It's the sad songs that always come back to haunt you.
Above is a stunning Belgian poster in French and Dutch for François Truffaut's comi-tragic crime tale Tirez sur le pianiste, known in Dutch as Schiet op de pianist, in English as Shoot the Piano Player, and which starred Charles Aznavour as a hard luck nightclub musician. We talked about the movie in detail back in November. Shorter version: when French New Wave meets film noir strange things happen. There's no release date for Belgium but the movie probably opened there shortly after its premiere in France, which was in November 1960.
Songs of sadness, loneliness, and forgetting.
Above is a poster for the French crime drama Tirez sur le pianiste, known in English as Shoot the Piano Player, and based upon the David Goodis novel Down There. We raved about the book. The movie? Well, you're supposed to love it. Make no mistake there. Though it received mixed reviews when released, most critics rhapsodize it now. This isn't unusual. Opinion will shift over time. Since director François Truffaut said he intended to make a film mainly for cinephiles, it makes sense that it eventually won critics over. The question is will it win you over?
Truffaut took a quintessentially American novel and converted it into something quintessentially French. This wasn't his initial intention. He wanted to pay tribute to American films. There are certainly American references, but he couldn't help but let his French nature come through. For example, where the book conjures torch songs and jazz, Truffaut cast singer/songwriter Charles Aznavour in the lead, and the music he plays is mostly folk songs and ditties. It's a major shift in mood. Truffaut also elected to leaven the terminal darkness of the novel with humor.
But you have to judge the product on its own merits, so if you pretend you never opened the book, Tirez sur le pianiste is certainly interesting. Truffaut either wasn't aiming for or didn't have the budget to seek technical perfection. The shadow of his camera pops up. The physical action is disjointed and unconvincing. But the film is also kinetic and beautifully shot. There's a kind of guerrilla style to it, a feel of a director doing anything that comes to mind and the story following along. We were aware of watching something uniquely artful, but not uniquely successful. So again, the question is, will it win you over? We can't say. Try it and see for yourself. Tirez sur le pianiste premiered in France today in 1960.