 He's a two-fisted loner who sometimes has to work outside the law. But he still could use a good script. 
Burt Reynolds: unacknowledged acting genius? Absolutely—and we'll fight anyone who says differently. He debuted in television in 1958, but wasn't a movie star until a decade later. He was brilliant in serious roles such as Deliverance and The Longest Yard, but also had an easy flair for comedy. Shamus, which premiered today in 1973 and for which you see a U.S. three-sheet above, is a typical Reynolds effort, an action-drama with humor sprinkled throughout. In terms of sheer performing, this is a lay-up for him. He handles the drama with no problem and charms his way through the upbeat sections with the help of equally affable foil Dyan Cannon. As a bonus, he also performs several impressive stunts we can't imagine a modern actor attempting.
Reynolds' detective character Shamus McCoy is a tribute to Humphrey Bogart’s Philip Marlowe in 1946's The Big Sleep, with two scenes lifted almost wholesale from that film—one in which he seduces a buxom bookstore clerk, and one in which he meets his client in a refrigerated office (instead of a hothouse). He's hired to solve a murder/jewel heist that turns out to be connected to arms dealing, but the caper is flat from beginning to end, failing to build much interest or momentum. Reynolds, who made several smarmy action-comedies like Smokey and the Bandit and Hooper, was not shy when assessing his own abilities. He said he was as good in those lightweight films as it was possible for an actor to be. We agree, but even Burt can't make Shamus good.
         
 Closed abbatoir turns out to be home to homicidal maniac. Who knew? 
The Texas Chainsaw Massacre is considered a gruesome film, but it relies on the power of suggestion more than gore. For instance the infamous scene in which Leatherface hangs poor Terry McMinn on a meathook was done with camera angles, editing, and good physical acting. You never saw the hook touch McMinn’s flesh, and you never saw a drop of blood. Likewise, the monstrous cannibal Leatherface was more refined than people think. Sure, he skinned and dismembered people, but he also always wore a suit to dinner. Tobe Hooper went on to direct many other films, but The Texas Chainsaw Massacre remains his towering contribution to American cinema. With it he helped establish the teen massacre genre, and what would American movies be without that? Hooper’s masterpiece opened in Japan today in 2007, at the Miyazaki Film Festival.
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The headlines that mattered yesteryear.
1955—Rosa Parks Sparks Bus Boycott
In the U.S., in Montgomery, Alabama, seamstress Rosa Parks refuses to give her bus seat to a white man and is arrested for violating the city's racial segregation laws, an incident which leads to the Montgomery Bus Boycott. The boycott resulted in a crippling financial deficit for the Montgomery public transit system, because the city's African-American population were the bulk of the system's ridership. 1936—Crystal Palace Gutted by Fire
In London, the landmark structure Crystal Palace, a 900,000 square foot glass and steel exhibition hall erected in 1851, is destroyed by fire. The Palace had been moved once and fallen into disrepair, and at the time of the fire was not in use. Two water towers survived the blaze, but these were later demolished, leaving no remnants of the original structure. 1963—Warren Commission Formed
U.S. President Lyndon B. Johnson establishes the Warren Commission to investigate the assassination of President John F. Kennedy. However the long report that is finally issued does little to settle questions about the assassination, and today surveys show that only a small minority of Americans agree with the Commission's conclusions. |
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