Where have all the flowers gone? Maybe to Annette’s house.
According to our sources (the Pulp Intl. girlfriends), both white and red carnations typically symbolize strong affection toward the recipient, so we’re guessing the star of this 1961 Corp. A. Fox. Technicolor lithograph was well loved. The print is entitled Annette, but even with a first name supplied to us we still have no idea who the Kate Uptonesque model is. However, it isn’t hard to imagine that she was famous in her day, so we throw this one to the readership—anyone out there recognize her?
Update: We're nothing if not relentless around here. She's named Annette Casir and she was from, depending on the source, Denmark, Sweden, or Holland. The photo below shows her in a another pose from the same session.
A bouquet so nice it needed to be delivered twice.
Does this model look familiar? She might, if you visit here frequently. She’s the same unidentified star of an undressable Technicolor lithograph we shared around Christmas time. In the above image her pose is almost—but not quite—identical to that in the December image. You can compare them by looking here. The earlier shot was from K.L.M., while the one above was published by J.S.I. Both of them are from the early 1950s. Now look below. Yes, you’re seeing double. Well, almost. The print down there came from Corp. A. Fox in 1956. If you look closely you’ll see that the logo at lower right and title at lower left are different than above. The above shot is titled “Secret,” as in secret admirer, we presume, and the below shot is titled “Remembrance,” as in we hope the florist remembered to remove the thorns.
The change of logo and title shows how these images spread from company to company. Possibly each publisher bought the rights for a short time, leaving the owner free to peddle the same shots again later. Alternatively, K.L.M. bought the negs for a long period but was absorbed by A. Fox at some point. We wouldn’t doubt it—there were many publishers of these shots, and it seems unlikely they all thrived. Buying out a failing company and acquiring its images would be good business. It gets complicated, though, because as we now know, some of these pin-ups come from negatives owned by Playboy and were printed with the bunny logo, which suggests licensing deals. We’re still doing research on that aspect of the industry, so maybe we’ll know more later. In meantime, anyone recognize the model?
When the photographer called her a living doll she didn’t suspect he’d turn her into one.
This is a really striking Technicolor lithograph. Produced by Corp. A. Fox (or Fox A. Corp, or Copr. Fox A.) in 1955, it could be mistaken at first glance for a painting, but it’s actually a retouched photo—the details in the towel give it away. Even though the image is arresting, we don’t think the photographer/artist quite got the look he/she was seeking. To us, there’s an unpleasant and sinister edge to the scene, mainly due to the model’s expression shading more into horror than mere surprise. Don’t think so? Take a closer look below. Now imagine that face when you turn out the lights to go to sleep tonight. But if you think she looks horrified now, just try to imagine her expression when she saw the final result and realized she’d been turned into a lifeless porcelain figurine.
Which came first—the nightgown or the nudity?
Above, two Technicolor lithographs of an unknown model against a blue velvet backdrop. These were published separately, with the bottom shot “Blue Mood” appearing in 1951, and the top shot entitled “Red Hot & Blue” appearing much later in 1966. Strange that the clothed image came later, but in any case they complement each other nicely, with the second featuring an almost “ta-dah!” pose from the model. It’s as if she’s saying, “You wanted the nightie gone—it’s gone.” Chronologically speaking, it would be more accurate to say she started naked and got dressed, but where’s the fun in that? Using old negatives was common practice for the makers of Technicolor lithos—Champion Line, U.I. Co., A. Scheer, J.S.I., Corp. A. Fox (also referred to as A. Fox Corp.), and others. It was Fox that published these, and we’ll have more of their output later. You can see about a dozen more Technicolor lithos by clicking here.
Take... picture quick. Can’t hold this pose… much longer.
Above, a familiar looking but as yet unidentified model posing for one of Corp. A. Fox’s Technicolor pin-ups. This makes the eleventh one of these we’ve shared and you can see the others by clicking its keywords below.
Update: It's Madeline Castle, who was a Playboy Playmate of the month back in October 1954 and a popular pin-up model for many more years. The shot above isn't the most flattering of her, so we've uploaded another one below, from Folies de Paris et de Hollywood #288, 1964. Yes, we know the two look like different women entirely, but they aren't, we promise. She just looks better below, and as a bonus she's smiling instead of grimacing.
Update on our update: Turns out she was under our noses the entire time. We shared a
Man's Life featuring Castle back in January 2013. You know when you have so much stuff you can't keep track of it? Yeah, exactly.
The more you see the more you crave.
We have another Technicolor lithograph this fine Sunday and this time it’s Jayne Mansfield. She appeared on at least three of these. Though the photo itself is famous and the bosom-hugging pose is one she used throughout her career, the actual pin-up, which was produced in 1965 by Corp. A. Fox, is rare. See more Technicolor action here.
I hope you aren’t disappointed I’m not a pot of gold.
Above, another Technicolor lithograph from Corp. A. Fox. This one dates from 1951 and features an unknown model.
The headlines that mattered yesteryear.
1960—Adolf Eichmann Is Captured
In Buenos Aires, Argentina, four Israeli Mossad agents abduct fugitive Nazi Adolf Eichmann, who had been living under the assumed name and working for Mercedes-Benz. Eichman is taken to Israel to face trial on 15 criminal charges, including crimes against humanity and war crimes. He is found guilty and executed by hanging in 1962, and is the only person to have been executed in Israel on conviction by a civilian court.
2010—Last Ziegfeld Follies Girl Dies
Doris Eaton Travis, who was the last surviving Ziegfeld Follies chorus girl, dies at age 106. The Ziegfeld Follies were a series of elaborate theatrical productions on Broadway in New York City from 1907 through 1931. Inspired by the Folies Bergères of Paris, they enjoyed a successful run on Broadway, became a radio program in 1932 and 1936, and were adapted into a musical motion picture in 1946 starring Fred Astaire, Gene Kelly, Lucille Ball, and Lena Horne.
1924—Hoover Becomes FBI Director
In the U.S., J. Edgar Hoover is appointed director of the Federal Bureau of Investigation, a position he retains until his death in 1972. Hoover is credited with building the FBI into a large and efficient crime-fighting agency, and with instituting a number of modern innovations to police technology, such as a centralized fingerprint file and forensic laboratories. But he also used the agency to grind a number of personal axes and far exceeded its legal mandate to amass secret files on political and civil rights leaders. Because of his abuses, FBI directors are now limited to 10-year terms.
1977—Joan Crawford Dies
American actress Joan Crawford, who began her show business career as a dancer in traveling theatrical companies, but soon became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, dies of a heart attack at her New York City apartment while ill with pancreatic cancer.
1949—Rainier Becomes Prince of Monaco
In Monaco, upon upon the death of Prince Louis II, twenty-six year old Rainier Louis Henri Maxence Bertrand Grimaldi, aka Rainier III, is crowned Prince of Monaco. Rainier later becomes an international household name by marrying American cinema sweetheart Grace Kelly in 1956.
1950—Dianetics is Published
After having told a gathering of science fiction writers two years earlier that the best way to become a millionaire was to start a new religion, American author L. Ron Hubbard publishes Dianetics: The Modern Science of Mental Health. The book is today one of the canonical texts of Scientology, referred to as "Book One", and its publication date serves as the first day of the Scientology calendar, making today the beginning of year 52 AD (After Dianetics).
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