|Vintage Pulp||Aug 26 2014|
|Vintage Pulp||Aug 14 2013|
Il Trionfo della casta Susanna, for which you see two posters above, isn’t pulp influenced—it’s a period comedy set during the Napoleonic era—but it does feature giallo superstar Edwige Fenech, and any Fenech is good Fenech. Also, the promo posters were painted by Aller, who we’ve shown you a couple of times before, and like Fenech anything he does is worth sharing. Just for fun, we actually watched this film, and basically, the hostess of a hotel saves Napoleon from an assassination attempt, gets romantically entangled with him, and learns some military secrets. By the way, did you know Napoleon wasn’t short? He was about 5’7”, which was above average for those days. Anyway, there’s a lot of bed hopping, tasteful nudity, and broad humor, but really we can’t recommend the movie. Il Trionfo della casta Susanna, aka Frau Wirtin hat auch eine Nichte, aka House of Pleasure opened in Italy today in 1969.
|Vintage Pulp||Oct 25 2012|
Last year we showed you a poster by Carlo Alessandrini, the Italian illustrator who signed his work Aller. Today seemed like a good day to bring him/her back, so above and below are five more posters by the same artist. We don't know anything about him but as always we'll dig. Regardless, we’ll have more from him down the line. Know anything about this artist? Drop us a line. You can see that other amazing piece from Alessandrini/Aller here.
|Hollywoodland||Dec 29 2011|
This issue of the tabloid Exposed, with cover stars Anita Ekberg, Tony Steel, Edward G. Robinson, Elvis Presley, and Elizabeth Taylor, has a rather pleasing color scheme, but the usual rumor-mongering and innuendo inside. The “true story” of Anita Ekberg’s sudden wedding to Tony Steel isn’t really all that scintillating. Steel had met Ekberg when they worked together on the British motion picture Storm Over the Nile, which was filmed in 1955 and released the last week of December. Steel was smitten from the moment he saw Ekberg. In fact, he was so in love with her that he decided to break his contract with the film production company The Rank Organisation and follow her to Hollywood. They married in the Palazzo Vecchio in Florence, Italy, on 22 May, 1956, in a civil ceremony that was open to the public (the couple had asked the city government to bar spectators from the event but the request had been denied).
The press, however were restricted to a roped area just outside, which happened to be near a famous statue of David. According to several of the reporters present, when Ekberg passed by the nude sculpture after the ceremony she glanced up at its endowment and quipped, “My! Almost as big as Frank Sinatra’s.” You just knew Sinatra was involved in this somewhere, right? It’s like there were six or seven of him wandering around during the 1950s, so often does he pop up in other people’s personal business. Anyway, that statue of David—which is a copy of Michelangelo’s original masterpiece that stands in the Galleria dell’Accademia—has an incredibly small penis proportionate to the eighteen-foot-high body. At least, it seems small to us. Ahem. But we can assume Ekberg’s comment meant just the opposite, and concerned the non-proportionate size of the organ—i.e., quite a handful, taken on its own merits.
Now, should a bride really start married life with a public comment about another man’s dick? We think not, but we’re old-fashioned that way. Ekberg and Steel jetted off to Hollywood, where both hoped to expand their film careers. For Ekberg, that’s exactly what happened. But Steel struggled, possibly because of vitriol emanating from The Rank Organisation. He did find some work, but never attained the stature hecraved. In short order, his marriage to Ekberg was in trouble, their domestic woes either exacerbated by or rooted in his career problems. Either that or he never forgave her for that Sinatra comment. We kid, of course. Steel and Ekberg had serious difficulties, but Frankie wasn't one of them. In any case, in 1959 the couple divorced, and Tony Steel was pretty much yesterday’s news. Life goes on, after all, in the tabloids and in the world.
|Vintage Pulp||Jan 22 2011|
Hmm, how to assess Bruno Mattei’s nazisploitation flick Casa privata per le SS, aka La maison privée des SS, aka SS Girls? Well, let’s just say that the term softcore is too kind. In reality, it’s droopcore, or better yet, shrinkcore—i.e., watching this will affect your sex organs like a dip in icy waters. If you took out all the inept, thrashing semi-sex scenes, and the scenes of sweaty Gabriele Carrara playing his pipe organ, as well as the shots of Nazis laughing evilly (and interminably), what you’d have left is maybe forty minutes of Mystery Science Theatre-level awfulness about a group of women coerced into sleeping with high ranking SS officers in order to uncover a plot to betray Hitler. Our girlfriends gave up during the naked hunchback scene (“Oh my God! That’s revolting! How can you watch this?”) but we stuck with it and eventually focused our attentions on Macha Magall, who might be the only watchable cast member. But she’s eventually mutilated and dumped out a castle window, and the movie fatally plummets at that point too. So in the end, perhaps the flick’s best quality is its promo art by Aller, aka Carlo Alessandrini, which you see above. Casa privata per le SS premiered in Italy today in 1977.
