|Vintage Pulp||Aug 30 2019|
|Vintage Pulp||Dec 26 2018|
Above is a brilliant cover for James M. Cain's Sinful Woman painted by Barye Phillips, early work from him, and among his best. This was published by Avon in 1947, and though it isn't hard to find it's dear to purchase. The story involves a famous actress who goes to Reno for a quickie divorce from her movie producer husband. When she runs into problems she charms the local sheriff—a big fan of her work—into helping out, but must deal with increasing complications. Most agree Sinful Woman isn't Cain's best, but from a purely literary perspective he's a better writer than most, even in lesser efforts. It's well worth a read.
|Vintage Pulp||Oct 2 2018|
The cover art for this 1948 Avon edition of Paul Cain's Fast One kind of looks like a guy's about to drop dead in front of a bathing woman, but actually he's merely been shoved into the bathroom by the story's anti-hero protagonist. It's always interesting which moment an artist (or a publisher directing an artist) will choose for a cover. This is not an important event in the narrative, but the chance to show a woman in the bath was apparently too enticing to pass up.
The backdrop here is prohibition era Los Angeles and the main character Gerry Kells and the femme fatale S (we never learn her first name) are pulled into a maelstrom of trouble when Kells refuses to work for his old crime buddies and in retaliation they frame him for murder. The novel was put together from five stories that appeared in Black Mask magazine, and when it was published Cain—aka Peter Ruric, aka George Sims—was hailed as a giant of hard-boiled fiction on par with Hammett and Chandler. We don't know about that, but Fast One is a good read—bare bones and quick paced and filled with random brutality.
The bio page for Fast One says Cain “has lived as he writes—at high speed and with violence.” It's a phrase that makes you want details but none are provided. We imagine the description is accurate, though, because Cain published this single novel, as well as some screenplays (including for The Black Cat), then vanished into obscurity and eventually died of alcoholism.
|Vintage Pulp||Jan 29 2018|
Above, a beautiful promo poster for the film noir Mildred Pierce made for the film's run in France, which began today in 1947, more than a year after its U.S. premiere. This is pure awesomeness from artist Roger Rojac. Note that it touts Joan Crawford's Academy Award triumph, her win as best actress. It was also nominated for best picture but beaten by Lost Weekend, which is these days considered a bit of a cheeseball classic. We have our earlier write-up on Mildred Pierce here, and a nice promo image for the film at this link.
|Vintage Pulp||May 18 2017|
A couple of days ago we shared a cover painted by Harry Barton, and today we're back with assorted examples in the same vein, once again showing instances of neck kissing, or variations very close to that. All of these were also painted by Barton, who clearly had a fine appreciation for female necks. Or male mouths. Whichever.
Barton was a prolific artist who through the ’50s and ’60s produced covers for Avon, Bantam, Dell, Monarch, and Pocket Books. He painted even more fronts with poses close to those seen here, for example men and women kissing normally, but today we decided to stick only to neck kissing. Which by the way is a nice way to spend a few minutes if you have a willing partner.
|Vintage Pulp||May 4 2017|
|Vintage Pulp||Apr 27 2017|
There are numerous vintage editions of James M. Cain's classic thriller The Postman Always Rings Twice out there, including one from the Spanish publisher Bruguera that we showed you years ago, but we recently got our hands on this 1947 Pocket Books edition, with a cover by Tom Dunn. We read the book, and there are several interesting aspects to the novel, including frightening violence, a generally amoral view of the world, and this:
|Vintage Pulp||Apr 24 2017|
We ran across this West German poster for Solange ein herz schlaegt, aka Mildred Pierce, and realized we had a substantial gap in our film noir résumé. So we watched the movie, and what struck us about it immediately is that it opens with a shooting. Not a lead-in to a shooting, but the shooting itself—fade in, bang bang, guy falls dead. These days most thrillers bludgeon audiences with big openings like that, but back in the day such action beats typically came mid- and late-film. So we were surprised by that. What we weren't surprised by was that Mildred Pierce is good. It's based on a James M. Cain novel, is directed by Michael Curtiz, and is headlined by Joan Crawford. These were top talents in writing, directing, and acting, which means the acclaim associated with the movie is deserved.
While Mildred Pierce is a mystery thriller it's also a family drama revolving around a twice-married woman's dysfunctional relationship with her gold-digging elder daughter, whose desperation to escape her working class roots leads her to make some very bad decisions. Her mother, trying to make her daughter happy, makes even worse decisions. The movie isn't perfect—for one, the daughter's feverish obsession with money seems extreme considering family financial circumstances continuously improve; and as in many movies of the period, the only black character is used as cringingly unkind comic relief. But those blemishes aside, this one is enjoyable, even if the central mystery isn't really much of a mystery. Solange ein herz schlaegt, aka Mildred Pierce opened in West Germany today in 1950.
|Vintage Pulp||Apr 20 2016|
|Vintage Pulp||Jul 5 2015|
We have no idea why scientists are surprised. Native Americans brewed many types of alcoholic beverages, so it follows they’d come up with ridiculous ways to drink them. Jean d’Ascain wrote L’or qui tue in 1946 for the Paris based publishing company La Caravelle as part of its Collection Le Ranch. On the cover Albert Chazelle art shows an early American colonist named Trish learning how to funnel, while one of the boys cops a cheap feel. The natives would later improve the funneling process by adding a tube, as well as sexually suggestive, horribly out-of-pitch singing. Genealogical note—Trish is the many-times-great grandmother of this person. Also, d’Ascain wrote a sequel where natives invent the drinking game Edward Fortyhands.