Bonus material: just for the hell of it, just because they exist, we've uploaded a couple of promo shots of Bienert and Buchfellner below. Their names together sound kind of like a cop show, like a prime time drama where every problem is solved within an hour. We think it would have been a hit, because they've solved our problems in just a couple of minutes. But our previous advice holds true: don't watch the movie.

Above, a cover for Walter D. Edmonds’ frontier novel The Captive Women, which appeared in 1950 as a paperback, 1949 as a hardback, and had been serialized in 1937 in the Saturday Evening Post as In the Hands of the Senecas. Basically, what you get here are separate accounts of whites, mostly women, who have been captured by Native Americans, circa 1776 to 1784. Edmonds, who wrote the acclaimed Drums Along the Mohawk, specialized in historical novels set in the American northeast. The right of white men to invade the land is presumed, but you still have to consider this fairly balanced writing for the time period. The Indians have personalities and motivations, which is the most you can hope for in 1930s-era pop fiction on this particular subject. The captive whose odyssey is followed most closely is that of a newlywed named Delia, who ends up wife to an Indian chief and bears him a child. Edmonds also wrote about fifteen books for children, including Bert Breen’s Barn, which won the National Book Award for Children’s Literature in 1976. The art here is by Denver Gillen, whose work you can see much more of at this blog.