|Vintage Pulp||Nov 10 2010|
What a difference four years makes. Talent-wise, the Claudia Jennings from the 1972 rags to riches flick Unholy Rollers is not remotely in the same league as the one from 1976’s Dynamite Women, which we discussed here. If Jennings ever had acting lessons, she must have driven to the first one ten minutes after Unholy Rollers wrapped. Some difficulties stem from poor scripting, editing and directing, but those problems take a backseat to the fact that Jennings simply hadn’t had enough dramatic training when she starred here. We recommend this one only for fans of Jennings and/or roller derby. Unholy Rollers premiered twenty-nine years ago today, and above we have probably the best part of it—the kick-ass promo poster painted by Aller, aka Carlo Alessandrini, for the movie's Italian run.
|Modern Pulp||Nov 18 2009|
The National Gallery in London has just opened a new art exhibit based on one of our favorite cities—Amsterdam. The exhibit is stirring up quite a controversy because of its explicit content, which critics describe as tasteless and “designed to shock.” The artists responsible, Ed and Nancy Kienholz, created partial versions of some of Amsterdam’s famous brothels back in 1983. Their new installation, “The Hoerengracht,” or the Whore Canal, features these pieces arranged to replicate a realistic walk through Amsterdam’s famous De Wallen red light district, complete with mannequins dressed as prostitutes and garish neon lights.
These were among the final pieces worked on by Ed Kienholz, who died in 1994. By that time he had achieved widespread acclaim, but even so, this is perhaps the first time his and his wife’s work has been featured in a venue as conventional and respected as the National Gallery. It is the venue’s break from its traditional roots that has generated both criticism and publicity. Now that the exhibit is open, it’s the public’s turn to decide. “The Hoerengracht”—the closest thing to Amsterdam without going there—runs through February 2010.
|Vintage Pulp||Oct 31 2009|
In the Italian sex comedy La Liceale, aka The Teasers, Gloria Guida plays the sort of cocktease supreme we’ve seen in films such as Lolita, Fast Times at Ridgemont High and American Beauty. Those are all great films, but the slapstick tone of La Liceale makes it more like a Benny Hill episode with nude scenes. Still, we give credit—Ms. Guida plays the role of a predatory virgin with an engaging sort of breeziness that makes clear why this movie was her starmaking screen appearance.
She isn’t the only sex symbol on display here—Ilona Staller, aka Ciccolina, gets her kit off as well, in her cinematic debut. You may remember she went on to a career in hardcore porn before winning election to the Italian parliament promoting a platform of legalized brothels and no nukes. While those are two sentiments we support, we can’t quite fully support La Liceale. But we think it has amazing poster art. It opened in Italy today in 1975. More Guida below.
|Intl. Notebook | Politique Diabolique||Apr 22 2009|
In Italy, artist Filippo Panseca recently unveiled a controversial painting in which Italian premier Silvio Berlusconi takes the form of a nude angel canoodling with a bare-breasted government minister and former starlet named Mara Carfagna. Though Panseca has created similar pieces over the years, including one showing Berlusconi’s wife Veronica Lario topless and with neat v-shaped pubes (below), the reaction to this new portrait surprised him. “I did it as a joke,” Panseca told the Associated Press yesterday. “I’ve been doing all sorts of works for fifty years. I didn’t expect to raise such clamor with this.”
Perhaps not, but in Italy, where politics and sex are so intertwined Italians once voted porno actress Ilona Staller into the parliament, it isn’t so surprising people took notice, particularly when one considers that two years ago Berlusconi commented to Carfagna, “If I weren’t married I would marry you immediately.” The aside infuriated Berlusconi’s wife, and she demanded a public apology. Intentionally or not, Panseca definitelycaptured a conspiratorial moment in his new portrait. Berlusconi might as well be whispering to Carfagna that he has a nice little stimulus package under his drape. In any case, now that he’s eternally enshrined on canvas with the object of his lust, it’s safe to assume his wife is seriously peeved again. If she buys the painting and burns it, we won’t be surprised. As for Filippo Panseca, perhaps it’s finally time to expand his repertoire beyond Italian political figures. We suggest a winged Sarah Palin flying above a crowd of heavily armed Alaskan bird hunters.