Above, a cover for Les aventures de Zodiaque #46, by Gaston Martin for Éditions de Neuilly, 1953, with cool art of a lethal redhead painted by Aldé. In French “manque” means “lack,” but we don't know “pot.” The phrase “mon pot” means something like mate or friend, but we have a feeling “manque de pot” could mean something unusual. Anyway, you can see more Les aventures de Zodiaque and learn a bit about its history by clicking the keywords below. 

Update: Jo to the rescue again:

Cool Aldé cover art for Les aventures de Zodiaque #33 — Drôle de musique, published by Éditions de Neuilly in 1952. We talked a bit about Aldé and Zodiaque several years ago, so if you're curious just follow this link. We also have a cover collection you can peruse here. 

Not long ago we showed you the cover from one installment of a French pulp series called Les aventures de Zodiaque. That was a lovely piece of art, but the series had modest beginnings. Above and below are one dozen fronts from the series’ early days, when it was being published in Montreal by Éditions PTE under agreement from the French parent publisher Éditions de Neuilly. These are all from the early 1950s.

Edit: Writing six years later, we realize now that these are not random women on these covers. They're celebrities. Or at least, we assume so, because we recognize Belgian actress Dominique Wilms on the fifth cover below, the light brown one. If we identify others we'll update this little addendum, but don't count on it, because if, like Wilms, the other women are French or Belgian, well, we're not as good on those actresses as we'd like. But we'll sure try.

Les aventures de Zodiaque was one of France’s most poplar pulp-style serials. Published by Editions de Neuilly throughout the 1950s, this one is entitled Cinq, quatre, trois, deux, un zéro and appeared in 1957, making it the 183rd entry in the series.

The man who worked overtime to churn these out was Gaston Martineau, aka Gaston Martin, and the stories involved the exploits of Zodiac and his sidekicks Elayne, Dede and a reporter named Gaston Martin (subtle, no?). The cover was painted by Aldé, who we gather was Martin in disguise. You have to be impressed.

You’ve probably noticed the black “Europe n° 1” on the cover. That isn’t part of the title. Martin had been interviewed on the recently launched radio network Europe n° 1 by Pierre Maintigneux, and the cover was publicizing that fact. There’s a photo of Martin and Maintigneux on the rear of the book from the interview. We’ll get back to this series pretty soon, but for now you can see more covers at Muller-Fokker’s excellent webpage here.