| Vintage Pulp | Dec 29 2019 |
The view is amazing but the amenities are sorely lacking.
Charles Williams has made us love seagoing thrillers, so whenever see a book that seems to be along those lines, we grab it. When we saw this Robert McGinnis cover for Basil Heatter's Virgin Cay, we were immediately sold. And in fact, the novel feels like a lost Charles Williams tale, thanks not only to its aquatic focus, but the fact that it's written to a nearly Williamsian skill level.
The set-up is great. A guy washes up on a chi-chi Caribbean Island after his sailboat sinks, and his appearance from out of the sea, a stranger in a community where everyone knows each other, gives one resident the idea to entice him into a foolproof murder plot by promising him enough money to buy another boat. Since the castaway is not rich, and it would take him a lifetime to save for a replacement vessel, he's mightily tempted. It's from there that things get complicated.
The art on this Gold Medal paperback, in addition to its obvious beauty, reveals an important aspect of the plot—woman alone on an isolated hump in the sea with little more than a can of water. But how do we get from a shipwrecked sailor to a woman marooned on an island? Well, if you look at the rear cover, it's clear someone deliberately leaves her there. We won't say more. Nice effort from Heatter, definitely worth a read.
The art on this Gold Medal paperback, in addition to its obvious beauty, reveals an important aspect of the plot—woman alone on an isolated hump in the sea with little more than a can of water. But how do we get from a shipwrecked sailor to a woman marooned on an island? Well, if you look at the rear cover, it's clear someone deliberately leaves her there. We won't say more. Nice effort from Heatter, definitely worth a read.
