|Vintage Pulp||Oct 11 2009|
You’d think a film entitled Countess Dracula is a vampire movie, but it isn’t—at least not in the traditional sense. Rather it’s about real-life figure Erzebet Bathory, a noblewoman who killed three-hundred virgins in medieval Hungary and bathed in their blood to reverse the effects of aging. The Countess is portrayed by Ingrid Pitt, who does what any post-menopausal woman would do when made young again—gets laid. Actually, since this is the Middle Ages she has to get wooed first, which involves constantly performing the ritual in order to play the role of an available young woman. But these rituals from dusty old books always have side effects. Some are relatively benign—dizziness, headaches, erections lasting more than four hours—while others are more serious. In this case the problem is each period of youthfulness granted is shorter and the Countess’s aged visage, when it returns, is ever more witchlike and hideous. Nevertheless, the supply of nubile village virgins lasts long enough for the Countess to marry the man of her dreams. But then comes the wedding night, when the new husband is bitterly disappointed, and completely taken aback by his bride’s total change in attitude and appearance—and this is all before the spell even wears off. Badabing. Seriously, though, this is Hammer Studios horror and we recommend the film for that reason alone. It isn’t Hammer’s best, but it’s still got that ineffable British style. Countess Dracula premiered in the U.S. today in 1971.
|Vintage Pulp||Jul 28 2009|
Assorted Mexican lobby cards featuring famous and not-so-famous monsters. These films were released in English as Dracula’s Lake, Hideous Sun Demon, Orlak the Hell of Frankenstein, The Green Hell, The Phantom from 10,000 Leagues, Lycanthropus, Neutron Versus the Karate Assassins, Cat People, Attack of the Giant Leeches, The Monster Walks, Zombie Lake, The She-Wolf, and Valley of the Zombies.
|Vintage Pulp||Jul 9 2009|
If you like Hammer Studios' gothic horror films, Straight on till Morning might not quite be your bucket of blood, but you have to give the studio behind The Satanic Rites of Dracula and Visitor from the Grave credit for getting out of their comfort zone. It’s out with the old, in with the new, as they leave castles and moors behind for the penthouses and pavement of modern day London. The result, which premiered in the U.K. today in 1972, is decidedly mixed. Not that this film isn’t creepy—just the opposite, watching miss lonely heart Rita Tushingham fall unknowingly into the arms of a sadistic killer is like having a front row seat for a downward spiral. She’s sad and innocent; he’s compelled to kill beautiful women—somehow we know this isn’t going to end with her tossing a bouquet to her bridesmaids. Bleak though it may be, we think this one is worth a viewing. Or, to quote Hammer Studios’ namesake, the redoubtable MC Hammer: “When you talkin’ about the Hammer, you talkin’ about a show.”