|Hollywoodland||Apr 26 2017|
|Intl. Notebook||Feb 2 2017|
This winners photo was made today in 1952 at a beauty pageant held at the Civic Auditorium of San Jose, California, and sponsored by Ray Van Cleef and his Gateway to Health gym. Van Cleef was a former competitive weightlifter who became a fitness guru by opening his gym, writing a column for Strength and Health magazine, and serving as a trainer for the 1948 U.S. Olympic Team. The above contest competitors were judged on “physical beauty, facial beauty, personality, and grace,” and the lucky winner, who earned the crown Miss Venus, was Beverly Jocher, a dancer from the Bruce Variety Show in Port Hueneme, north of Los Angeles. We assumed she was trying to break into movies, which is the case for most pageant participants, and indeed when we checked she possessed a single film credit—for the 1954 sci-fi flick Gog. Second place at the pageant went to Jill Gion, and third to the interestingly named Bandy Lee. No word on what any of the contestants actually won.
|The Naked City||Dec 11 2016|
The above photo shows the murder scene of Los Angeles mob lawyer Sam Rummell who was messily dispatched in front of his Laurel Canyon villa via shotgun blast in 1950. Around 1:30 a.m., as he climbed the steps to the sprawling house, someone or someones with deadly aim blew off the left rear quadrant of his head. Rummell ran with the notorious mobster Mickey Cohen for years, and had been neck deep not only in Cohen's multimillion dollar prostitution and gambling operations, but also in schemes to oust mayor Fletcher Bowron in a recall election, and to take control of the LAPD.
The insider theory was Rummell was killed to prevent his appearance before a grand jury to testify about an alleged conspiracy between the L.A. County Sheriff's Department and a company called Guarantee Finance, a front for a massive Cohen-controlled bookmaking operation. The insider theory was also that L.A. Sheriff's officers pulled the trigger. These remained mere theories, because the killer or killers were never caught.
All very interesting, one more dead mob underling, but that isn't why we shared the photo. A close look reveals, at center, a man holding an edition of the Los Angeles Mirror with a headline reading: Cohen's Lawyer Shot To Death. Yes, Mirror staff were so quick with their Extra edition that it hit newsstands before Rummell's murder scene had been cleared. That's journalism—late night, coffee-fueled, time-pressured, editor-with-a-whip journalism. And the photo is an fascinating example of it working perfectly, sixty-six years ago today.
|Vintage Pulp||Nov 4 2016|
The above poster was made to promote the Japanese run of a West German sexploitation film that originally had the unwieldy title Die jungen Ausreißerinnen - Sex-Abenteuer deutscher Mädchen in aller Welt, which is sometimes shortened to just Die jungen Ausreißerinnen, or “the young runaways.” For distribution in English it was called Innocent Girls Abroad. It has nothing to do with Mark Twain's similarly titled classic, but is of course a softcore romp done anthology style, with Doris Arden headlining as the main innocent. She doesn't appear on the poster, though, save for in the lower lefthand corner. We suspect the Japanese distributors decided she wasn't boobalicious enough, which just goes to show what they know, because Arden is spectacular by any measure.
|Vintage Pulp||Aug 25 2016|
|Vintage Pulp||Jun 23 2016|
|Vintage Pulp||Apr 21 2016|
Above, a nice cover for Return to Deadmans by Al Cody, who was in reality Archie Lynn Joscelyn, an author who wrote hundreds of westerns under pseudonyms such as Tex Holt, A.A. Archer, Evelyn McKenna, and Lynn Westland. This one involves a group of land thieves and the heroic cowboy who stands in their way. 1963 copyright, cover artist unknown.
|Femmes Fatales||Apr 13 2016|
This image of German born French actress Dorothée Blanck appeared on the cover of France's Cinémonde magazine today in 1965. Blanck died in January at the age of 81 after decades in cinema, including roles in Jean-Luc Godard's Une femme est une femme, Jean Renoir's Elena et les hommes, and Jacques Demy's Les parapluies de Cherbourg. She came from the humblest of beginnings—born in prison in Aichach, where her mother was serving time for political crimes like numerous leftists resistant to the rising Nazis; shuttled around to various orphanages and institutions; not even given an official name for the first two years of her life. Her film career began in 1953 and, with occasional lulls, she worked often throughout her life, appearing in some forty films. Her last project, entitled Jours de France, or Days of France, is in post-production and is slated to hit cinemas sometime this year.
|Vintage Pulp||Mar 20 2016|
Originally published in 1903, The Secret Way was one of many mysteries written by J.S. Fletcher, a prolific British author who dabbled in various genres, from poetry and history to detective and supernatural novels, eventually producing well over one hundred books. This paperback from London-based Mellifont Press, Ltd. appeared circa 1925 with uncredited cover art.
|Vintage Pulp||Jan 28 2016|
Based on a 1949 novel of the same name by Frederic Brown, Screaming Mimi stars Anita Ekberg as a traumatized burlesque dancer who can’t shake the memory of being attacked by a knife-wielding maniac. She’s committed to a mental institution, where her psychiatrist promptly falls in love with her and helps her escape and create a new identity. Now dancing at a club in Laguna Beach, California, she’s the hottest draw in the area and her former doctor is her lover and protector, but also smothers and dominates her. Can the anonymity last? Of course not.
Enter stage right an entitled horndog who won’t take no for an answer. After Ekberg survives another knife attack the horndog—who’s also a reporter—has all the justification he needs to dog Ekberg’s every step, and the doctor tries to protect her fake identity and keep her and the reporter from falling into bed together. Chances of success? Zero. Screaming Mimi is an interesting noir—it was fertile enough to serve as inspiration for Dario Argento’s L’uccello dalle piume di cristallo, aka The Bird with the Crystal Plumage—but its b-movie budget really shows and we think Philip Carey is miscast as the reporter/hero. Carey has no charm at all in this, which renders Ekberg’s interest in him unbelievable. But his performance will be a treat for patrons of the Noir City fest—most will probably remember him from his twenty-four-year stint as the repulsive Asa Buchanan on the soap opera One Life To Live.