch/au-mcbain/mcbain.htm
theringerfiles.blogspot.com/2018/11/death-for-sale-henry-kane.html lasestrellassonoscuras.blogspot.com/2017/08/la-dama-del-legado-de-larry-kent-acme.html
lasestrellassonoscuras.blogspot.com/2019/03/fuga-las-tinieblas-de-gil-brewer-malinca.html canadianfly-by-night.blogspot.com/2019/03/harlequin-artists-xl.html
Pulp Advertising
Things you'd love to buy but can't anymore
PulpInternational.com Vintage Ads
trueburlesque.blogspot.com
pre-code.com
schlockmania.com
carrefouretrange.tumblr.com
eiga.wikia.com
www.daarac.org
www.jmdb.ne.jp
theoakdrivein.blogspot.com
spyvibe.blogspot.com
zomboscloset.typepad.com
jailhouse41.tumblr.com
mrpeelsardineliqueur.blogspot.com
trash-fuckyou.tumblr.com
filmstarpostcards.blogspot.com
www.easternkicks.com
moscasdemantequilla.wordpress.com
filmnoirfoundation.tumblr.com
pour15minutesdamour.blogspot.com
www.pulpcurry.com
mundobocado.blogspot.com
greenleaf-classics-books.com
aligemker-books.blogspot.com
bullesdejapon.fr
bolsilibrosblog.blogspot.com
thelastdrivein.com
derangedlacrimes.com
www.shocktillyoudrop.com
www.thesmokinggun.com
www.deadline.com
www.truecrimelibrary.co.uk
www.weirdasianews.com
salmongutter.blogspot.com
www.glamourgirlsofthesilverscreen.com
creepingirrelevance.tumblr.com
www.cinemaretro.com
menspulpmags.com
killercoversoftheweek.blogspot.com
About Email Legal RSS RSS Tabloid Femmes Fatales Hollywoodland Intl. Notebook Mondo Bizarro Musiquarium Politique Diabolique Sex Files Sportswire