|Hollywoodland||Aug 26 2012|
Inside Story of August 1957 offers up stories on Elsa Martinelli, Ann Sothern, Clark Gable and others, but the subhead reading “The Night Audrey Hepburn Can’t Forget” is irresistible. So what happened on the night in question? Nothing fun, unfortunately. Fully expecting to read about some wild party or drunken escapade, journo Gwen Ferguson instead tells us that in 1942, when Hepburn was a Dutch teen named Audrey Kathleen Ruston, she was “brutally kidnapped and subjected to terrible indignities” by a Nazi soldier. As is typical for mid-century tabloids, this claim comes not from direct interviews, but rather from a fly-on-the-wall third person account. In this case, the magazine claims she confessed what happened to prospective husband Mel Ferrer, pictured next to her below, because she wanted him to have a chance to rescind his marriage proposal. The implication is clear—“indignities” is a euphemism for rape. Or else why would Ferguson suggest Ferrer might turn tail and run?
|Intl. Notebook||May 6 2011|
We found this old issue of the Japanese film magazine Screen that is totally dedicated to the American movie epic Gone with the Wind. It dates from May 1969, thirty years after the film was made, and our first assumption was that the movie didn’t play in Japan until then. But no, it premiered in the Land of the Rising Sun in September 1952. We were baffled for a while, and then we made a discovery—a musical version of Gone with the Wind entitled Scarlett opened in Japan in 1969. It was fully eight hours long, divided into two parts that were mounted as separate productions, and they were smash hits. We suspect this issue of Screen was produced because the musical generated great interest in the original film. We’ve already talked a bit about Gone with the Wind. We never liked it because it depicts a culture that was completely depraved as some sort of glorious nirvana. And because of its enduring popularity, many Americans’ concept of the antebellum south derives from what is little more than a fairytale. But that aside, the movie is undeniably well made, and we thought it worthwhile to share at least a few of Screen's photos. We’ll have more from this magazine later.