Vintage Pulp | Dec 16 2013 |
1967’s Casino Royale wasn’t a global Christmas movie in the sense that today’s films are, however it did premiere Christmas week in ten European countries, as well as today in Japan. The movie wasn’t good. Basic idea: Sean Connery is an imposter, so the real James Bond in the form of David Niven is coaxed out of retirement, and he comes up with a plan to confuse his arch enemies SMERSH by renaming all British agents—male and female—James Bond. Time’s review of Casino Royale was headlined “Keystone Cop Out,” and The New York Times’ Bosley Crowther was just as scathing, noting that “since it’s based more on slapstick than wit, with Bond cliché piled upon cliché, it tends to crumble and sprawl.”
Femmes Fatales | Sep 13 2013 |
Vintage Pulp | May 22 2013 |
This amazing Italian comic book cover for Ian Fleming’s Missione Royal, aka Casino Royale, with excellent cover art by Franco Picchioni, was printed in 1965. We found it over at the blog illustrated007, and there are other items there worth taking a look at if you’re inclined. Casino Royale was the first James Bond adventure written by Ian Fleming, but when it eventually hit the big screen in 1967 it was a Royale with cheese. Or more accurately, it wasn’t a Royale at all because it was a spoof that had nothing in common with Fleming’s work except the title and some characters. Still though, in its own way it was a good movie. But this cover reminds us that one thing we like about Bond as written by Fleming is his seriousness. Fleming more than once described Bond as having a “cruel mouth.” This doppleganger of Sean Connery has a cruel everything. No compassion in those eyes at all. We love it.
Vintage Pulp | May 18 2012 |
Since we were just on the subject of classic dust jackets, it seems a good time to post this first edition jacket of Ian Fleming’s Casino Royale. We put together a post of Bond first editions a while back, but left this one out because it was thematically different. Those others Bonds are some of the best covers we’ve ever seen, but this hypothetical, two-suited playing card has a certain charm of its own. Speaking of which, when contemplating what to title this post we remembered that most people think of a card trickster as a “card shark,” but “sharp” is actually the older term, though both are accurate. Just FYI. Check our other Bond dust jackets here.
Intl. Notebook | Mar 4 2010 |
We love Bond stuff here, as you’ve probably figured out already. So we were pretty excited to find this Japanese advert for Imai’s scale model Aston Martin DB-5, a car which appeared in the James Bond films Goldfinger, Thunderball, Goldeneye, Tomorrow Never Dies, and Casino Royale. The painting is a lot more impressive than the actual model, but we could be convinced to buy it anyway, as long it’s equipped with a tiny ejector seat.
Sex Files | Dec 4 2009 |
Above you see an ultra low-rent Candid Press cover from today in 1966, with the inside scoop on an interracial love affair that got the Mississippi Klan riled up and ended in a castration. Sadly, these were not uncommon events during America's apartheid era, but Candid Press had no intention of doing any real reporting on it. Instead they were about pure sexual tease, with this and other stories re-enacted photographically by models who always seemed to lose their tops. All very interesting, but of special interest to pulp fans is a feature on Vera Novak, a well-known Harrison Marks model who had shot some nudie reels and acted in a film called It’s a Bare, Bare World.
These nudie reels are way before our time, but we know they are remembered fondly. Technically they're porn, but in reality they're way too innocent to be classified that way. There's no sex at all, and the nudity is chaste by any standards. Novak had established a name as a nudie model, but the article above describes how she was about to make the leap into A-features with a part in 1967’s big budget Bond spoof Casino Royale. But guess what? She never made it into the film. Possibly she shot scenes that ended up on the cutting room floor, but she’s definitely not credited as a cast member. So, like many of the actresses we write about, she passed from film history into undocumented private life where, we can only hope, she was happy.